{"id":29255,"date":"2017-02-21T12:00:34","date_gmt":"2017-02-21T11:00:34","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29255"},"modified":"2018-05-04T11:41:36","modified_gmt":"2018-05-04T09:41:36","slug":"365-razones-para-amar-el-jazz-un-disco-john-zorn-spy-vs-spy-52","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-john-zorn-spy-vs-spy-52\/","title":{"rendered":"365 razones para amar el jazz: un disco. John Zorn: Spy vs. Spy [52]"},"content":{"rendered":"

\"\"Un disco. John Zorn<\/strong>: Spy Vs. Spy. The Music Of Ornette Coleman<\/em> (Nonesuch, 1988)<\/p>\n

Seleccionado por\u00a0Pachi Tapiz<\/strong>.<\/p>\n

Con John Zorn, Tim Berne, Joey Baron, \u00a0Michael Vatcher, Mark Dresser<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un disco. John Zorn: Spy Vs. Spy. The Music Of Ornette Coleman (Nonesuch, 1988) Seleccionado por\u00a0Pachi Tapiz. Con John Zorn, Tim Berne, Joey Baron, \u00a0Michael Vatcher, Mark Dresser.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29256,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,18155,13061,20689,15517,1038],"tags":[18715,18716,18165,18719,13,12415,15295,18720,18717,1869,6476,15710,8292,4820,104,1200,31,18718,5583,16099,77,16100],"class_list":["entry","author-pachi","post-29255","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-365-razones-para-amar-el-jazz","category-ornette-coleman-gracias-maestro","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-joey-baron","tag-john-zorn","tag-la-actualidad-del-jazz-en-espana","tag-mark-dresser","tag-michael-vatcher","tag-nonesuch","tag-ornette-coleman","tag-pachi-tapiz","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-tim-berne","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/John-Zorn_Spy-Vs.-Spy_Elektra_1988.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":36471,"url":"https:\/\/tomajazz.com\/web\/razones-para-jazz-un-disco-spy-vs-spy-zorn-berne-dresse-vatcher-baron-418\/","url_meta":{"origin":29255,"position":0},"title":"Razones para jazz: un disco. Spy vs Spy (Zorn – Berne – Dresser – Vatcher – Baron) [418]","author":"Tomajazz","date":"4 mayo, 2018","format":false,"excerpt":"Un disco. Spy vs Spy (1988). John Zorn, Tim Berne, Mark Dresser, Michael Vatcher & Joey Baron, Play the Music of Ornette Coleman. Seleccionado por Trusqui & Jack Torrance.","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"Razones para jazz: un disco. 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John Zorn: \u00abBlues Connotation\u00bb [Spy vs. Spy: The Music of Ornette Coleman (Elektra Musician, 1989)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"6 noviembre, 2021","format":false,"excerpt":"En el JazzX5 de fin de semana, la revisi\u00f3n que John Zorn, Tim Berne, Mark Dresser, Joey Baron y Michael Vatcher, realizaban de \"Blues Connotation\", tema de Ornette Coleman que aparec\u00eda en el fenomenal Spy Vs. Spy (Elektra, 1989).","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36481,"url":"https:\/\/tomajazz.com\/web\/razones-para-jazz-un-disco-de-perversiones-spy-vs-spy-zorn-berne-dresse-vatcher-baron-420\/","url_meta":{"origin":29255,"position":2},"title":"Razones para jazz: un disco de (per)versiones. Spy vs Spy (Zorn \u2013 Berne \u2013 Dresser \u2013 Vatcher \u2013 Baron) [420]","author":"Tomajazz","date":"6 mayo, 2018","format":false,"excerpt":"Un disco de gloriosas versiones de cl\u00e1sicos del jazz puestos al d\u00eda:\u00a0Spy vs Spy\u00a0(1988).\u00a0John Zorn, Tim Berne, Mark Dresser, Michael Vatcher & Joey Baron, Play the Music of Ornette Coleman. Seleccionado por Mister Flasker","rel":"","context":"En \u00ab*_Mister Flasker\u00bb","block_context":{"text":"*_Mister Flasker","link":"https:\/\/tomajazz.com\/web\/category\/_mister-flasker\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36476,"url":"https:\/\/tomajazz.com\/web\/razones-para-jazz-una-portada-spy-vs-spy-zorn-berne-dresse-vatcher-baron-419\/","url_meta":{"origin":29255,"position":3},"title":"Razones para jazz: una portada. Spy vs Spy (Zorn \u2013 Berne \u2013 Dresse \u2013 Vatcher \u2013 Baron) [419]","author":"Tomajazz","date":"5 mayo, 2018","format":false,"excerpt":"Una portada (gloriosa) de\u00a0Mark Beyer:\u00a0Spy vs Spy\u00a0(1988).\u00a0John Zorn, Tim Berne, Mark Dresser, Michael Vatcher & Joey Baron, Play the Music of Ornette Coleman. Seleccionado por Se\u00f1or X","rel":"","context":"En \u00ab*_Se\u00f1or X\u00bb","block_context":{"text":"*_Se\u00f1or X","link":"https:\/\/tomajazz.com\/web\/category\/senor-x\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1569,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-spy-vs-spy-the-music-of-ornette-coleman-john-zorn-1989\/","url_meta":{"origin":29255,"position":4},"title":"Tomajazz recomienda\u2026 un cd: Spy Vs. Spy \u2013 The Music of Ornette Coleman (John Zorn, 1989)","author":"Adolphus van Tenzing","date":"25 julio, 2011","format":"image","excerpt":"Spy Vs. Spy de John Zorn es uno de los homenajes a la m\u00fasica de Ornette Coleman m\u00e1s sinceros y brutales que jam\u00e1s se han hecho.\u00a0Tim Berne, Mark Dresser, Joey Baron, Michael Vatcher y John Zorn dan una vuelta de tuerca al legado de Ornette llev\u00e1ndolo a los terrenos del\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/spy-vs.-spy-the-music-of-ornette-coleman.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":100104,"url":"https:\/\/tomajazz.com\/web\/fred-hersch-the-surrounding-green-ecm-2025\/","url_meta":{"origin":29255,"position":5},"title":"Fred Hersch: The Surrounding Green (ECM; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"5 octubre, 2025","format":false,"excerpt":"The Surrounding Green (ECM; 2025) es la nueva grabaci\u00f3n de Fred Hersch. 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