{"id":2951,"date":"2010-01-25T23:00:00","date_gmt":"2010-01-25T22:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2951"},"modified":"2016-04-10T23:06:49","modified_gmt":"2016-04-10T21:06:49","slug":"eri-yamamoto-trio-in-each-day-something-good","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/eri-yamamoto-trio-in-each-day-something-good\/","title":{"rendered":"Eri Yamamoto Trio – In Each Day, Something Good"},"content":{"rendered":"
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Tras publicar en 2008\u00a0Redwoods<\/i>, la pianista japonesa Eri Yamamoto publica una nueva grabaci\u00f3n con su tr\u00edo, de nuevo en AUM Fidelity.\u00a0In Each Day Something Good<\/i>\u00a0es la sexta obra en catorce a\u00f1os de esta formaci\u00f3n, y tal y como ocurr\u00eda en la grabaci\u00f3n precedente, Yamamoto vuelve a insistir en el aspecto mel\u00f3dico de su trabajo, con unas composiciones que si bien dejan entrever una cierta melancol\u00eda en alg\u00fan momento, tambi\u00e9n son capaces de transmitir una sensaci\u00f3n positiva que comienza desde la misma portada, tanto con el t\u00edtulo del CD como con su ilustraci\u00f3n.\n<\/div>\n
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Musicalmente el tr\u00edo funciona con una gran libertad y a un gran nivel. Al contrario de lo que sucede en otros casos, estamos ante la formaci\u00f3n con piano por antonomasia, Eri Yamamoto en esta ocasi\u00f3n\u00a0trabaja\u00a0exclusivamente con material propio. A lo largo de sus diez composiciones aparecen multitud de espacios para que los tres m\u00fasicos, dentro de la unidad que requieren el formato y la orientaci\u00f3n de la m\u00fasica, trabajen con una enorme independencia. Buena muestra son \u00abAttraction of the Moon\u00bb, la juguetona \u00abI Was Born\u00bb, los paisajes lejanos evocados por \u00abBlue In Tunisia\u00bb o ese precioso tema con aromas a vals titulado \u00abWe’ll Figure Out Blues\u00bb, l\u00edrico y emocionante.\n<\/div>\n<\/div>\n
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Pachi Tapiz\n<\/div>\n<\/div>\n
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Eri Yamamoto Trio –\u00a0In Each Day, Something Good<\/i>\n<\/div>\n
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Eri Yamamoto (piano), David Ambrosio (contrabajo), Ikuo Takeuchi (bater\u00eda)\n<\/div>\n
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\u00abAttraction of the Moon\u00bb, \u00abSecret Link\u00bb, \u00abEvery Day\u00bb, \u00abWe’ll Figure Out Blues\u00bb, \u00abBlue In Tunisia\u00bb, \u00abI Was Born\u00bb, \u00abA Little Suspicious\u00bb, \u00abLet’s Eat, Then Everything Will Be OK\u00bb, \u00abA Little Escape\u00bb, \u00abSheep Song\u00bb\n<\/div>\n<\/div>\n
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Todos los temas compuestos por Eri Yamamoto\n<\/div>\n<\/div>\n
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\u00abEvery Day\u00bb, \u00abA Little Escape\u00bb, \u00abI Was Born\u00bb, \u00abA Little Suspicious\u00bb, \u00abLet’s Eat, Then Everything Will Be OK\u00bb compuestas como banda sonora para la pel\u00edcula muda \u00abI Was Born, But…\u00bb (1932. Dirigida por Yasujiro Ozu).\n<\/div>\n<\/div>\n
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Grabado el 19 de agosto de 2009 en Systems Two, Brooklyn. Publicado en 2010 por AUM Fidelity. AUM059\n<\/div>\n<\/div>\n<\/div>\n
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Tras publicar en 2008\u00a0Redwoods, la pianista japonesa Eri Yamamoto publica una nueva grabaci\u00f3n con su tr\u00edo, de nuevo en AUM Fidelity.\u00a0In Each Day Something Good\u00a0es la sexta obra en catorce a\u00f1os de esta formaci\u00f3n, y tal y como ocurr\u00eda en la grabaci\u00f3n precedente, Yamamoto vuelve a insistir en el aspectoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2951","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8636,"url":"https:\/\/tomajazz.com\/web\/eri-yamamoto-trio-firefly-aum-fidelity-2013\/","url_meta":{"origin":2951,"position":0},"title":"Eri Yamamoto Trio: Firefly (AUM Fidelity, 2013)","author":"Tomajazz","date":"24 octubre, 2013","format":false,"excerpt":"La pianista de Osaka, Eri Yamamoto, lleva viviendo desde hace 17 a\u00f1os en Nueva York. Junto a Ikuo Takeuchi y David Ambrosio, durante once a\u00f1os, este tr\u00edo ha tocado de manera estable en un club del Greenwich Village. Tras The Next Page\u00a0su aclamado pen\u00faltimo trabajo publicado el a\u00f1o pasado, llega\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Eri Yamamoto Trio Firefly","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Eri-Yamamoto-Trio-Firefly.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":88813,"url":"https:\/\/tomajazz.com\/web\/eri-yamamoto-trio-andratx-2024\/","url_meta":{"origin":2951,"position":1},"title":"Eri Yamamoto Trio (Jazz y M\u00e1s 2024. Studio Weil, Andratx, Mallorca. 2024-07-31) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"2 septiembre, 2024","format":false,"excerpt":"Eri Yamamoto Trio actu\u00f3 en Jazz y M\u00e1s 2024, en Andratx, Mallorca, el 31 de julio de 2024. Jos\u00e9 Luis Luna Rocafort retrat\u00f3 a la pianista en INSTANTZZ. Actuaron Eri Yamamoto, Masa Kamaguchi, David Xirgu, Bruce Barth","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Eri Yamamoto Trio (Jazz y M\u00e1s 2024. Studio Weil, Andratx, Mallorca. 2024-07-31) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Eri Yamamoto Trio actu\u00f3 en Jazz y M\u00e1s 2024, en Andratx, Mallorca, el 31 de julio de 2024. Jos\u00e9 Luis Luna Rocafort retrat\u00f3 a la pianista en INSTANTZZ. Actuaron Eri Yamamoto, Masa Kamaguchi, David Xirgu, Bruce Barth","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/09\/012.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/09\/012.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/09\/012.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3142,"url":"https:\/\/tomajazz.com\/web\/eri-yamamoto\/","url_meta":{"origin":2951,"position":2},"title":"Eri Yamamoto","author":"Tomajazz","date":"18 noviembre, 2008","format":false,"excerpt":"Aunque no sea muy conocida, la pianista Eri Yamamoto les resultar\u00e1 familiar a quienes hayan seguido algunos de los \u00faltimos trabajos de William Parker en AUM Fidelity. Yamamoto ha participado en Luc\u2019s Lantern del William Parker Trio y Corn Meal Dance del proyecto Raining On The Moon. En estas dos\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":39862,"url":"https:\/\/tomajazz.com\/web\/instantzz-eri-yamamoto-trio-concierto-inaugural-ciclo-tgnjazz-tarragona-2018-10-27-galeria-fotografica\/","url_meta":{"origin":2951,"position":3},"title":"INSTANTZZ: Eri Yamamoto Trio (Concierto inaugural ciclo TgnJazz, Tarragona. 2018-10-27) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"18 noviembre, 2018","format":false,"excerpt":"Por Joan Abella Escuer. Concierto inaugural del ciclo TgnJazz de Tarragona. Fecha: 27-10-2018. 20,30h. Lugar: Teatre El Magatzem, Tarragona. Festival: Tgn Jazz 2018-19 Grupo: Eri Yamamoto Trio Eri Yamamoto, piano David Mengual, contrabajo David Xirgu, bateria Tomajazz:\u00a0\u00a9\u00a0Joan Abella, 2018","rel":"","context":"En \u00ab*_Joan Abella Escuer\u00bb","block_context":{"text":"*_Joan Abella Escuer","link":"https:\/\/tomajazz.com\/web\/category\/_joan-abella-escuer\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/6.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/6.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/6.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/6.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":12675,"url":"https:\/\/tomajazz.com\/web\/imatjazz-eri-yamamoto\/","url_meta":{"origin":2951,"position":4},"title":"IMATJAZZ: Eri Yamamoto","author":"Tomajazz","date":"10 junio, 2014","format":false,"excerpt":"Eri Yamamoto Eri Yamamoto Trio 27 Festival Jazz Terrassa Nova Jazz Cava,\u00a0Terrassa, Barcelona. 2008-03-01 \u00a9 Joan Cort\u00e8s, 2014","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/IMJ076_ERI-YAMAMOTO-%C2%A9Joan-Cort%C3%A8s_01mar08_Eri-Yamamoto-Trio_Nova-Jazz-Cava_27-Fest-Jazz-Terrassa_Terrassa.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28399,"url":"https:\/\/tomajazz.com\/web\/hdo-214-el-centro-es-el-piano-e-s-t-yamamoto-douglas-woeste-sanders-strosahl-podcast\/","url_meta":{"origin":2951,"position":5},"title":"HDO 214. El centro es el piano: e.s.t., Yamamoto, Douglas – Woeste, Sanders \u2013 Strosahl [Podcast]","author":"Tomajazz","date":"28 diciembre, 2016","format":false,"excerpt":"En el programa 214 de HDO del 28 de diciembre de 2016, las cuatro propuestas giran, o tienen al piano como protagonista. Ocho a\u00f1os despu\u00e9s del fallecimiento de Esbj\u00f6rn Svensson, se publica E.S.T. Symphony (ACT, 2016), en el que sus compa\u00f1eros en E.S.T. (posiblemente el tr\u00edo de piano m\u00e1s influyente\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/e.s.t._Symphony_ACT_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2951"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2951\/revisions"}],"predecessor-version":[{"id":23125,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2951\/revisions\/23125"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}