{"id":29870,"date":"2017-03-27T12:00:28","date_gmt":"2017-03-27T10:00:28","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29870"},"modified":"2017-12-29T21:35:46","modified_gmt":"2017-12-29T20:35:46","slug":"365-razones-para-amar-el-jazz-una-interpretacion-mercy-mercy-mercy-cannonball-adderley-86","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-interpretacion-mercy-mercy-mercy-cannonball-adderley-86\/","title":{"rendered":"365 razones para amar el jazz: una interpretaci\u00f3n. \u201cMercy, Mercy, Mercy\u201d (Cannonball Adderley) [86]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29871 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una interpretaci\u00f3n. \u00abMercy, Mercy, Mercy\u00bb<br \/>\nThe Cannonball Adderley Quintet:\u00a0<em>Mercy, Mercy, Mercy! Live at \u00abThe Club\u00bb\u00a0<\/em>(Capitol, 1966)<br \/>\nCon\u00a0Cannonball Adderley, Nat Adderley, Joe Zawinul, Victor Gaskin , Roy McCurdy<\/p>\n<p>Seleccionado por <a href=\"https:\/\/marichehuertas.wordpress.com\/2017\/01\/11\/mercy-mercy-mercypor-mariche-huertas-de-la-camara\/\" target=\"_blank\" rel=\"noopener\">Mariche Huertas de la C\u00e1mara<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una interpretaci\u00f3n. \u00abMercy, Mercy, Mercy\u00bb The Cannonball Adderley Quintet:\u00a0Mercy, Mercy, Mercy! Live at \u00abThe Club\u00bb\u00a0(Capitol, 1966) Con\u00a0Cannonball Adderley, Nat Adderley, Joe Zawinul, Victor Gaskin , Roy McCurdy Seleccionado por Mariche Huertas de la C\u00e1mara. &nbsp; &nbsp;<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-interpretacion-mercy-mercy-mercy-cannonball-adderley-86\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29871,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17879,18155,20689,15517,1038],"tags":[18715,18716,18165,1534,1535,18719,13,12415,15295,18720,18717,1868,15710,13931,7526,18718,14710,16099,77,16100,19213],"class_list":["entry","author-pachi","post-29870","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mariche-huertas-de-la-camara","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cannonball-adderley","tag-capitol","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-joe-zawinul","tag-la-actualidad-del-jazz-en-espana","tag-mariche-huertas","tag-nat-adderley","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-roy-mccurdy","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-victor-gaskin"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":50665,"url":"https:\/\/tomajazz.com\/web\/cannonball-adderley-y-iii-blossom-dearie-la-odisea-de-la-musica-afroamericana-239-podcast\/","url_meta":{"origin":29870,"position":0},"title":"Cannonball Adderley (y III) &#8211; Blossom Dearie (I). La Odisea de la M\u00fasica Afroamericana (239) [Podcast]","author":"Tomajazz","date":"25 mayo, 2020","format":false,"excerpt":"Cannonball Adderley y la cantante Blossom Dearie son las figuras centrales del cap\u00edtulo 239 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":29579,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-kind-of-blue-miles-davis-1959-70\/","url_meta":{"origin":29870,"position":1},"title":"365 razones para amar el jazz: un disco. Kind Of Blue (Miles Davis, 1959) [71]","author":"Tomajazz","date":"12 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Kind Of Blue\u00a0(Columbia, 1959) Seleccionado por\u00a0Pachi Tapiz. Con\u00a0Miles Davis, Julian \"Cannonball\" Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, Jimmy Cobb.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":61238,"url":"https:\/\/tomajazz.com\/web\/jazzx5-especial-work-song-por-pachi-tapiz-jazzx5426-427-428-429-minipodcast-de-jazz\/","url_meta":{"origin":29870,"position":2},"title":"JazzX5 especial \u00abWork Song\u00bb Por Pachi Tapiz. JazzX5#426 &#8211; 427 &#8211; 428 &#8211; 429 [Minipodcast de jazz]","author":"Tomajazz","date":"19 febrero, 2022","format":false,"excerpt":"El tema \"Work Song\" es uno de los que aparece en el recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes (Verve Records, 2022). Es la excusa perfecta para escuchar en JazzX5 varias versiones de este tema compuesto por Nat Adderley (suena la versi\u00f3n que aparec\u00eda en Work\u2026","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5 especial \"Work Song\" Por Pachi Tapiz. 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Abdul Mati Klarwein [25]","author":"Tomajazz","date":"25 enero, 2017","format":false,"excerpt":"Un pintor:\u00a0Abdul Mati Klarwein (1932-2002). Pintor autor de las portadas de\u00a0Bitches Brew y\u00a0Live-Evil (Miles Davis),\u00a0Maarifa Street (John Hassell),\u00a0Demon's Dance\u00a0(Jackie McLean),\u00a0Iron Man\u00a0(Eric Dolphy), o\u00a0Mosaic\u00a0(Mark Egan), entre otras. Seleccionado por Mariche Huertas de la C\u00e1mara.","rel":"","context":"En \u00ab*_Mariche Huertas de la C\u00e1mara\u00bb","block_context":{"text":"*_Mariche Huertas de la C\u00e1mara","link":"https:\/\/tomajazz.com\/web\/category\/mariche-huertas-de-la-camara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_BitchesBrewGatefold.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":73725,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-jpt100-t05p17\/","url_meta":{"origin":29870,"position":5},"title":"Jazz Para Ti: #JPT100 T05P17 Por Pachi Tapiz [Podcast de jazz]","author":"Tomajazz","date":"10 mayo, 2023","format":false,"excerpt":"El programa de radio Jazz Para Ti llega a su edici\u00f3n n\u00famero 100 y lo celebra con un programa especial lleno de momentos muy especiales, con la m\u00fasica de Buck Clayton, Oliver Nelson, Cannonball Adderley, Benny Goodman, John Coltrane, Gerry Mulligan y Sarah Vaughan. Jazz Para Ti es un programa\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Jazz Para Ti: #JPT100 T05P17 Por Pachi Tapiz [Podcast de jazz] - Tomajazz 9.0 - El programa de radio Jazz Para Ti llega a su edici\u00f3n n\u00famero 100 y lo celebra con un programa especial lleno de momentos muy especiales, con la m\u00fasica de Buck Clayton, Oliver Nelson, Cannonball Adderley, Benny Goodman, John Coltrane, Gerry Mulligan y Sarah Vaughan. Jazz Paa","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-100.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-100.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-100.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-100.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29870"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29870\/revisions"}],"predecessor-version":[{"id":29872,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29870\/revisions\/29872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29871"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}