{"id":29566,"date":"2017-03-08T12:00:25","date_gmt":"2017-03-08T11:00:25","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29566"},"modified":"2017-12-29T21:35:56","modified_gmt":"2017-12-29T20:35:56","slug":"365-razones-para-amar-el-jazz-un-disco-crescent-john-coltrane-67","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-crescent-john-coltrane-67\/","title":{"rendered":"365 razones para amar el jazz: un disco. Crescent (John Coltrane) [67]"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29568 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/John_Coltrane_-_Crescent_Impulse_1964-200x177.jpg\" width=\"200\" height=\"177\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/John_Coltrane_-_Crescent_Impulse_1964-200x177.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/John_Coltrane_-_Crescent_Impulse_1964-62x55.jpg 62w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/John_Coltrane_-_Crescent_Impulse_1964.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco.\u00a0<strong>John Coltrane<\/strong>:\u00a0<em>Crescent<\/em> (Impulse!, 1964)<\/p>\n<p style=\"text-align: justify;\">Seleccionado por\u00a0<strong>Arturo Mora Rioja<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Con <strong>John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco.\u00a0John Coltrane:\u00a0Crescent (Impulse!, 1964) Seleccionado por\u00a0Arturo Mora Rioja. Con John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-crescent-john-coltrane-67\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29568,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,18155,20689,15517,1038],"tags":[18715,18716,18165,260,18719,1674,1840,13,12415,15295,18720,18717,1860,1870,15710,1983,18718,16099,77,16100],"class_list":["entry","author-pachi","post-29566","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-arturo-mora-rioja","tag-cien-anos-de-grabaciones-de-jazz","tag-elvin-jones","tag-impulse","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jimmy-garrison","tag-john-coltrane","tag-la-actualidad-del-jazz-en-espana","tag-mccoy-tyner","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/John_Coltrane_-_Crescent_Impulse_1964.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28744,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-john-coltrane-a-love-supreme-impulse-1965-22\/","url_meta":{"origin":29566,"position":0},"title":"365 razones para amar el jazz: un disco. John Coltrane: A Love Supreme (Impulse!, 1965) [22]","author":"Tomajazz","date":"22 enero, 2017","format":false,"excerpt":"365 razones para amar el jazz: un disco. John Coltrane: A Love Supreme (Impulse!, 1965) [22]","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_A-Love-Supreme_Impulse_1965-200x187.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31033,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-workin-miles-davis-171\/","url_meta":{"origin":29566,"position":1},"title":"365 razones para amar el jazz: un disco. Workin\u2019 (Miles Davis) [171]","author":"Tomajazz","date":"20 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis: Workin' With The Miles Davis Quintet (Prestige, 1959). Seleccionado por\u00a0Arturo Mora Rioja Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2072,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-amen-john-coltrane-1965\/","url_meta":{"origin":29566,"position":2},"title":"Tomajazz recomienda&#8230; un tema: \u00abAmen\u00bb (John Coltrane, 1965)","author":"Adolphus van Tenzing","date":"15 octubre, 2012","format":false,"excerpt":"1965 marc\u00f3 el \u00faltimo punto de inflexi\u00f3n en la carrera de John Coltrane. Tras sus \"sheets of sound\", sus \"Coltrane changes\", las sonoridades \u00e9tnicas al soprano y la \u00e9poca m\u00edstica de Crescent y A Love Supreme, el saxofonista de Carolina del Norte preparaba su inmersi\u00f3n final en el concepto libre\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2012\/10\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29587,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-blue-train-john-coltrane-1957-73\/","url_meta":{"origin":29566,"position":3},"title":"365 razones para amar el jazz: un disco. 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Con John Coltrane, Lee Morgan, Curtis Fuller, Paul Chambers, Kenny Drew, Philly Joe Jones.","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":59898,"url":"https:\/\/tomajazz.com\/web\/jazzx5381-john-coltrane-nancy-with-the-laughing-face-ballads-impulse-1963-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":29566,"position":4},"title":"JazzX5#381. John Coltrane: \u00abNancy (With the Laughing Face)\u00bb [Ballads (Impulse!, 1963)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"1 enero, 2022","format":false,"excerpt":"En el primer JazzX5 de 2022 suena el tema \"Nancy (With the Laughing Face)\" que aparec\u00eda en Ballads (Impulse!, 1963) de John Coltrane. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#381. John Coltrane: \"Nancy (With the Laughing Face)\" [Ballads (Impulse!, 1963)] [Minipodcast de jazz] Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_381.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_381.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_381.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_381.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29579,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-kind-of-blue-miles-davis-1959-70\/","url_meta":{"origin":29566,"position":5},"title":"365 razones para amar el jazz: un disco. Kind Of Blue (Miles Davis, 1959) [71]","author":"Tomajazz","date":"12 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Kind Of Blue\u00a0(Columbia, 1959) Seleccionado por\u00a0Pachi Tapiz. Con\u00a0Miles Davis, Julian \"Cannonball\" Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, Jimmy Cobb.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29566"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29566\/revisions"}],"predecessor-version":[{"id":29569,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29566\/revisions\/29569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29568"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}