{"id":29579,"date":"2017-03-12T12:00:11","date_gmt":"2017-03-12T11:00:11","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29579"},"modified":"2017-12-29T21:35:54","modified_gmt":"2017-12-29T20:35:54","slug":"365-razones-para-amar-el-jazz-un-disco-kind-of-blue-miles-davis-1959-70","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-kind-of-blue-miles-davis-1959-70\/","title":{"rendered":"365 razones para amar el jazz: un disco. Kind Of Blue (Miles Davis, 1959) [71]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29580 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco.\u00a0<strong>Miles Davis<\/strong>:\u00a0<em>Kind Of Blue\u00a0<\/em>(Columbia, 1959)<\/p>\n<p>Seleccionado por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p>Con\u00a0<strong>Miles Davis, Julian \u00abCannonball\u00bb Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, Jimmy Cobb<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco.\u00a0Miles Davis:\u00a0Kind Of Blue\u00a0(Columbia, 1959) Seleccionado por\u00a0Pachi Tapiz. Con\u00a0Miles Davis, Julian \u00abCannonball\u00bb Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, Jimmy Cobb.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-kind-of-blue-miles-davis-1959-70\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29580,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,18155,20689,15517,1038],"tags":[18715,18716,18165,427,1534,18719,13,12415,15295,18720,18717,8158,1870,19044,15710,2004,31,2083,18718,16099,77,16100,2371],"class_list":["entry","author-pachi","post-29579","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-bill-evans","tag-cannonball-adderley","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jimmy-cobb","tag-john-coltrane","tag-julian-cannonball-adderley","tag-la-actualidad-del-jazz-en-espana","tag-miles-davis","tag-pachi-tapiz","tag-paul-chambers","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-wynton-kelly"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":58264,"url":"https:\/\/tomajazz.com\/web\/jazzx5319-miles-davis-so-what-kind-of-blue-columbia-1959-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":29579,"position":0},"title":"JazzX5#319. Miles Davis: \u00abSo What\u00bb [Kind Of Blue (Columbia, 1959)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"31 octubre, 2021","format":false,"excerpt":"En el JazzX5 dominical del 31 de octubre, el cl\u00e1sico \"So What\" que aparec\u00eda en Kind Of Blue (Columbia, 1959), el tema que abr\u00eda el que se dice que es el disco de jazz m\u00e1s vendido de toda la historia. Su autor fue el enorme Miles Davis.","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31033,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-workin-miles-davis-171\/","url_meta":{"origin":29579,"position":1},"title":"365 razones para amar el jazz: un disco. Workin\u2019 (Miles Davis) [171]","author":"Tomajazz","date":"20 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis: Workin' With The Miles Davis Quintet (Prestige, 1959). Seleccionado por\u00a0Arturo Mora Rioja Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20539,"url":"https:\/\/tomajazz.com\/web\/la-ultima-gira-de-miles-y-trane-hdo-0026-audioblog\/","url_meta":{"origin":29579,"position":2},"title":"La \u00faltima gira de Miles y Trane. HDO (0026) [Audioblog]","author":"Tomajazz","date":"29 octubre, 2015","format":false,"excerpt":"\u00a0 En HDO escuchamos tres temas grabados en la \u00faltima gira que realizaron Miles Davis y John Coltrane. El a\u00f1o fue 1960, los meses marzo y abril, y la gira por Europa consisti\u00f3 en veinte conciertos. Acrobat Music publicaba en 2014 el cu\u00e1druple CD titulado All Of You: The Last\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/The-Miles-Davis-Quintet-featuring-John-Coltrane_All-of-you-the-last-tour-1960-e1446067685920.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/The-Miles-Davis-Quintet-featuring-John-Coltrane_All-of-you-the-last-tour-1960-e1446067685920.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/The-Miles-Davis-Quintet-featuring-John-Coltrane_All-of-you-the-last-tour-1960-e1446067685920.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1890,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-grand-central-john-coltrane-1959\/","url_meta":{"origin":29579,"position":3},"title":"Tomajazz recomienda&#8230; un tema: \u00abGrand Central\u00bb (John Coltrane, 1959)","author":"Adolphus van Tenzing","date":"23 agosto, 2010","format":false,"excerpt":"El sexteto de Miles Davis sin Miles Davis. La banda que grabara \"Freddie Freeloader\", de Kind Of Blue, en esa misma \u00e9poca, se reuni\u00f3 en Chicago sin el trompetista y con el saxo alto Cannonball Adderley a la cabeza para grabar Quintet In Chicago, un disco entre delicioso y en\u00e9rgico\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Cannonball Adderley Quintet in Chicago","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/08\/recomienda.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31005,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cd-round-about-midnight-miles-davis-169\/","url_meta":{"origin":29579,"position":4},"title":"365 razones para amar el jazz: un CD. &#8216;Round About Midnight (Miles Davis) [169]","author":"Tomajazz","date":"18 junio, 2017","format":false,"excerpt":"Un CD. Miles Davis:\u00a0'Round About Midnight (Columbia, 1957) Seleccionado por Juan Antonio Serrano Cervantes Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":19233,"url":"https:\/\/tomajazz.com\/web\/hdo-miles-davis-greatest-hits-live-at-newport-entrega-0005-audioblog\/","url_meta":{"origin":29579,"position":5},"title":"HDO: Miles Davis Greatest Hits Live At Newport (entrega 0005) [Audioblog]","author":"Tomajazz","date":"31 julio, 2015","format":"image","excerpt":"El pasado 17 de julio se cumpl\u00eda el 60\u00ba Aniversario de la primera participaci\u00f3n de Miles Davis en el festival de Newport. Con tal motivo, se ha publicado el cu\u00e1druple CD Miles Davis At Newport. 1955-1975. The Bootleg Series Vol. 4, que adem\u00e1s de material ya disponible, contiene cuatro horas\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/Miles-Davis-At-Newport.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/Miles-Davis-At-Newport.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/Miles-Davis-At-Newport.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/Miles-Davis-At-Newport.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29579"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29579\/revisions"}],"predecessor-version":[{"id":29583,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29579\/revisions\/29583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29580"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}