{"id":29867,"date":"2017-03-26T12:00:46","date_gmt":"2017-03-26T10:00:46","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29867"},"modified":"2017-12-29T21:35:47","modified_gmt":"2017-12-29T20:35:47","slug":"365-razones-para-amar-el-jazz-un-tema-autumn-in-new-york-vernon-duke-85","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-autumn-in-new-york-vernon-duke-85\/","title":{"rendered":"365 razones para amar el jazz: un tema. \u00abAutumn In New York\u00bb (Vernon Duke) [85]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29868 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ella-Fitzgerald-Louis-Armstrong_Ella-And-Louis-Again-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ella-Fitzgerald-Louis-Armstrong_Ella-And-Louis-Again-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ella-Fitzgerald-Louis-Armstrong_Ella-And-Louis-Again-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ella-Fitzgerald-Louis-Armstrong_Ella-And-Louis-Again-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ella-Fitzgerald-Louis-Armstrong_Ella-And-Louis-Again-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ella-Fitzgerald-Louis-Armstrong_Ella-And-Louis-Again.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema. \u00abAutumn In New York\u00bb (Vernon Duke)<\/p>\n<p>Seleccionado por\u00a0<strong>Arturo Mora Rioja<\/strong><\/p>\n<p>En\u00a0<em>Ella and Louis Again<\/em> (<strong>Ella Fitzgerald &#8211;\u00a0Louis Armonstrong<\/strong>, 1957)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema. \u00abAutumn In New York\u00bb (Vernon Duke) Seleccionado por\u00a0Arturo Mora Rioja En\u00a0Ella and Louis Again (Ella Fitzgerald &#8211;\u00a0Louis Armonstrong, 1957)<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-autumn-in-new-york-vernon-duke-85\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29868,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,18155,20689,15517,1038],"tags":[18715,18716,18165,260,18719,19212,13,12415,15295,18720,18717,15710,8161,18718,16099,77,16100,8419],"class_list":["entry","author-pachi","post-29867","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-arturo-mora-rioja","tag-cien-anos-de-grabaciones-de-jazz","tag-ella-fitzgeral","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-louis-armstrong","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vernon-duke"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ella-Fitzgerald-Louis-Armstrong_Ella-And-Louis-Again.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29968,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-such-sweet-thunder-duke-ellington-1957-90\/","url_meta":{"origin":29867,"position":0},"title":"365 razones para amar el jazz: un disco. Such Sweet Thunder (Duke Ellington, 1957) [91]","author":"Tomajazz","date":"1 abril, 2017","format":false,"excerpt":"Un disco.\u00a0Such Sweet Thunder\u00a0(Duke Ellington and his Orchestra. Columbia \/ Legacy, 1957) Seleccionado por Arturo Mora Rioja.","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duke_Ellington_-_Such_Sweet_Thunder.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28441,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-april-in-paris-1932-6\/","url_meta":{"origin":29867,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abApril in Paris\u00bb (1932) [6]","author":"Tomajazz","date":"6 enero, 2017","format":false,"excerpt":"Un tema. \"April in Paris\" (1932) \u00a0M\u00fasica: Vernon Duke. Letra: E.Y. Harburg Seleccionado por Luis Escalante Ozalla Count Basie Orchestra. April in Paris (1956) Count Basie, Reunald Jones, Thad Jones, Joe Newman, Wendell Culley, Benny Powell, Henry Coker, Matthew Gee, Marshal Royal, Bill Graham, Frank Wess, Frank Foster, Charlie Fowlkes,\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31502,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-elevation-of-love-e-s-t-198\/","url_meta":{"origin":29867,"position":2},"title":"365 razones para amar el jazz: un tema. 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My Funny Valentine (Hampton Hawes &#8211; Pedro Iturralde) [160]","author":"Tomajazz","date":"9 junio, 2017","format":false,"excerpt":"En 365 razones para amar el jazz:un tema: My Funny Valentine (Hampton Hawes - Pedro Iturralde). Arturo Mora lo seleccion\u00f3.","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pedro-Iturralde-Quartet-Featuring-Hampton-Hawes_Blue-Note_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pedro-Iturralde-Quartet-Featuring-Hampton-Hawes_Blue-Note_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pedro-Iturralde-Quartet-Featuring-Hampton-Hawes_Blue-Note_1968.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pedro-Iturralde-Quartet-Featuring-Hampton-Hawes_Blue-Note_1968.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30693,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-donna-lee-por-jaco-pastorius-javier-nombela-145\/","url_meta":{"origin":29867,"position":4},"title":"365 razones para amar el jazz: una versi\u00f3n. \u00abDonna Lee\u00bb por Jaco Pastorius [145]","author":"Tomajazz","date":"25 mayo, 2017","format":false,"excerpt":"Un tema. \"Donna Lee\" por Jaco Pastorius (Jaco Pastorius; EPIC, 1976) Seleccionado por Arturo Mora","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29566,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-crescent-john-coltrane-67\/","url_meta":{"origin":29867,"position":5},"title":"365 razones para amar el jazz: un disco. Crescent (John Coltrane) [67]","author":"Tomajazz","date":"8 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0John Coltrane:\u00a0Crescent (Impulse!, 1964) Seleccionado por\u00a0Arturo Mora Rioja. Con John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones.","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/John_Coltrane_-_Crescent_Impulse_1964-200x177.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29867"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29867\/revisions"}],"predecessor-version":[{"id":29869,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29867\/revisions\/29869"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29868"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}