{"id":29573,"date":"2017-03-10T12:00:18","date_gmt":"2017-03-10T11:00:18","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29573"},"modified":"2017-12-29T21:35:55","modified_gmt":"2017-12-29T20:35:55","slug":"365-razones-para-amar-el-jazz-un-libro-menos-que-un-perro-de-charles-mingus-69","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-menos-que-un-perro-de-charles-mingus-69\/","title":{"rendered":"365 razones para amar el jazz: un libro. Menos que un perro de Charles Mingus [69]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29574 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Charles-Mingus_Menos-que-un-perro_Mondadori-172x300.jpg\" width=\"172\" height=\"300\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Charles-Mingus_Menos-que-un-perro_Mondadori-172x300.jpg 172w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Charles-Mingus_Menos-que-un-perro_Mondadori-344x600.jpg 344w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Charles-Mingus_Menos-que-un-perro_Mondadori-32x55.jpg 32w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Charles-Mingus_Menos-que-un-perro_Mondadori.jpg 650w\" sizes=\"auto, (max-width: 172px) 100vw, 172px\" \/>Un libro. <strong>Charles Mingus<\/strong>:\u00a0Menos que un perro (<em>Beneath the Underdog<\/em>)<\/p>\n<p>Seleccionado por\u00a0<strong>Kuto<\/strong>.<\/p>\n<p>T\u00edtulo original\u00a0<em>Beneath the Underdog<\/em>. Publicado en Espa\u00f1a por Mondadori.\u00a0ISBN: 9788439703136<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un libro. Charles Mingus:\u00a0Menos que un perro (Beneath the Underdog) Seleccionado por\u00a0Kuto. T\u00edtulo original\u00a0Beneath the Underdog. Publicado en Espa\u00f1a por Mondadori.\u00a0ISBN: 9788439703136<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-menos-que-un-perro-de-charles-mingus-69\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29574,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17843,18155,20689,15517,1038],"tags":[18715,18716,18165,1556,18719,13,12415,15295,18720,18717,37,15710,19042,18718,16099,77,16100],"class_list":["entry","author-pachi","post-29573","post","type-post","status-publish","format-standard","has-post-thumbnail","category-don-kuto","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-charles-mingus","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-kuto","tag-la-actualidad-del-jazz-en-espana","tag-mondadori","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Charles-Mingus_Menos-que-un-perro_Mondadori.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31956,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-redondo-dentro-de-un-espacio-cuadrado-pithecantropus-erectus-charles-mingus-238\/","url_meta":{"origin":29573,"position":0},"title":"365 razones para amar el jazz: un disco redondo dentro de un espacio cuadrado: Pithecantropus Erectus (Charles Mingus) [238]","author":"Tomajazz","date":"26 agosto, 2017","format":false,"excerpt":"Por un disco redondo dentro de un espacio cuadrado: Pithecantropus Erectus\u00a0(Charles Mingus) Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Mingus_Pithecantropus-Erectus_alt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30115,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-goodbye-pork-pie-hat-charles-mingus-1959-101\/","url_meta":{"origin":29573,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abGoodbye Pork Pie Hat\u00bb (Charles Mingus, 1959) [101]","author":"Tomajazz","date":"11 abril, 2017","format":false,"excerpt":"Un tema.\u00a0\"Goodbye Pork Pie Hat\" (Charles Mingus, 1959) Seleccionado por\u00a0Luis Escalante Ozalla. Charles Mingus: Mingus Ah Um (Columbia, 1959) Charles Mingus, Horace Parlan, Dannie Richmond, John Handy, Booker Ervin","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Mingus_Ah_Um_-_Charles_Mingus-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30376,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-mingus-at-the-bohemia-charles-mingus-119-a-new-perspective-07\/","url_meta":{"origin":29573,"position":2},"title":"365 razones para amar el jazz: una portada. Mingus At The Bohemia (Charles Mingus) [119] [A New Perspective 07]","author":"Tomajazz","date":"29 abril, 2017","format":false,"excerpt":"Una portada. Mingus At The Bohemia\u00a0(Charles Mingus. Debut Records, 1956). 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Fondo de Cultura Econ\u00f3mica de Espa\u00f1a, 1986) Seleccionado por Kuto.","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joachim-E.-Berendt_El-Jazz_Fondo-de-cultura-econ%C3%B3mica_1988.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joachim-E.-Berendt_El-Jazz_Fondo-de-cultura-econ%C3%B3mica_1988.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joachim-E.-Berendt_El-Jazz_Fondo-de-cultura-econ%C3%B3mica_1988.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joachim-E.-Berendt_El-Jazz_Fondo-de-cultura-econ%C3%B3mica_1988.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31102,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-suprema-de-seven-steps-to-heaven-stan-getz-kenny-barron-175\/","url_meta":{"origin":29573,"position":5},"title":"365 razones para amar el jazz: una versi\u00f3n suprema de Seven Steps to Heaven (Stan Getz, Kenny Barron) [175]","author":"Tomajazz","date":"24 junio, 2017","format":false,"excerpt":"Una versi\u00f3n suprema de \"Seven Steps to Heaven\" por Stan Getz, Kenny Barron (The Final Concert Recording) Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz_The-Final-Concert-Recording_1990.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29573"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29573\/revisions"}],"predecessor-version":[{"id":29575,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29573\/revisions\/29575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29574"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}