{"id":2964,"date":"2009-12-21T23:24:00","date_gmt":"2009-12-21T22:24:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2964"},"modified":"2016-06-19T13:41:15","modified_gmt":"2016-06-19T11:41:15","slug":"ella-ella-fitzgerald","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ella-ella-fitzgerald\/","title":{"rendered":"Ella: Ella Fitzgerald"},"content":{"rendered":"<div><\/div>\n<div>\n<a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/ella_fitzgerald_twelve-708163.jpg\" imageanchor=\"1\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/ella_fitzgerald_twelve-708157.jpg\" alt=\"\" title=\"\"><\/a>No es por meterle a nadie el dedo en el ojo, pero entre escuchar a Ella Fitzgerald en <i>Twelve Nights In Hollywood<\/i> y a algunas de las supuestas \u00abgrandes\u00bb figuras del jazz vocal femenino de hoy en d\u00eda, no hay color.<\/p>\n<p>Resulta que en 2009 Verve se ha sacado de la manga un cu\u00e1druple CD con m\u00e1s de 70 canciones in\u00e9ditas grabadas en el club The Crescendo de Hollywood en 1961 y 1962 que permiten disfrutar con do\u00f1a Ella Fitzgerald en uno de los momentos cumbres de su carrera. Ante una audiencia de unas 200 personas la cantante se muestra (parece que est\u00e1 all\u00ed mismo) deliciosamente encantadora y cercana. Adem\u00e1s de obsequiar a la audiencia con sus temas m\u00e1s populares, se permite el lujo de bromear imitando la voz del mism\u00edsimo Louis Armstrong, o de citarse a s\u00ed misma. \n<\/div>\n<div><\/div>\n<p><\/p>\n<div><\/div>\n<div>La ausencia de las dichosas\u00a0<i>false start<\/i>\u00a0o de <i>alternate takes<\/i> del mismo tema que tan pesadas y aburridas hacen algunas reediciones ayudan a que las m\u00e1s de cuatro horas de m\u00fasica se transformen en un instante si uno se deja llevar por la voz de una de las grandes del jazz vocal de todos los tiempos. La cuidada presentaci\u00f3n convierte a esta grabaci\u00f3n en un placer para los ojos y un lujo para cualquier discoteca.\n<\/div>\n<div><\/div>\n<div>Para finalizar, puesto que todo el material es in\u00e9dito, y aunque uno no sea amigo de ese tipo de clasificaciones, posiblemente por esta grabaci\u00f3n haya que dar a Ella Fitzgerald el primer puesto entre las ediciones de jazz vocal femenino de 2009. Ni m\u00e1s ni menos.\n<\/div>\n<div><\/div>\n<div>Pachi Tapiz\n<\/div>\n<div><\/div>\n<div>Ella Fitzgerald &#8211;\u00a0 <i>Twelve Nights In Hollywood <\/i>(Verve, 2009. 4 CD)<i><br \/><\/i>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>No es por meterle a nadie el dedo en el ojo, pero entre escuchar a Ella Fitzgerald en Twelve Nights In Hollywood y a algunas de las supuestas \u00abgrandes\u00bb figuras del jazz vocal femenino de hoy en d\u00eda, no hay color. Resulta que en 2009 Verve se ha sacado de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/ella-ella-fitzgerald\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16581,16579,16569,16580,16578,16568],"class_list":["entry","author-pachi","post-2964","post","type-post","status-publish","format-standard","category-uncategorized","tag-ella-fitzgerald-lady-ella","tag-ella-fitzgerald-queen-of-jazz","tag-ella-fitzgerald-the-first-lady-of-song","tag-lady-ella","tag-queen-of-jazz","tag-the-first-lady-of-song"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1231,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-ella-abraca-jobim-ella-fitzgerald-1981\/","url_meta":{"origin":2964,"position":0},"title":"Tomajazz recomienda&#8230; un CD: Ella Abra\u00e7a Jobim (Ella Fitzgerald, 1981)","author":"Adolphus van Tenzing","date":"30 marzo, 2011","format":false,"excerpt":"Algo viejo y algo nuevo. En esta revisi\u00f3n de composiciones de Antonio Carlos Jobim grabada entre 1980 y 1981, Ella Fitzgerald se hace acompa\u00f1ar por lo m\u00e1s granado del jazz tradicional (Joe Pass, Clark Terry, Zoot Sims, Toots Thielemans) y algunas emergentes figuras del movimiento del jazz fusi\u00f3n (Alex Acu\u00f1a,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Ella Abra\u00e7a Jobim. Ella Fitzgerald (1981, Pablo Records)","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/03\/ella_abrasajobim.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25005,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055-podcast\/","url_meta":{"origin":2964,"position":1},"title":"Ella Fitzgerald (IV). La Odisea de la M\u00fasica Afroamericana (055) [Podcast]","author":"Tomajazz","date":"20 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana llega al cuarto cap\u00edtulo dedicado a Ella Fitzgerald, The First Lady of Song. Con la cantante y su m\u00fasica como eje central, Luis Escalante va acerc\u00e1ndose a las figuras de otros m\u00fasicos y compostiores como Kurt Weill, Joe Pass, Oscar Peterson o Antonio Carlos\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":5838,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-l-greensleeves-john-coltrane-1961\/","url_meta":{"origin":2964,"position":2},"title":"En \u201cLa casa del Mundo\u201d (L): \u201cGreensleeves\u201d (John Coltrane, 1961)","author":"Tomajazz","date":"14 abril, 2013","format":false,"excerpt":"En 1961 John Coltrane estaba ya en la rampa de despegue que en no demasiado tiempo lo encaminar\u00eda hacia un universo que s\u00f3lo estaba en su mente. En esos momentos ya estaba grabando en Impulse! -lo que le proporcionar\u00eda una enorme libertad art\u00edstica a cambio de algunas concesiones que se\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/coltrane-the-complete-1961-Village-Vanguard-Recordings.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/coltrane-the-complete-1961-Village-Vanguard-Recordings.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/coltrane-the-complete-1961-Village-Vanguard-Recordings.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/coltrane-the-complete-1961-Village-Vanguard-Recordings.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24835,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-ii-la-odisea-de-la-musica-afroamericana-053-podcast\/","url_meta":{"origin":2964,"position":3},"title":"Ella Fitzgerald (II). La Odisea de la M\u00fasica Afroamericana (053) [Podcast]","author":"Tomajazz","date":"6 junio, 2016","format":false,"excerpt":"En la entrega n\u00famero 53 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla sigue con el repaso a la carrera de Ella Fitzgerald, que comenz\u00f3 en el cap\u00edtulo anterior. Esta fase de la carrera de la Fitzgerald sirve para escuchar m\u00fasica y para conocer a figuras importantes como\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24889,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iii-la-odisea-de-la-musica-afroamericana-054-podcast\/","url_meta":{"origin":2964,"position":4},"title":"Ella Fitzgerald (III). La Odisea de la M\u00fasica Afroamericana (054) [Podcast]","author":"Tomajazz","date":"13 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 54 de La Odisea de la M\u00fasica Afroamericana\u00a0Luis Escalante Ozalla sigue repasando\u00a0la carrera de\u00a0Ella Fitzgerald. A\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24758,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-i-la-odisea-de-la-musica-afroamericana-052-podcast\/","url_meta":{"origin":2964,"position":5},"title":"Ella Fitzgerald (I). La Odisea de la M\u00fasica Afroamericana (052) [Podcast]","author":"Tomajazz","date":"30 mayo, 2016","format":false,"excerpt":"En la entrega n\u00famero 52 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla comienza un repaso a la carrera de Ella Fitzgerald, una de las voces imprescindibles de la historia del jazz.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Ella Fitzgerald por Carl van Vetchen (1940)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Ella-Fitzgerald-by-Carl-van-Vetchen.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2964"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2964\/revisions"}],"predecessor-version":[{"id":25031,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2964\/revisions\/25031"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}