{"id":2957,"date":"2009-12-30T23:25:00","date_gmt":"2009-12-30T22:25:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2957"},"modified":"2016-04-10T23:06:50","modified_gmt":"2016-04-10T21:06:50","slug":"ben-sidran-dylan-different","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ben-sidran-dylan-different\/","title":{"rendered":"Ben Sidran: Dylan Different"},"content":{"rendered":"

\"\"<\/a><\/p>\n

\nCon la m\u00fasica de Dylan hay que tener mucho cuidado. Al de Duluth hay que tratarlo con mucho cari\u00f1o. De todos debiera ser conocido que uno de los m\u00fasicos que mejor ha sabido versionearse, reinventarse y reinventar su repertorio es el propio Dylan. Por eso m\u00e1s de una vez ha pasado lo que ha pasado: sus canciones no son algo que pueda ir de mano en mano, salvo que el osado de turno tenga ganas de poder llegar a quedar en el m\u00e1s espantoso de los rid\u00edculos. Y aunque osad\u00eda es la de Ben Sidran de enfrentarse a algunos de sus temas m\u00edticos como \u00abBlowin’ In The Wind\u00bb, \u00abHighway 61 Revisited\u00bb, \u00abTangled Up In Blue\u00bb, \u00abKnockin’ On Heaven’s Door\u00bb, \u00abSubterranean Homesick Blues\u00bb, \u00abMaggie’s Farm\u00bb, \u00abRainy Day Woman\u00bb, \u00abEverything Is Broken\u00bb o \u00abAll I Really Want To Do\u00bb, el resultado no es algo balad\u00ed. En \u00e9l sabe encontrar enfoques nuevos, distintos y variados para algunos de esos temas, algo que no es sencillo en absoluto. O quiz\u00e1s su acierto sea precisamente la sencillez, el cari\u00f1o y la humildad con que afronta la reinterpretaci\u00f3n de esos temas, a pesar de que algunas de esas colaboraciones de post\u00edn que hay en el CD pudieran hacer pensar precisamente en lo contrario.\u00a0<\/span><\/p>\n<\/div>\n
\n
\nPachi Tapiz<\/span>\n<\/div>\n
\n
<\/span><\/span>\n<\/div>\n
\nBen Sidran:\u00a0<\/span>Dylan Different<\/span><\/i>\n<\/div>\n
\n
<\/span><\/span>\n<\/div>\n
\nBen Sidran\u00a0 (voz, piano,\u00a0<\/span>Wulitizer<\/span><\/i>,\u00a0<\/span>Hammond B3<\/span><\/i>,\u00a0<\/span>Fender Rhodes<\/span><\/i>), Alberto Malo (bater\u00eda y percusi\u00f3n), Marcello Giuliani (bajo y contrabajo), Rodolph Burger (guitarra, voz en \u00abBlowin’ in the Wind\u00bb), Bob Malach (saxo tenor, flauta, clarinete bajo), Michael Leonhart (trompeta, fiscorno), Amy Helm (coros), Georgie Fame (voz y \u00f3rgano en \u00abRainy Day Woman #12 & 35\u00bb),\u00a0 Jorge Drexler (voz en \u00abKnockin’ on Heaven’s Door\u00bb), Leonor Watling & Luca (coros en \u00abKnockin’ on Heaven’s Door\u00bb), Leo Sidran (arreglos de metales, guitarra adicional,\u00a0<\/span>Hammond B3<\/span><\/i>, Piano,\u00a0<\/span>Koto<\/span><\/i>)<\/span>\n<\/div>\n
\n
<\/span><\/span>\n<\/div>\n
\n1.- \u00abEverything Is Broken\u00bb, 2.-\u00abHigway 61 Revisited\u00bb, 3.-\u00abTangled Up In Blue\u00bb, 4.-\u00abGotta Serve Somebody\u00bb, 5.-\u00abRainy Day Woman #12 & 35\u00bb, 6.-\u00abBallad Of A Thin Man\u00bb, 7.-\u00abMaggie’s Farm\u00bb, 8.-\u00abKnockin’ On Heaven’s Door\u00bb, 9.-\u00abSubterranean Homesick Blues\u00bb, 10.-\u00abOn The Road Again\u00bb, 11.-\u00abAll I Really Want To Do\u00bb, 12.-\u00abBlowin’ In The Wind\u00bb<\/span>\n<\/div>\n
\n
<\/span><\/span>\n<\/div>\n
\nBonsa\u00ef Music, 2009<\/span>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Con la m\u00fasica de Dylan hay que tener mucho cuidado. Al de Duluth hay que tratarlo con mucho cari\u00f1o. De todos debiera ser conocido que uno de los m\u00fasicos que mejor ha sabido versionearse, reinventarse y reinventar su repertorio es el propio Dylan. Por eso m\u00e1s de una vez haContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2957","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2957"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2957\/revisions"}],"predecessor-version":[{"id":23129,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2957\/revisions\/23129"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}