{"id":2957,"date":"2009-12-30T23:25:00","date_gmt":"2009-12-30T22:25:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2957"},"modified":"2016-04-10T23:06:50","modified_gmt":"2016-04-10T21:06:50","slug":"ben-sidran-dylan-different","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ben-sidran-dylan-different\/","title":{"rendered":"Ben Sidran: Dylan Different"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/sidran_dylan-769521.gif\" imageanchor=\"1\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/sidran_dylan-769519.gif\" alt=\"\" title=\"\"><\/a><\/p>\n<div>\n<span>Con la m\u00fasica de Dylan hay que tener mucho cuidado. Al de Duluth hay que tratarlo con mucho cari\u00f1o. De todos debiera ser conocido que uno de los m\u00fasicos que mejor ha sabido versionearse, reinventarse y reinventar su repertorio es el propio Dylan. Por eso m\u00e1s de una vez ha pasado lo que ha pasado: sus canciones no son algo que pueda ir de mano en mano, salvo que el osado de turno tenga ganas de poder llegar a quedar en el m\u00e1s espantoso de los rid\u00edculos. Y aunque osad\u00eda es la de Ben Sidran de enfrentarse a algunos de sus temas m\u00edticos como \u00abBlowin&#8217; In The Wind\u00bb, \u00abHighway 61 Revisited\u00bb, \u00abTangled Up In Blue\u00bb, \u00abKnockin&#8217; On Heaven&#8217;s Door\u00bb, \u00abSubterranean Homesick Blues\u00bb, \u00abMaggie&#8217;s Farm\u00bb, \u00abRainy Day Woman\u00bb, \u00abEverything Is Broken\u00bb o \u00abAll I Really Want To Do\u00bb, el resultado no es algo balad\u00ed. En \u00e9l sabe encontrar enfoques nuevos, distintos y variados para algunos de esos temas, algo que no es sencillo en absoluto. O quiz\u00e1s su acierto sea precisamente la sencillez, el cari\u00f1o y la humildad con que afronta la reinterpretaci\u00f3n de esos temas, a pesar de que algunas de esas colaboraciones de post\u00edn que hay en el CD pudieran hacer pensar precisamente en lo contrario.\u00a0<\/span><\/p>\n<\/div>\n<div>\n<div>\n<span>Pachi Tapiz<\/span>\n<\/div>\n<div>\n<span><span><br \/><\/span><\/span>\n<\/div>\n<div>\n<span>Ben Sidran:\u00a0<\/span><i><span>Dylan Different<\/span><\/i>\n<\/div>\n<div>\n<span><span><br \/><\/span><\/span>\n<\/div>\n<div>\n<span>Ben Sidran\u00a0 (voz, piano,\u00a0<\/span><i><span>Wulitizer<\/span><\/i><span>,\u00a0<\/span><i><span>Hammond B3<\/span><\/i><span>,\u00a0<\/span><i><span>Fender Rhodes<\/span><\/i><span>), Alberto Malo (bater\u00eda y percusi\u00f3n), Marcello Giuliani (bajo y contrabajo), Rodolph Burger (guitarra, voz en \u00abBlowin&#8217; in the Wind\u00bb), Bob Malach (saxo tenor, flauta, clarinete bajo), Michael Leonhart (trompeta, fiscorno), Amy Helm (coros), Georgie Fame (voz y \u00f3rgano en \u00abRainy Day Woman #12 &#038; 35\u00bb),\u00a0 Jorge Drexler (voz en \u00abKnockin&#8217; on Heaven&#8217;s Door\u00bb), Leonor Watling &#038; Luca (coros en \u00abKnockin&#8217; on Heaven&#8217;s Door\u00bb), Leo Sidran (arreglos de metales, guitarra adicional,\u00a0<\/span><i><span>Hammond B3<\/span><\/i><span>, Piano,\u00a0<\/span><i><span>Koto<\/span><\/i><span>)<\/span>\n<\/div>\n<div>\n<span><span><br \/><\/span><\/span>\n<\/div>\n<div>\n<span>1.- \u00abEverything Is Broken\u00bb, 2.-\u00abHigway 61 Revisited\u00bb, 3.-\u00abTangled Up In Blue\u00bb, 4.-\u00abGotta Serve Somebody\u00bb, 5.-\u00abRainy Day Woman #12 &#038; 35\u00bb, 6.-\u00abBallad Of A Thin Man\u00bb, 7.-\u00abMaggie&#8217;s Farm\u00bb, 8.-\u00abKnockin&#8217; On Heaven&#8217;s Door\u00bb, 9.-\u00abSubterranean Homesick Blues\u00bb, 10.-\u00abOn The Road Again\u00bb, 11.-\u00abAll I Really Want To Do\u00bb, 12.-\u00abBlowin&#8217; In The Wind\u00bb<\/span>\n<\/div>\n<div>\n<span><span><br \/><\/span><\/span>\n<\/div>\n<div>\n<span>Bonsa\u00ef Music, 2009<\/span>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Con la m\u00fasica de Dylan hay que tener mucho cuidado. Al de Duluth hay que tratarlo con mucho cari\u00f1o. De todos debiera ser conocido que uno de los m\u00fasicos que mejor ha sabido versionearse, reinventarse y reinventar su repertorio es el propio Dylan. Por eso m\u00e1s de una vez ha<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/ben-sidran-dylan-different\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2957","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":102878,"url":"https:\/\/tomajazz.com\/web\/leo-leo-leonor-watling-leo-sidran-jazz-voyeur-2025\/","url_meta":{"origin":2957,"position":0},"title":"Leo &#038; Leo (Leonor Watling &#038; Leo Sidran) (18 Jazz Voyeur Festival 2025. Teatre Principal. Palma. 2025-11-20) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"22 diciembre, 2025","format":false,"excerpt":"Leo & Leo (Leonor Watling & Leo Sidran) actuaron en el 18 Jazz Voyeur Festival de Palma el 20 de noviembre de 2025. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Con Leonor Watling, Leo Sidran, Paul Sany, Max Darmon, Romain Bouiges","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"Leo & Leo (Leonor Watling & Leo Sidran) (18 Jazz Voyeur Festival 2025. Teatre Principal. Palma. 2025-12-20) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Leo & Leo (Leonor Watling & Leo Sidran) actuaron en el 18 Jazz Voyeur Festival de Palma el 20 de diciembre de 2025. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Con Leonor Watling, Leo Sidran, Paul Sany, Max Darmon, Romain Bouiges","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/015-6.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/015-6.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/015-6.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24961,"url":"https:\/\/tomajazz.com\/web\/brad-mehldau-trio-miles-davis-robert-glasper-absolutely-sweet-marie-del-jazz-al-pop-y-el-rock-y-viceversa\/","url_meta":{"origin":2957,"position":1},"title":"HDO 132. Brad Mehldau Trio, Miles Davis &#8211; Robert Glasper, Absolutely Sweet Marie: del jazz al pop y el rock, y viceversa [Podcast]","author":"Tomajazz","date":"16 junio, 2016","format":false,"excerpt":"Del jazz al pop y el rock\u00a0(y viceversa), de la mano de Another Side of Blonde on Blonde. The music of Bob Dylan - Vol.2\u00a0del cuarteto Absolutely Sweet Marie; de Everything's Beautiful\u00a0de\u00a0Miles Davis - Robert Glasper; de Blues and Ballads del Brad Mehldau Trio. \u00a9 Pachi Tapiz, 2016 HDO es\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Miles-Davis-Robert-Glasper_Everythings-Beautiful_Columbia_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Miles-Davis-Robert-Glasper_Everythings-Beautiful_Columbia_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Miles-Davis-Robert-Glasper_Everythings-Beautiful_Columbia_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Miles-Davis-Robert-Glasper_Everythings-Beautiful_Columbia_2016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2010,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-proyecto-jewels-and-binoculars-michael-moore-lindsey-horner-michael-vatcher\/","url_meta":{"origin":2957,"position":2},"title":"Tomajazz recomienda\u2026 un proyecto: Jewels And Binoculars (Michael Moore, Lindsey Horner, Michael Vatcher)","author":"Adolphus van Tenzing","date":"29 junio, 2011","format":false,"excerpt":"Jewels And Binoculars es un intento m\u00e1s que acertado de llevar la m\u00fasica de Bob Dylan a los terrenos del jazz. Michael Moore (saxos, clarinetes y mel\u00f3dica), Lindsey Horner (contrabajo) y Michael Vatcher (percusi\u00f3n) repasan en estas dos grabaciones el legado de Dylan a lo largo de toda su carrera,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Jewels and Binoculars. Floating","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/06\/63-63-jewelsandbinoculars.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":104805,"url":"https:\/\/tomajazz.com\/web\/bill-frisell-in-my-dreams-2026\/","url_meta":{"origin":2957,"position":3},"title":"Bill Frisell: In My Dreams (Blue Note Records; 2026) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 abril, 2026","format":false,"excerpt":"In My Dreams (Blue Note Records; 2026) es el t\u00edtulo de la nueva grabaci\u00f3n de Bill Frisell. Carlos Lara la repasa. Con Bill Frisell, Thomas Morgan, Rudy Royston, Jenny Scheinman, Eyvind Kang, Hank Roberts","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Bill Frisell: In My Dreams (Blue Note Records; 2026) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - In My Dreams (Blue Note Records; 2026) es el t\u00edtulo de la nueva grabaci\u00f3n de Bill Frisell. Carlos Lara la repasa. 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La Odisea de la M\u00fasica Afroamericana (091) [Podcast]","author":"Tomajazz","date":"27 marzo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. 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Carlos Lara repasa esta obra. Con Charles Lloyd, Jason Moran, Marvin Sewell","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Charles Lloyd: Figure In Blue (Blue Note; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Figure In Blue (Blue Note; 2025) es la nueva grabaci\u00f3n de Charles Lloyd. Carlos Lara repasa esta obra. 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