{"id":2962,"date":"2009-12-23T23:59:00","date_gmt":"2009-12-23T22:59:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2962"},"modified":"2009-12-23T23:59:00","modified_gmt":"2009-12-23T22:59:00","slug":"cecil-taylor-live-at-town-hall-1971","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/cecil-taylor-live-at-town-hall-1971\/","title":{"rendered":"Cecil Taylor: Live at Town Hall 1971"},"content":{"rendered":"<div>\n<a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/cecil-taylor_town-hall-1971-713680.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"1\" height=\"150\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/cecil-taylor_town-hall-1971-713678.jpg\" width=\"150\" alt=\"\" title=\"\"><\/a>\n<\/div>\n<div>Hablar de Cecil Taylor no es hablar de cualquiera en esto del jazz. A pesar de ello, o precisamente por eso, hay quienes siguen parados d\u00e1ndole vueltas a si lo que este pianista lleva tocando d\u00e9cadas es o no es jazz, aunque a veces d\u00e9 la impresi\u00f3n de que lo tengan m\u00e1s que claro, pero lo suyo es callar y mentir como bellacos. Pero eso no es lo importante. Lo fundamental es que cualquier grabaci\u00f3n de Cecil Taylor, cualquiera, es bienvenida. Si como ocurre en este caso es un directo de 1971 a piano solo, publicado por un oscuro sello italiano y fuera de circulaci\u00f3n de los circuitos comerciales al uso, la alegr\u00eda es doble. Otra cosa es la calidad de sonido, que apenas llegar\u00eda a un B+ en foros de transacci\u00f3n de grabaciones piratas. Tampoco tiene sentido completar el CD con grabaciones en cuarteto, de la radio y de seis a\u00f1os antes que el concierto. Un imprescindible\u2026 s\u00f3lo para taylorianos. El resto, abstenerse.\n<\/div>\n<div><\/div>\n<div>Pachi Tapiz \n<\/div>\n<div><\/div>\n<div><\/div>\n<div>Cecil Taylor &#8211;\u00a0<i>Live at Town Hall 1971<\/i>\n<\/div>\n<div>Jimmy Lyons (saxo alto), Cecil Taylor (piano), Henry Grimes (contrabajo), Andrew Cyrille (bater\u00eda). \n<\/div>\n<div>Nueva York, 1965 y 1971\n<\/div>\n<div>Free Factory 06-2 \n<\/div>\n<div>Publicado originalmente en <a href=\"http:\/\/cuadernosdejazz.com\/index.php?option=com_content&#038;view=article&#038;id=399:cecil-taylor-&#038;catid=4:discos&#038;Itemid=7\" target=\"_blank\" rel=\"noopener\">Cuadernos de Jazz<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Hablar de Cecil Taylor no es hablar de cualquiera en esto del jazz. A pesar de ello, o precisamente por eso, hay quienes siguen parados d\u00e1ndole vueltas a si lo que este pianista lleva tocando d\u00e9cadas es o no es jazz, aunque a veces d\u00e9 la impresi\u00f3n de que lo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/cecil-taylor-live-at-town-hall-1971\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-2962","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":101631,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-flashing-spirits-2025\/","url_meta":{"origin":2962,"position":0},"title":"Cecil Taylor &#8211; Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Cecil Taylor - Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22131,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-un-coloso-del-piano-en-mps-hdo-0066-audioblog\/","url_meta":{"origin":2962,"position":1},"title":"Cecil Taylor: un coloso del piano en MPS. HDO 0066 [Audioblog]","author":"Tomajazz","date":"28 enero, 2016","format":"audio","excerpt":"Cecil Taylor (1929) es un coloso del piano que lleva impartiendo su magisterio desde la d\u00e9cada de los a\u00f1os 50 del pasado siglo. El sello MPS, continuando con la labor de reeditar su cat\u00e1logo desde hace algo m\u00e1s de un a\u00f1o con entregas quincenales, pone en circulaci\u00f3n en formato digital,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":22130,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-fly-fly-fly-fly-fly-live-in-the-black-forest-mps-reed-digital-2016\/","url_meta":{"origin":2962,"position":2},"title":"Cecil Taylor: Fly! Fly! Fly! Fly! Fly! \/ Live In The Black Forest (MPS; reed.digital 2016)","author":"Tomajazz","date":"28 enero, 2016","format":false,"excerpt":"Cecil Taylor (1929) es un coloso del piano que lleva impartiendo su magisterio desde la d\u00e9cada de los a\u00f1os 50 del pasado siglo. El sello MPS, continuando con la\u00a0labor de reeditar su cat\u00e1logo desde hace algo m\u00e1s de un a\u00f1o con entregas quincenales, \u00a0pone en circulaci\u00f3n en formato digital, dos\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":5514,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-dueto-historic-concerts-max-roach-cecil-taylor-soul-note-1984\/","url_meta":{"origin":2962,"position":3},"title":"Tomajazz recomienda&#8230; un dueto: Historic Concerts (Max Roach, Cecil Taylor; Soul Note, 1984)","author":"Tomajazz","date":"18 marzo, 2013","format":false,"excerpt":"A finales de la d\u00e9cada de los a\u00f1os 70 el baterista Max Roach grab\u00f3 en d\u00fao con m\u00fasicos como el pianista Abdullah Ibrahim, los saxofonistas\u00a0Anthony Braxton y Archie Shepp,\u00a0 y el pianista Cecil Taylor. El 15 de diciembre de 1979 grababa con este \u00faltimo \u00a0en el McMillin Theatre de la\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Max Roach, Cecil Taylor: Historic Concerts (Soul Note, 1984)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2042,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-nefertiti-the-beautiful-one-has-come-cecil-taylor-1962\/","url_meta":{"origin":2962,"position":4},"title":"Tomajazz recomienda&#8230; un disco: Nefertiti, The Beautiful One Has Come (Cecil Taylor, 1962)","author":"Adolphus van Tenzing","date":"23 enero, 2012","format":false,"excerpt":"Grabado en directo en noviembre de 1962 en el Cafe Montmartre de Copenhague en compa\u00f1\u00eda de sus inseparables Jimmy Lyons (saxo alto) y Sunny Murray (bater\u00eda), el doble CD Nefertiti, The Beautiful One Has Come es un magn\u00edfico punto intermedio en la carrera de Cecil Taylor. Situado a medio camino\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Cecil Taylor Nefertiti","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Cecil-Taylor-Nefertiti-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3132,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-sobre-ornette-coleman-seis-anos-despues\/","url_meta":{"origin":2962,"position":5},"title":"Charles Mingus sobre Ornette Coleman. Seis a\u00f1os despu\u00e9s","author":"Tomajazz","date":"27 diciembre, 2008","format":false,"excerpt":"(Ornette Coleman) \"no trabaja mucho. Pero si quiere hablar de m\u00fasica free, grab\u00e9 para Candid un disco de m\u00fasica completamente free, Charles Mingus Presents Charles Mingus, con Eric Dolphy, Ted Curson y Dannie Richmond\". Entrevista por Mike Hennessey realizada en 1971 y publicada originalmente en Jazz Magazine. Entrevista traducida al\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2962"}],"version-history":[{"count":0,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2962\/revisions"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}