{"id":29541,"date":"2017-03-02T12:00:42","date_gmt":"2017-03-02T11:00:42","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29541"},"modified":"2017-12-29T21:34:08","modified_gmt":"2017-12-29T20:34:08","slug":"365-razones-para-amar-el-jazz-una-portada-lesters-here-lester-young-1956-61-a-new-perspective-02","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-lesters-here-lester-young-1956-61-a-new-perspective-02\/","title":{"rendered":"365 razones para amar el jazz: una portada. Lester&#8217;s Here (Lester Young, 1956) [61] [A New Perspective 02]"},"content":{"rendered":"<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29542 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester-Young_Lesters-Here_Norgran_1956-200x197.jpg\" width=\"200\" height=\"197\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester-Young_Lesters-Here_Norgran_1956-200x197.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester-Young_Lesters-Here_Norgran_1956-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester-Young_Lesters-Here_Norgran_1956-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester-Young_Lesters-Here_Norgran_1956.jpg 487w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una portada. <em>Lester&#8217;s Here<\/em> (<strong>Lester Young<\/strong> Norgran, 1956). Fotograf\u00eda por <strong>Herman Leonard<\/strong>.<\/p>\n<p style=\"text-align: left;\">Seleccionado por\u00a0<strong><a href=\"https:\/\/www.flickr.com\/photos\/joseluisluna1958\/\" target=\"_blank\" rel=\"noopener\">Jos\u00e9 Luis Luna Rocafort<\/a><\/strong>. Segunda entrega de la serie\u00a0<em>A New Perspective<\/em>: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<\/p>\n<p style=\"text-align: left;\">Con <strong>Lester Young, Jessie Drakes, Gildo Mahones, John Lewis, Gene Ramey, Connie Kay, Jo Jones<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una portada. Lester&#8217;s Here (Lester Young Norgran, 1956). Fotograf\u00eda por Herman Leonard. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Segunda entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Lester Young, Jessie Drakes, Gildo Mahones, John Lewis, Gene Ramey,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-lesters-here-lester-young-1956-61-a-new-perspective-02\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29542,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17846,18155,18586,20689,15517,1038],"tags":[18715,18716,18165,19550,18719,7038,19035,19034,5516,13,12415,15295,18720,18717,19033,10455,8637,10088,15710,9095,18718,16099,77,16100],"class_list":["entry","author-pachi","post-29541","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jose-luis-luna-rocafort","category-365-razones-para-amar-el-jazz","category-a-new-perspective","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-a-new-perspective","tag-cien-anos-de-grabaciones-de-jazz","tag-connie-kay","tag-gene-ramey","tag-gildo-mahones","tag-herman-leonard","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jessie-drakes","tag-jo-jones","tag-john-lewis","tag-jose-luis-luna-rocafort","tag-la-actualidad-del-jazz-en-espana","tag-lester-young","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester-Young_Lesters-Here_Norgran_1956.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31668,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-the-new-sextet-oscar-pettiford-216-a-new-perspective-20\/","url_meta":{"origin":29541,"position":0},"title":"365 razones para amar el jazz: una portada. 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Not So Dukish\u00a0(Johnny Hodges And His Orchestra. Verve, 1958). Fotograf\u00eda de Herman Leonard. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Und\u00e9cima\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Johnny Hodges, Roy Eldridge, Ray Nance, Lawrence\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31281,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-singin-the-blues-jimmy-witherspoon-185-a-new-perspective-16\/","url_meta":{"origin":29541,"position":2},"title":"365 razones para amar el jazz: una portada. Singin&#8217; The Blues (Jimmy Witherspoon) [185] [A New Perspective 16]","author":"Tomajazz","date":"4 julio, 2017","format":false,"excerpt":"Una portada.\u00a0Singin' The Blues\u00a0(Jimmy Witherspoon. Rip Records, 1956). Fotograf\u00eda de\u00a0Craig Simpson. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. 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A New Perspective (Donald Byrd, 1963) [14] [A New Perspective 01]","author":"Tomajazz","date":"14 enero, 2017","format":false,"excerpt":"Una portada.\u00a0A New Perspective\u00a0(Donald Byrd.\u00a0Blue Note, 1963).\u00a0Fotograf\u00eda y dise\u00f1o de portada:\u00a0Reid Miles. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Primera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Donald Byrd, Lex Humphries, Herbie Hancock, Hank Mobley, Donald Best,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29541"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29541\/revisions"}],"predecessor-version":[{"id":29544,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29541\/revisions\/29544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29542"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}