{"id":2948,"date":"2010-01-27T21:39:00","date_gmt":"2010-01-27T20:39:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2948"},"modified":"2010-01-27T21:39:00","modified_gmt":"2010-01-27T20:39:00","slug":"pelayo-fernandez-arrizabalaga-la-musica-del-artista","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/pelayo-fernandez-arrizabalaga-la-musica-del-artista\/","title":{"rendered":"Pelayo Fern\u00e1ndez Arrizabalaga: la m\u00fasica del artista"},"content":{"rendered":"<div>\n<a href=\"http:\/\/www.tomajazz.com\/chaminera\/pelayo_fernandez\/clonicos_festival_jazz_madrid_1985.jpg\" imageanchor=\"1\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/www.tomajazz.com\/chaminera\/pelayo_fernandez\/clonicos_festival_jazz_madrid_1985.jpg\" alt=\"\" title=\"\"><\/a>\n<\/div>\n<div>Si hace unos d\u00edas (ver <a href=\"http:\/\/www.tomajazz.com\/bun\/2010\/01\/pelayo-fernandez-arrizabalaga-la-voz.html\" target=\"_blank\">Pelayo Fern\u00e1ndez Arrizabalaga: la voz del artista<\/a>) me hac\u00eda eco del programa que la radio del MACBA de Barcelona dedicaba a Pelayo Fern\u00e1ndez Arrizabalaga, en el que pod\u00edamos escuchar a este artista multidisciplinar hablar sobre su carrera, no puedo resistirme a se\u00f1alar que est\u00e1 disponible la segunda parte del programa: m\u00e1s de setenta minutos en la que la voz de este m\u00fasico es sustituido por su m\u00fasica. En concreto, esta es la lista de lo que suena a lo largo del programa:\n<\/div>\n<ul>\n<li>Hildegard Kleeb &#038; Pelayo Arrizabalaga, \u00abMartillo Contra Aguja\u00bb (<i>am(vr)ee<\/i>, 2007)<\/li>\n<li>Pelayo F. Arrizabalaga, \u00abLa piel de un milenio\u00bb (<i>Electroacoustic Works<\/i> 1999)<\/li>\n<li>Pelayo F. Arrizabalaga, \u00abRabioso\u00bb (<i>Alto Saxophone Solos<\/i>)<\/li>\n<li>FMOL Trio, \u00abString Quartet\u00bb (<i>Live at Metronom<\/i>, 2000)<\/li>\n<li>Pelayo F. Arrizabalaga, \u00abCielo e Infierno\u00bb (<i>Laboratorio<\/i>, 2001)<\/li>\n<li>Cl\u00f3nicos, \u00abPa Eli\u00bb (<i>Aspetti Diversi<\/i>, 1985)<\/li>\n<li>Pelayo F. Arrizabalaga, \u00abPieza Met\u00e1lica\u00bb (<i>Electronic Works 1996-1997<\/i>)<\/li>\n<li>Clonicos \/ 1996 \u00ab1\u00bb, (<i>El mundo del fin del tiempo<\/i>, 2001)<\/li>\n<li>Pelayo-Nubla, \u00abHal.Lucin\u00bb (<i>Galvana<\/i>, 1992)<\/li>\n<li>FMOL Trio, \u00abNoise\u00bb (<i>Live at Metronom<\/i>, 2000)<\/li>\n<li>Cl\u00f3nicos, \u00abApocalipsis\u00bb (<i>Aspetti Diversi<\/i>, 1985)<\/li>\n<li>Pelayo F. Arrizabalaga, \u00abEl sabor de la ciudad\u00bb (<i>Electronic Works 1996-1997<\/i>)<\/li>\n<li>Pelayo F. Arrizabalaga \/ W. Spencer, \u00abBassin Street Blues\u00bb (<i>COSMOS 21 &#8211; 15 a\u00f1os con la m\u00fasica espa\u00f1ola I: Lo festivo<\/i>, 2003)<\/li>\n<li>Pelayo F. Arrizabalaga, \u00abAtravesando un cuadro\u00bb (<i>Electronic Works 1996-1997<\/i>)<\/li>\n<li>Pelayo F. Arrizabalaga, \u00abArte Inspirado\u00bb, (<i>Nits D&#8217;Aielo i Art 5<\/i>, 2002)<\/li>\n<li>FMOL Trio, \u00abSinus\u00bb (<i>Live at Metronom<\/i>, 2000)<\/li>\n<\/ul>\n<div>Un complemento perfecto para ilustrar sus ideas, su trabajo y sus reflexiones sobre el proceso creativo.\n<\/div>\n<div><\/div>\n<div>Pachi Tapiz\n<\/div>\n<div>Fotograf\u00eda:\u00a0Cl\u00f3nicos. Justo\u00a0Bag\u00fceste, Pelayo Fern\u00e1ndez Arrizabalaga.\u00a0Festival Jazz Madrid 1985.\u00a0Perteneciente a la colecci\u00f3n de Pelayo Fern\u00e1ndez Arrizabalaga.\u00a0<span>\u00a9 Pelayo Fern\u00e1ndez Arrizabalaga<\/span>\n<\/div>\n<p><span><\/span><\/p>\n<div>\n<div>RWM (Radio Web Macba). Improvisaci\u00f3n:\u00a0<a href=\"http:\/\/rwm.macba.cat\/es\/investigacion\/\" target=\"_blank\" rel=\"noopener\">http:\/\/rwm.macba.cat\/es\/investigacion\/<\/a>\n<\/div>\n<\/div>\n<div>\n<div>M\u00e1s sobre Pelayo Fern\u00e1ndez Arrizabalaga en Tomajazz:\n<\/div>\n<div>Cl\u00f3nicos &#8211; Les Anciens en concierto (<span><span>Festival No-no L\u00f2gic 2009, Barcelona, 29-XI-2009):\u00a0<span><a href=\"http:\/\/www.tomajazz.com\/conciertos\/2009\/11\/no-no-logic.html\" target=\"_blank\">http:\/\/www.tomajazz.com\/conciertos\/2009\/11\/no-no-logic.html<\/a><\/span><\/span><\/span>\n<\/div>\n<\/div>\n<div>\n<div>Pelayo Fern\u00e1ndez Arrizabalaga \u00aba solo\u00bb:<a href=\"http:\/\/www.tomajazz.com\/chaminera\/pelayo_fernandez.htm\" target=\"_blank\">http:\/\/www.tomajazz.com\/chaminera\/pelayo_fernandez.htm<\/a>\n<\/div>\n<\/div>\n<div>\n<div>Un disco muy especial: Hildegard Kleeb &#8211; Pelayo Arrizabalaga \u00abam(vr)ee\u00bb:\u00a0<a href=\"http:\/\/www.tomajazz.com\/bun\/2009\/09\/un-disco-muy-especial-hildegard-kleeb.html\" target=\"_blank\">http:\/\/www.tomajazz.com\/bun\/2009\/09\/un-disco-muy-especial-hildegard-kleeb.html<\/a>\n<\/div>\n<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Si hace unos d\u00edas (ver Pelayo Fern\u00e1ndez Arrizabalaga: la voz del artista) me hac\u00eda eco del programa que la radio del MACBA de Barcelona dedicaba a Pelayo Fern\u00e1ndez Arrizabalaga, en el que pod\u00edamos escuchar a este artista multidisciplinar hablar sobre su carrera, no puedo resistirme a se\u00f1alar que est\u00e1 disponible<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/pelayo-fernandez-arrizabalaga-la-musica-del-artista\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-2948","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2955,"url":"https:\/\/tomajazz.com\/web\/pelayo-fernandez-arrizabalaga-la-voz-del-artista\/","url_meta":{"origin":2948,"position":0},"title":"Pelayo Fern\u00e1ndez Arrizabalaga: la voz del artista","author":"Tomajazz","date":"12 enero, 2010","format":false,"excerpt":"Dentro de la programaci\u00f3n de la radio web del MACBA (Museo de Arte Contempor\u00e1neo de Barcelona), se ha iniciado la serie\u00a0Investigaci\u00f3n\u00a0\"con el objetivo de observar de cerca escenas y personajes clave en el mundo del arte contempor\u00e1neo que se inicia con AVANT, un monogr\u00e1fico sobre la m\u00fasica experimental en Espa\u00f1a\".\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":91693,"url":"https:\/\/tomajazz.com\/web\/lem-2024-1\/","url_meta":{"origin":2948,"position":1},"title":"Slight Deform \/ Pelayo Arrizabalaga &#038; Eli Gras (LEM 2024 -concierto inaugural- \/ Museu de la M\u00fasica, Sala de Teclats, 04-octubre-2024 \/ Barcelona) [I] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"14 noviembre, 2024","format":false,"excerpt":"Slight Deform \/ Pelayo Arrizabalaga & Eli Gras (actuaron en el concierto inaugural de LEM 2024 (Barcelona). Joan Cort\u00e8s los retrata en INSTANTZZ. Actuaron Clara Lai, Ferran Fages, Pelayo Arrizabalaga, Eli Gras","rel":"","context":"En \u00abLEM 2024\u00bb","block_context":{"text":"LEM 2024","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/lem-2024\/"},"img":{"alt_text":"Slight Deform \/ Pelayo Arrizabalaga & Eli Gras (LEM 2024 -concierto inaugural- \/ Museu de la M\u00fasica, Sala de Teclats, 04-octubre-2024 \/ Barcelona) [I] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Slight Deform \/ Pelayo Arrizabalaga & Eli Gras (actuaron en el concierto inaugural de LEM 2024 (Barcelona). Joan Cort\u00e8s los retrata en INSTANTZZ. Actuaron Clara Lai, Ferran Fages, Pelayo Arrizabalaga, Eli Gras","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/destacada-13-Cncrt-ngrl-LxM-24-By-Joan-Cortes-Ms-d-l-Msc-Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/destacada-13-Cncrt-ngrl-LxM-24-By-Joan-Cortes-Ms-d-l-Msc-Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/destacada-13-Cncrt-ngrl-LxM-24-By-Joan-Cortes-Ms-d-l-Msc-Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18660,"url":"https:\/\/tomajazz.com\/web\/pelayo-f-arrizabalaga-y-frontton-o-el-tono-de-vanguardia-entrevista-por-pachi-tapiz\/","url_meta":{"origin":2948,"position":2},"title":"Pelayo F. Arrizabalaga y Frontton, o el tono de vanguardia. Entrevista por Pachi Tapiz","author":"Tomajazz","date":"4 junio, 2015","format":"image","excerpt":"\u00bfSe puede grabar un CD de jazz sin versionar \u201cBasin Street Blues\u201d? \u00bfY sin realizar una imitaci\u00f3n de \u201cSt. James Infirmary\u201d? \u00bfE incluyendo, por el contrario, un tema dedicado a ese m\u00edtico personaje llamado Correcaminos? Se puede\u2026 En el caso del tr\u00edo cubano-polaco-hispano con un nombre tan inspirador como Frontton,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/FronTTon-2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/FronTTon-2014.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/FronTTon-2014.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/FronTTon-2014.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3034,"url":"https:\/\/tomajazz.com\/web\/un-disco-muy-especial-hildegard-kleeb-pelayo-arrizabalaga-amvree\/","url_meta":{"origin":2948,"position":3},"title":"Un disco muy especial: Hildegard Kleeb &#8211; Pelayo Arrizabalaga &quot;am(vr)ee&quot;","author":"Tomajazz","date":"21 septiembre, 2009","format":false,"excerpt":"Hay discos especiales.Discos en el que sus m\u00fasicas parece que estuvieran escritas mientras sus autores pensaban en un oyente en concreto.En uno mismo.(Algunos) Discos con unas m\u00fasicas que se te pegan como la piel lo hace a la carne.A veces me gustar\u00eda intentar contar algo m\u00e1s de esos discos.De (algunos\u2026","rel":"","context":"En \u00abDuke Ellington\u00bb","block_context":{"text":"Duke Ellington","link":"https:\/\/tomajazz.com\/web\/tag\/duke-ellington\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":19470,"url":"https:\/\/tomajazz.com\/web\/song-x-homenaje-a-ornette-coleman-hdo-entrega-0006-audioblog\/","url_meta":{"origin":2948,"position":4},"title":"Song X. Homenaje a Ornette Coleman. HDO (entrega 0006) [Audioblog]","author":"Tomajazz","date":"2 septiembre, 2015","format":"audio","excerpt":"De vuelta a la nueva temporada de Tomajazz, el audioblog HDO comienza su andadura con una nueva entrada titulada Song X. Esta surge al hilo de la primera parte del \"Meeting about Ornette\", un encuentro realizado por el grupo El Intruso\u00a0(integrado por\u00a0Hector Crehuet, Javier Guzm\u00e1n, Sam Davidson y Pedro L\u00f3pez),\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150827_001-e1441136546898.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150827_001-e1441136546898.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150827_001-e1441136546898.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150827_001-e1441136546898.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150827_001-e1441136546898.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":55197,"url":"https:\/\/tomajazz.com\/web\/44-festival-de-jazz-de-vitoria-gasteizko-jazzaldia-14-al-18-de-julio-de-2021-noticias-de-jazz\/","url_meta":{"origin":2948,"position":5},"title":"44 Festival de Jazz de Vitoria &#8211; Gasteizko Jazzaldia (14 al 18 de julio de 2021) [Noticias de jazz]","author":"Tomajazz","date":"24 junio, 2021","format":false,"excerpt":"Entre el 4 al 18 de julio de 2021 tendr\u00e1 lugar en Vitoria la 44\u00aa edici\u00f3n del Festival de Jazz de Vitoria \u2013 Gasteiz. Thumbscrew, Gonzalo del Val Tr\u00edo, Mois\u00e9s S\u00e1nchez, Atlantic Bridge o Antonio Sanchez Special Quartet son algunos de los grupos que participar\u00e1n en el Festival.","rel":"","context":"En \u00abNoticias\u00bb","block_context":{"text":"Noticias","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/noticias-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/44-Festival-de-Jazz-de-Vitoria-Gasteiz-2021.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/44-Festival-de-Jazz-de-Vitoria-Gasteiz-2021.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/44-Festival-de-Jazz-de-Vitoria-Gasteiz-2021.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/44-Festival-de-Jazz-de-Vitoria-Gasteiz-2021.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/44-Festival-de-Jazz-de-Vitoria-Gasteiz-2021.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2948"}],"version-history":[{"count":0,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2948\/revisions"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}