{"id":2952,"date":"2010-01-21T20:02:00","date_gmt":"2010-01-21T19:02:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2952"},"modified":"2013-04-19T17:23:02","modified_gmt":"2013-04-19T15:23:02","slug":"para-ser-un-buen-oyente-una-cita-de-igor-stranvinsky","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/para-ser-un-buen-oyente-una-cita-de-igor-stranvinsky\/","title":{"rendered":"Para ser un buen oyente&#8230; una cita de Igor Stranvinsky"},"content":{"rendered":"<div><a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/igor-stranvisnky-701193.gif\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/igor-stranvisnky-701191.gif\" border=\"1\" title=\"\"><\/a><\/div>\n<p>\u00abTo be a good listener, you must acquire a musical culture &#8230; you must be familiar with the history and development of music, you must listen &#8230; To receive music you have to open your ears and wait for the music; you must believe that it is something you need &#8230; To listen is an effort, and just to hear has no merit. A duck hears also!\u00bb<\/p>\n<div>\n<div>Igor Stravinsky, Robert Craft<\/div>\n<div><i>Memories and Commentaries<\/i><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00abTo be a good listener, you must acquire a musical culture &#8230; you must be familiar with the history and development of music, you must listen &#8230; To receive music you have to open your ears and wait for the music; you must believe that it is something you need<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/para-ser-un-buen-oyente-una-cita-de-igor-stranvinsky\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,1038,4758],"tags":[4773,6255],"class_list":["entry","author-pachi","post-2952","post","type-post","status-publish","format-standard","category-bun","category-contenidos","category-blogs","tag-cita","tag-igor-stravinsky"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10490,"url":"https:\/\/tomajazz.com\/web\/tomajazz-interviews-anthony-braxton-ii\/","url_meta":{"origin":2952,"position":0},"title":"Tomajazz interviews Anthony Braxton (II)","author":"Sergio Cabanillas","date":"1 diciembre, 2007","format":false,"excerpt":"Go back to the first part In this second part, Braxton elaborates \u00ad\u2013 at length \u2013 on the evolution of his music in the last twenty years, the origin and development of the Ghost Trance Musics, his advice to newcomers to his music, his perception of his own audience, and,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Anthony Braxton \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ANTHONY_BRAXTON_7587.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13836,"url":"https:\/\/tomajazz.com\/web\/roni-ben-hur-expanding-the-tradition-by-sergio-cabanillas-and-arturo-mora\/","url_meta":{"origin":2952,"position":1},"title":"Roni Ben-Hur: Expanding the tradition, by Sergio Cabanillas and Arturo Mora","author":"Sergio Cabanillas","date":"10 marzo, 2007","format":false,"excerpt":"Israel-born guitarist Roni Ben-Hur played three concerts and took part in a jazz seminar in Madrid (Spain) last February. A frequent sideman of pianist Barry Harris, Ben-Hur is about to release his fourth CD, Keepin' It Open (Motema) along with Ronnie Mathews, Lewis Nash, Santi DeBriano, Jeremy Pelt and Steve\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Keepin' It Open","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/keepin_it_open.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14257,"url":"https:\/\/tomajazz.com\/web\/david-fiuzcynski-the-mind-of-a-headless-torso-by-arturo-mora\/","url_meta":{"origin":2952,"position":2},"title":"David Fiuzcynski: the mind of a headless torso, by Arturo Mora","author":"Sergio Cabanillas","date":"29 marzo, 2006","format":false,"excerpt":"Guitarist and composer, leader of Screaming Headless Torsos and Punk Jazz projects, co-leader of KiF and collaborator for many other projects involving Steve Coleman, Cuong Vu, Greg Osby, Me'Shell NgedeOcello or his wife Lian Amber, David \"Fuze\" Fiuczynski is an artist which track must not be missed. Fiuczynski is currently\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"David Fiuczynski \u00a9 Sergio Cabanillas, 2004","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/fuze01.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22993,"url":"https:\/\/tomajazz.com\/web\/pat-metheny-the-way-up-to-maximalism-interview-by-arturo-mora\/","url_meta":{"origin":2952,"position":3},"title":"Pat Metheny: the way up to maximalism. Interview by Arturo Mora","author":"Tomajazz","date":"1 julio, 2005","format":false,"excerpt":"XXV Festival de Jazz de Vitoria-Gasteiz, Espa\u00f1a. \u00a9 Carmen Lluss\u00e0, 2000 On mid-June 2005 the Pat Metheny Group was in the middle of the European leg of their The Way Up world tour.Arturo Mora had the chance to talk to Pat Metheny while the guitarrist was in Nice (France). Here\u2019s\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/metheny\/llussa\/pat3.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":46297,"url":"https:\/\/tomajazz.com\/web\/larry-willis-in-memoriam\/","url_meta":{"origin":2952,"position":4},"title":"Larry Willis In Memoriam","author":"Tomajazz","date":"8 octubre, 2019","format":false,"excerpt":"AAJ: Do you enjoy teaching? Do you think that this new world of jazz education\u2014even though it's taken the place of something that was invaluable, that is learning on the bandstand\u2014do you see something positive in the way it works now. LW: Not really, and I'll tell you why. In\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Larry Willis In Memoriam","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Ob_17_Lrr-Wlls-%C2%A9Joan-Cort%C3%A8s_TskTrsk_CBI_Mlns-d-R.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10485,"url":"https:\/\/tomajazz.com\/web\/tomajazz-interviews-anthony-braxton-i\/","url_meta":{"origin":2952,"position":5},"title":"Tomajazz interviews Anthony Braxton (I)","author":"Sergio Cabanillas","date":"1 diciembre, 2007","format":false,"excerpt":"After an intense concert last October at \"el Johnny\" \u2013 the almost mythical jazz club at the San Juan Evangelista students' halls of residence in Madrid \u2013 Anthony Braxton was kind enough to meet Diego S\u00e1nchez Cascado, Pachi Tapiz and Fernando Ortiz de Urbina for a (very) early chat the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"From right to left: Anthony Braxton, Fernando Ortiz de Urbina, Pachi Tapiz, Diego S\u00e1nchez Cascado, Arturo Mora and Lalo Lofoco \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ENTREVISTA_7608_ENG.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2952"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2952\/revisions"}],"predecessor-version":[{"id":6005,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2952\/revisions\/6005"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}