{"id":29118,"date":"2017-02-05T11:00:49","date_gmt":"2017-02-05T10:00:49","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29118"},"modified":"2017-02-03T22:08:51","modified_gmt":"2017-02-03T21:08:51","slug":"malditos-jazztardos-el-ecologismo-y-el-jazz-con-charlie-haden-012-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/malditos-jazztardos-el-ecologismo-y-el-jazz-con-charlie-haden-012-podcast\/","title":{"rendered":"Malditos Jazztardos\u2026 el ecologismo y el jazz con Charlie Haden (012) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29119 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Don-Cherry-Dewey-Redman-Charlie-Haden-Ed-Blackwell_Old-And-New-Dreams_ECM_1979-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Don-Cherry-Dewey-Redman-Charlie-Haden-Ed-Blackwell_Old-And-New-Dreams_ECM_1979-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Don-Cherry-Dewey-Redman-Charlie-Haden-Ed-Blackwell_Old-And-New-Dreams_ECM_1979-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Don-Cherry-Dewey-Redman-Charlie-Haden-Ed-Blackwell_Old-And-New-Dreams_ECM_1979.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Don-Cherry-Dewey-Redman-Charlie-Haden-Ed-Blackwell_Old-And-New-Dreams_ECM_1979-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Don-Cherry-Dewey-Redman-Charlie-Haden-Ed-Blackwell_Old-And-New-Dreams_ECM_1979-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El contrabajista y compositor\u00a0<strong>Charlie Haden\u00a0<\/strong>no s\u00f3lo llev\u00f3 la reivindicaci\u00f3n pol\u00edtica a su m\u00fasica por medio de la\u00a0<strong>Liberation Music Orchestra<\/strong>, sino que en la grabaci\u00f3n\u00a0<em>Old And New Dreams <\/em>(ECM, 1979), realizaba por medio de \u00abSong For The Whales\u00bb un grito ecologista a favor de las ballenas, acompa\u00f1ado por <strong>Don Cherry<\/strong>,\u00a0<strong>Ed Blackwell<\/strong> y <strong>Dewey Redman<\/strong>.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2017<\/p>\n<blockquote><p><em><strong>Malditos Jazztardos<\/strong><\/em> es un <em>podcast<\/em> de jazz\u2026 para quienes no saben que les gusta el jazz.<\/p><\/blockquote>\n<p style=\"text-align: justify;\">Malditos Jazztardos est\u00e1 editado, presentado y producido por <strong>Pachi Tapiz.<\/strong><\/p>\n<p><iframe id='audio_16817113' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_16817113_4_1.html?c1=ff6600\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El contrabajista y compositor\u00a0Charlie Haden\u00a0no s\u00f3lo llev\u00f3 la reivindicaci\u00f3n pol\u00edtica a su m\u00fasica por medio de la\u00a0Liberation Music Orchestra, sino que en la grabaci\u00f3n\u00a0Old And New Dreams (ECM, 1979), realizaba por medio de \u00abSong For The Whales\u00bb un grito ecologista a favor de las ballenas, acompa\u00f1ado por Don Cherry,\u00a0Ed Blackwell<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/malditos-jazztardos-el-ecologismo-y-el-jazz-con-charlie-haden-012-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29119,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,18516,12814,15518,1038],"tags":[13370,1557,18579,8879,6965,7265,13,18580,12415,15295,15278,15710,8658,18517,9726,31,12818,15310,15709,15711,16099,77,16100,18578,18581,18582],"class_list":["entry","author-pachi","post-29118","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-malditos-jazztardos","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-charlie-haden","tag-covers","tag-dewey-redman","tag-don-cherry","tag-ed-blackwell","tag-jazz","tag-jazz-covers","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-la-actualidad-del-jazz-en-espana","tag-liberation-music-orchestra","tag-malditos-jazztardos","tag-old-and-new-dreams","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-versiones","tag-versiones-de-jazz","tag-versiones-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Don-Cherry-Dewey-Redman-Charlie-Haden-Ed-Blackwell_Old-And-New-Dreams_ECM_1979.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":46241,"url":"https:\/\/tomajazz.com\/web\/hdo-524-y-por-que-no-ed-blackwells-togo-podcast\/","url_meta":{"origin":29118,"position":0},"title":"HDO 524. \u00bfY por qu\u00e9 no?: Ed Blackwell&#8217;s Togo [Podcast]","author":"Tomajazz","date":"11 octubre, 2019","format":false,"excerpt":"Por Pachi Tapiz. HDO 524 est\u00e1 dedicado a \"Togo\", la composici\u00f3n m\u00e1s conocida del gran baterista Ed Blackwell. Cuenta la an\u00e9cdota que en un examen de final de la carrera de Filosof\u00eda, un avispado alumno ante la pregunta \"\u00bfPor qu\u00e9?\", contest\u00f3 con un rotundo \"\u00bfY por qu\u00e9 no?\". En el\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"HDO 524. \u00bfY por qu\u00e9 no?: Ed Blackwell's Togo [Podcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0524_Ed-Blackwell-y-Togo.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0524_Ed-Blackwell-y-Togo.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0524_Ed-Blackwell-y-Togo.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0524_Ed-Blackwell-y-Togo.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2052,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-song-for-the-whales-charlie-haden\/","url_meta":{"origin":29118,"position":1},"title":"Tomajazz Recomienda&#8230; un tema: \u00abSong For The Whales\u00bb (Charlie Haden) (y un CD: Old and New Dreams)","author":"Adolphus van Tenzing","date":"2 abril, 2012","format":false,"excerpt":"Old And New Dreams fue un grupo integrado por Dewey Redman, Don Cherry, Charlie Haden y Ed Blackwell, componentes de distintas formaciones de Ornette Coleman. A lo largo de sus cuatro grabaciones, adem\u00e1s de reinterpretar el legado de Ornette, los integrantes del grupo aportaron composiciones propias. Es el caso de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Old-and-new-dreams_old-and-new-dreams-CD.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":27283,"url":"https:\/\/tomajazz.com\/web\/hdo-188-charlie-haden-liberation-music-orchestra-cherry-tchicai-schweizer-francioli-favre-jakob-bro-podcast\/","url_meta":{"origin":29118,"position":2},"title":"HDO 188. Charlie Haden Liberation Music Orchestra, Cherry \u2013 Tchicai \u2013 Schweizer \u2013 Francioli \u2013 Favre, Jakob Bro [Podcast]","author":"Tomajazz","date":"4 noviembre, 2016","format":false,"excerpt":"Time Life (Impulse!, 2016; gr.2011 -2015) de Charlie Haden Liberation Music Orchestra, Musical Monsters (Intakt, 2016; gr.1980) de Don Cherry \u2013 John Tchicai \u2013 Ir\u00e8ne Schweizer \u2013 L\u00e9on Francioli \u2013 Pierre Favre; Streams (ECM, 2016; gr. 2015) de Jakob Bro (junto a Thomas Morgan y Joey Baron) en HDO 188.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Charlie-Haden-Liberation-Music-Orchestra_Time-Life_Impulse_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":27288,"url":"https:\/\/tomajazz.com\/web\/hdo-188-redux\/","url_meta":{"origin":29118,"position":3},"title":"HDO 188 Redux","author":"Tomajazz","date":"3 noviembre, 2016","format":false,"excerpt":"Versi\u00f3n reducida, adelanto del HDO 188 en el que escucharemos m\u00fasica de Charlie Haden Liberation Music Orchestra, Don Cherry \u2013 John Tchicai \u2013 Ir\u00e8ne Schweizer \u2013 L\u00e9on Francioli \u2013 Pierre Favre,\u00a0y Jakob Bro (junto a Thomas Morgan y Joey Baron).","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/HDO-181-Redux.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/HDO-181-Redux.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/HDO-181-Redux.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/HDO-181-Redux.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/HDO-181-Redux.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/HDO-181-Redux.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":30633,"url":"https:\/\/tomajazz.com\/web\/malditos-jazztardos-charlie-watts-y-un-clasico-de-los-rolling-stones-023-podcast\/","url_meta":{"origin":29118,"position":4},"title":"Malditos Jazztardos\u2026 Charlie Watts y un cl\u00e1sico de los Rolling Stones (023) [Podcast]","author":"Tomajazz","date":"21 mayo, 2017","format":false,"excerpt":"En Charlie Watts meets The Danish Radio Big Band (Impulse!, 2017), el baterista de los Rolling revisitaba \u00abYou Can\u2019t Always Get What You Want\u00bb, uno de los cl\u00e1sicos indiscutibles del repertorio stoniano. En la entrega 23 de Malditos Jazztardos escuchamos al baterista de este grupo.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Charlie-Watts-meets-The-Danish-Radio-Big-Band-e1494450079990.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Charlie-Watts-meets-The-Danish-Radio-Big-Band-e1494450079990.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Charlie-Watts-meets-The-Danish-Radio-Big-Band-e1494450079990.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28856,"url":"https:\/\/tomajazz.com\/web\/malditos-jazztardos-y-una-de-nirvana-008-podcast\/","url_meta":{"origin":29118,"position":5},"title":"Malditos Jazztardos&#8230; y una de Nirvana (008) [Podcast]","author":"Tomajazz","date":"22 enero, 2017","format":false,"excerpt":"En\u00a0Malditos Jazztardos #8, la versi\u00f3n que la\u00a0Josh Roseman Unit\u00a0realizaba en\u00a0Cherry\u00a0(Knitting Factory, 2001), de \"Smells Like Teen Spirit\" de\u00a0Nirvana. En este tema participaban Josh Roseman, Lester Bowie, Joey Baron, John Medeski, Dave Fiuczinsky, Bob Stewart y\u00a0 Jay Rogrigues. \u00a9 Pachi Tapiz, 2017 Malditos Jazztardos es un podcast de jazz\u2026 para quienes\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Malditos-Jazztardos_logo_02_definitivo_01.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29118"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29118\/revisions"}],"predecessor-version":[{"id":29122,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29118\/revisions\/29122"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29119"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}