{"id":29599,"date":"2017-03-06T11:00:40","date_gmt":"2017-03-06T10:00:40","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29599"},"modified":"2018-05-05T20:44:43","modified_gmt":"2018-05-05T18:44:43","slug":"orquestas-jay-mcshann-y-roy-eldridge-la-odisea-de-la-musica-afroamericana-088-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/orquestas-jay-mcshann-y-roy-eldridge-la-odisea-de-la-musica-afroamericana-088-podcast\/","title":{"rendered":"Orquestas: Jay McShann y Roy Eldridge. La Odisea de la M\u00fasica Afroamericana (088) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor de los libros <a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener\"><em>Nueva Orleans (1717-1917): Sexo, Raza y Jass<\/em><\/a> y <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">En la entrega n\u00famero 88 de <em>La Odisea de la M\u00fasica Afroamericana<\/em>\u00a0contin\u00faa el repaso de algunas de las orquestas de la \u00e9poca del <em>Swing<\/em>. En concreto con las\u00a0orquestas de\u00a0dos m\u00fasicos, con una gran historia a sus espaldas, y en muchas ocasiones en muy buenas compa\u00f1\u00edas. <strong>Jay McShann\u00a0<\/strong>dio una oportunidad al gran\u00a0<strong>Charlie Parker<\/strong>, y suena en el programa acompa\u00f1ado por <strong>Helen Humes<\/strong>. El otro m\u00fasico es\u00a0<strong>Roy Eldridge<\/strong>, a quien acompa\u00f1an <strong>Billie Holiday<\/strong>,\u00a0<strong>Fletcher Henderson<\/strong>,\u00a0<strong> Gene Krupa<\/strong> y\u00a0<strong>Anita O&#8217;Day<\/strong>. Al contrario que en el resto de programas, en el inicio suena <strong>Carla Cook,\u00a0<\/strong>y lo cierran\u00a0<strong>Roy Eldridge &amp; Co.<\/strong>.<\/p>\n<p><iframe id='audio_17363001' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_17363001_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p style=\"text-align: center;\">\n<p class=\"firstHeading\" lang=\"en\" style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-29600\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/800px-Roy_Eldridge_Spotlite_Club_New_York_ca._Nov._1946_William_P._Gottlieb_02271-581x600.jpg\" alt=\"\" width=\"581\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/800px-Roy_Eldridge_Spotlite_Club_New_York_ca._Nov._1946_William_P._Gottlieb_02271-581x600.jpg 581w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/800px-Roy_Eldridge_Spotlite_Club_New_York_ca._Nov._1946_William_P._Gottlieb_02271-200x206.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/800px-Roy_Eldridge_Spotlite_Club_New_York_ca._Nov._1946_William_P._Gottlieb_02271-768x793.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/800px-Roy_Eldridge_Spotlite_Club_New_York_ca._Nov._1946_William_P._Gottlieb_02271-53x55.jpg 53w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/800px-Roy_Eldridge_Spotlite_Club_New_York_ca._Nov._1946_William_P._Gottlieb_02271.jpg 1024w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><\/p>\n<p id=\"firstHeading\" class=\"firstHeading\" lang=\"en\" style=\"text-align: center;\">Roy Eldridge, Spotlite (Club), New York, alrededor de noviembre de 1946 (Fotograf\u00eda: \u00a9 William P. Gottlieb)<\/p>\n<p style=\"text-align: justify;\">En el cap\u00edtulo 88 suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cBetter than anything\u201d Carla Cook<\/li>\n<li style=\"text-align: justify;\">\u201cShigmatism\u201d Jay McShann Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cSepian bounce\u201d Jay McShann Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cTain\u00b4t nobody\u00b4s business if I do\u201d Helen Humes &amp; Jay McShann Quartet<\/li>\n<li style=\"text-align: justify;\">\u201cEeny meeny miney mo\u201d Billie Holiday &amp; Roy Eldridge<\/li>\n<li style=\"text-align: justify;\">\u201cStealing apples\u201d Fletcher Hendeson &amp; Roy Eldridge<\/li>\n<li style=\"text-align: justify;\">\u201cAfter you\u00b4ve gone\u201d Gladys Palmer &amp; Roy Eldridge<\/li>\n<li style=\"text-align: justify;\">\u201cGeorgia on my mind\u201d Anita O\u00b4Day &amp; Gene Krupa Orch. con Roy Eldridge<\/li>\n<li style=\"text-align: justify;\">\u201cFish market\u201d Roy Eldridge Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cBig shoe\u201d Roy Eldridge &amp; Co.<\/li>\n<li style=\"text-align: justify;\">\u201cSatin doll\u201d Roy Eldridge &amp; Co.<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29002\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg\" width=\"300\" height=\"460\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg 326w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-196x300.jpg 196w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-36x55.jpg 36w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 88 de La Odisea de la M\u00fasica<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/orquestas-jay-mcshann-y-roy-eldridge-la-odisea-de-la-musica-afroamericana-088-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[9541,19060,13370,4784,19057,19049,19050,19058,19052,19051,19059,14682,19056,5360,15904,19055,13,15375,12415,15295,15278,15710,12817,13072,15469,12905,12816,12818,15310,15470,15709,15711,9051,19054,19053,16099,77,16100,9050],"class_list":["entry","author-pachi","post-29599","post","type-post","status-publish","format-standard","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-anita-oday","tag-anita-oday-gene-krupa-orch-con-roy-eldridge","tag-audioblog","tag-billie-holiday","tag-billie-holiday-roy-eldridge","tag-carla-cook","tag-fletcher-hendeson","tag-fletcher-hendeson-roy-eldridge","tag-gene-krupa-orch","tag-gladys-palmer","tag-gladys-palmer-roy-eldridge","tag-helen-humes","tag-helen-humes-jay-mcshann-quartet","tag-historia-del-jazz","tag-jay-mcshann","tag-jay-mcshann-orchestra","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lodlma","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-roy-eldridge","tag-roy-eldridge-co","tag-roy-eldridge-orchestra","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-william-p-gottlieb"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":27672,"url":"https:\/\/tomajazz.com\/web\/coleman-hawkins-ii-la-odisea-de-la-musica-afroamericana-073-podcast\/","url_meta":{"origin":29599,"position":0},"title":"Coleman Hawkins (II). La Odisea de la M\u00fasica Afroamericana (073) [Podcast]","author":"Tomajazz","date":"21 noviembre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El programa n\u00famero 73 de La Odisea de la M\u00fasica Afroamericana\u00a0es el segundo de los dedicados por completo al gran\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_1945_Billboard-Magazine.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":40421,"url":"https:\/\/tomajazz.com\/web\/dizzy-gillespie-iv-la-odisea-de-la-musica-afroamericana-172-podcast\/","url_meta":{"origin":29599,"position":1},"title":"Dizzy Gillespie (IV). La Odisea de la M\u00fasica Afroamericana (172) [Podcast]","author":"Tomajazz","date":"10 diciembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 172 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":24181,"url":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-ii-cotton-club-y-harlem-la-odisea-de-la-musica-afroamericana-050-podcast\/","url_meta":{"origin":29599,"position":2},"title":"Lugares m\u00edticos en la historia del jazz (II): Cotton Club y Harlem. La Odisea de la M\u00fasica Afroamericana (050) [Podcast]","author":"Tomajazz","date":"16 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 50 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a la historia del Cotton Club, uno de los locales m\u00edticos en la historia del jazz. En este local se interpretaron revistas de las que surgieron algunos cl\u00e1sicos del jazz, que suenan en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":21608,"url":"https:\/\/tomajazz.com\/web\/seattle-1956-jazz-at-the-philarmonic-hdo-0055-audioblog\/","url_meta":{"origin":29599,"position":3},"title":"Seattle 1956. Jazz At The Philharmonic. HDO (0055) [Audioblog]","author":"Tomajazz","date":"30 diciembre, 2015","format":"audio","excerpt":"El jazz como una fiesta. La fiesta de las giras y conciertos de los espect\u00e1culos Jazz At The Philharmonic promovidos por el empresario Norman Granz que tuvieron lugar entre mediados de los a\u00f1os 40 y el inicio de la d\u00e9cada de los a\u00f1os 80 del pasado siglo. En el caso\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":61681,"url":"https:\/\/tomajazz.com\/web\/fletcher-henderson-and-his-orchestra-sing-sing-sing-1936-por-pachi-tapiz-jazzx5443-minipodcast-de-jazz\/","url_meta":{"origin":29599,"position":4},"title":"Fletcher Henderson and His Orchestra: \u00abSing, Sing, Sing\u00bb (1936) Por Pachi Tapiz. JazzX5#443 [Minipodcast de jazz]","author":"Tomajazz","date":"5 marzo, 2022","format":false,"excerpt":"En JazzX5 continuamos revisando algunas versiones del cl\u00e1sico \"Sing, Sing, Sing\". En esta ocasi\u00f3n la versi\u00f3n que grab\u00f3 Fletcher Henderson en 1936, pocos meses despu\u00e9s de que Louis Prima diese a conocer ese cl\u00e1sico del jazz. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Fletcher Henderson and His Orchestra: \"Sing, Sing, Sing\" (1936) Por Pachi Tapiz. JazzX5#443 [Minipodcast de jazz AKA Malditos Jazztardos]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0443.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0443.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0443.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0443.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24052,"url":"https:\/\/tomajazz.com\/web\/los-locales-miticos-savoy-ballroom-cotton-club-la-odisea-de-la-musica-afroamericana-049-podcast\/","url_meta":{"origin":29599,"position":5},"title":"Lugares m\u00edticos en la historia del jazz (I): Savoy Ballroom &#8211; Cotton Club. La Odisea de la M\u00fasica Afroamericana (049) [Podcast]","author":"Tomajazz","date":"9 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 49 de La Odisea de la M\u00fasica Afroamericana realiza un recorrido por un local m\u00edtico en la historia del jazz. El neoyorkino Savoy Ballroom abri\u00f3 sus puertas en el a\u00f1o 1926 en pleno Harlem. Fue testigo de la actuaci\u00f3n de grandes bandas como las de Chick Webb\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29599"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29599\/revisions"}],"predecessor-version":[{"id":29602,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29599\/revisions\/29602"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}