{"id":29576,"date":"2017-03-11T12:00:52","date_gmt":"2017-03-11T11:00:52","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29576"},"modified":"2017-12-29T21:35:54","modified_gmt":"2017-12-29T20:35:54","slug":"365-razones-para-amar-el-jazz-un-disco-the-magnificent-thad-jones-thad-jones-1956-70","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-magnificent-thad-jones-thad-jones-1956-70\/","title":{"rendered":"365 razones para amar el jazz: un disco. The Magnificent Thad Jones (Thad Jones, 1956) [70]"},"content":{"rendered":"

\"\"Un disco.\u00a0Thad Jones<\/strong>:\u00a0The Magnificent Thad Jones\u00a0<\/em>(Blue Note, 1956)<\/p>\n

Seleccionado por\u00a0Juanma Castro Medina<\/strong>.<\/p>\n

Con Thad Jones, Billy Mitchell, Barry Harris, Percy Heath, Max Roach<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un disco.\u00a0Thad Jones:\u00a0The Magnificent Thad Jones\u00a0(Blue Note, 1956) Seleccionado por\u00a0Juanma Castro Medina. Con Thad Jones, Billy Mitchell, Barry Harris, Percy Heath, Max Roach.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29577,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17859,18155,20689,15517,1038],"tags":[18715,18716,18165,7419,19043,1487,18719,13,12415,15295,18720,18717,7636,15710,1978,8654,18718,8635,16099,77,16100],"class_list":["entry","author-pachi","post-29576","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juanma-castro-medina","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-barry-harris","tag-billy-mitchell","tag-blue-note","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-juanma-castro-medina","tag-la-actualidad-del-jazz-en-espana","tag-max-roach","tag-percy-heath","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-thad-jones","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29545,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-j-r-monterose-j-r-monterose-1956-62\/","url_meta":{"origin":29576,"position":0},"title":"365 razones para amar el jazz: un disco. 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Monterose, Ira\u00a0Sullivan, Horace Silver, Wilbur Ware, Philly Joe Jones\u00a0","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/J.R.-Monterose_J.R.-Monterose_Blue-Note_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28441,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-april-in-paris-1932-6\/","url_meta":{"origin":29576,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abApril in Paris\u00bb (1932) [6]","author":"Tomajazz","date":"6 enero, 2017","format":false,"excerpt":"Un tema. \"April in Paris\" (1932) \u00a0M\u00fasica: Vernon Duke. Letra: E.Y. Harburg Seleccionado por Luis Escalante Ozalla Count Basie Orchestra. April in Paris (1956) Count Basie, Reunald Jones, Thad Jones, Joe Newman, Wendell Culley, Benny Powell, Henry Coker, Matthew Gee, Marshal Royal, Bill Graham, Frank Wess, Frank Foster, Charlie Fowlkes,\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28640,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-brilliant-corners-thelonious-monk-1956-12\/","url_meta":{"origin":29576,"position":2},"title":"365 razones para amar el jazz: un disco. Brilliant Corners (Thelonious Monk, 1956) [12]","author":"Tomajazz","date":"12 enero, 2017","format":false,"excerpt":"Un disco.\u00a0Brilliant Corners. Thelonious Monk (Riverside, 1956). Seleccionado por Juanma Castro Medina. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul Chambers","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31290,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-colossus-of-detroit-billy-mitchell-188\/","url_meta":{"origin":29576,"position":3},"title":"365 razones para amar el jazz: una grabaci\u00f3n. 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Grabado entre 1949 y 1956) Seleccionado por Juanma Castro Medina Con\u00a0Lee Konitz, Arnold Fishkin, Ben Tucker, Denzil Best, Harold Granowsky, Jeff Morton, Billy Bauer, Lennie Tristano, Ronnie Ball, Warne Marsh.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lennie-Tristano-and-Warne-Marsh_Intuition_Blue-Note_1949-1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30376,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-mingus-at-the-bohemia-charles-mingus-119-a-new-perspective-07\/","url_meta":{"origin":29576,"position":5},"title":"365 razones para amar el jazz: una portada. Mingus At The Bohemia (Charles Mingus) [119] [A New Perspective 07]","author":"Tomajazz","date":"29 abril, 2017","format":false,"excerpt":"Una portada. Mingus At The Bohemia\u00a0(Charles Mingus. Debut Records, 1956). Fotograf\u00eda de Bob Parent. Seleccionado por Jos\u00e9 Luis Luna Rocafort. S\u00e9ptima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. 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