{"id":2992,"date":"2009-11-05T11:00:00","date_gmt":"2009-11-05T10:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2992"},"modified":"2016-04-10T23:06:53","modified_gmt":"2016-04-10T21:06:53","slug":"harris-eisenstadt-canada-day","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-canada-day\/","title":{"rendered":"Harris Eisenstadt: Canada Day"},"content":{"rendered":"<div>\n<div>\n<a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/eisenstadt_harris-canadian-day-796623.jpg\" imageanchor=\"1\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/eisenstadt_harris-canadian-day-796622.jpg\" alt=\"\" title=\"\"><\/a>\n<\/div>\n<div>\n<i>Canada Day <\/i>del bater\u00eda y compositor canadiense Harris Eisenstadt es una peque\u00f1a joya, adem\u00e1s de una broma. Grabada en quinteto, entre sus componentes incluye a figuras que aunque no sean muy conocidas a nivel popular en este momento, tienen ante s\u00ed un futuro brillante, como el trompetista Nate Wooley (uno de los m\u00e1s interesantes de la actualidad entre los m\u00e1s j\u00f3venes con permiso de Taylor Ho Bynum), el saxofonista Matt Bauder o el bajista Eivind Opsvik. La m\u00fasica trabaja en ese punto de dif\u00edcil equilibrio que es compaginar las composiciones y el trabajo del grupo, con el trabajo y las improvisaciones individuales. Otro factor muy importante es su equilibrio en cuanto a su duraci\u00f3n: las ocho piezas duran en torno a los 7 minutos, perfectos para dejar trabajar al quintento y para que el oyente quede con ganas de m\u00e1s.\n<\/div>\n<div><\/div>\n<\/div>\n<div><\/div>\n<div>Pachi Tapiz\n<\/div>\n<div><\/div>\n<div>Harris Eisenstadt &#8211;\u00a0 <i>Canada <\/i><i>Day<\/i>\n<\/div>\n<div><\/div>\n<div>Nate Wooley (trompeta), Matt Bauder (saxo tenor), Chris Dingman (vibr\u00e1fono), Eivind Opsvik (contrabajo), Harris Eisenstadt (bater\u00eda y composiciones)\n<\/div>\n<div><\/div>\n<div>\u00abDon&#8217;t Gild The Lilly\u00bb, \u00abHalifax\u00bb, \u00abAfter And Outdoor Bath\u00bb, \u00abAnd When To Come Back\u00bb, \u00abKeep Casting Rods\u00bb, \u00abKategeeper\u00bb, \u00abUps And Downs\u00bb, \u00abEvery Day Is Cana Day\u00bb\n<\/div>\n<div>Todos los temas por Harris Eisenstadt. \n<\/div>\n<div><\/div>\n<div>Grabado en Acoustic Recordings, Brooklyn, USA, el 6 de diciembre de 2008. Publicado en 2009 por Clean Feed Records. CF157CD\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Canada Day del bater\u00eda y compositor canadiense Harris Eisenstadt es una peque\u00f1a joya, adem\u00e1s de una broma. Grabada en quinteto, entre sus componentes incluye a figuras que aunque no sean muy conocidas a nivel popular en este momento, tienen ante s\u00ed un futuro brillante, como el trompetista Nate Wooley (uno<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/harris-eisenstadt-canada-day\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2992","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2271,"url":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-canada-day-iii-songlines-2012\/","url_meta":{"origin":2992,"position":0},"title":"Harris Eisenstadt: Canada Day III (Songlines, 2012)","author":"Tomajazz","date":"26 julio, 2012","format":false,"excerpt":"Relacionado con la escucha y disfrute de la m\u00fasica de Canada Day III, no parece necesario insistir en las bondades que aportan a las grabaciones el que los grupos rueden el material con unos cuantos conciertos en directo, y especialmente el que graben tras finalizar una gira de siete conciertos.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"harriseisenstadt_harris_canada_day","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/harriseisenstadt_harris_canada_day.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":15391,"url":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-canada-day-en-espana-te-lo-vas-a-perder-te-lo-vas-a-perder-por-pachi-tapiz\/","url_meta":{"origin":2992,"position":1},"title":"Harris Eisenstadt Canada Day en Espa\u00f1a: \u00bfTe lo vas a perder? \u00a1Te lo vas a perder! Por Pachi Tapiz","author":"Tomajazz","date":"13 noviembre, 2014","format":false,"excerpt":"Efectivamente: \u00a1te lo vas a perder! Y no es tu culpa, querido lector... bueno, quiz\u00e1s no seas el \u00faltimo responsable, pero a veces la respuesta por parte de los aficionados... Bien. Esta no es, al menos en esta ocasi\u00f3n, la cuesti\u00f3n. Este es el momento de hacer una reflexi\u00f3n in\u00fatil\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Harris Eisenstadt La Ribera","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Harris-Eisenstadt-La-Ribera-e1415829958750.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10035,"url":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-september-trio-the-destructive-element-clean-feed-2013\/","url_meta":{"origin":2992,"position":2},"title":"Harris Eisenstadt September Trio: The Destructive Element (Clean Feed, 2013)","author":"Tomajazz","date":"23 enero, 2014","format":false,"excerpt":"El baterista Harris Eisenstadt publica The Destructive Element con su formaci\u00f3n September Trio. El saxofonista Ellery Eskelin y la pianista Angelica Sanchez son sus acompa\u00f1antes nuevamente. Eisenstadt, que durante los \u00faltimos a\u00f1os est\u00e1 mostrando ser un gran compositor, es el autor de los nueve temas. Estos resultan muy variados en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Harris Eisenstadt The Desctrutive Element","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Harris-Eisenstadt-The-Desctrutive-Element-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8394,"url":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-september-trio-destructive-element-clean-feed-2013\/","url_meta":{"origin":2992,"position":3},"title":"Harris Eisenstadt September Trio: Destructive Element (Clean Feed, 2013)","author":"Tomajazz","date":"11 octubre, 2013","format":false,"excerpt":"El baterista Harris Eisenstadt publica The Destructive Element con su formaci\u00f3n September Trio. El saxofonista Ellery Eskelin y la pianista Angelica Sanchez son sus acompa\u00f1antes nuevamente. Eisenstadt, que durante los \u00faltimos a\u00f1os est\u00e1 mostrando ser un gran compositor, es el autor de los nueve temas. Estos resultan muy variados en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Harris Eisenstadt september trio destructive elements","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Harris-Eisenstadt-september-trio-destructive-elements.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10066,"url":"https:\/\/tomajazz.com\/web\/the-convergence-quartet-slow-and-steady-nobusiness-records-2013-aka-bun-en-bad-music-jazz\/","url_meta":{"origin":2992,"position":4},"title":"The Convergence Quartet: Slow And Steady (NoBusiness Records, 2013) aka BUN en Bad Music Jazz","author":"Tomajazz","date":"27 enero, 2014","format":false,"excerpt":"The Convergence Quartet sigue adelante sin prisa, pero sin pausa. En seis a\u00f1os este grupo intercontinental (Harris Eisenstadt proviene de Canad\u00e1, Taylor Ho Bynum de Estados Unidos; Alexander Hawkins y Dominic Lash del Reino Unido) ha publicado tres CD alternando grabaciones en directo y estudio. Slow And Steady, su \u00faltima\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"The Convergence Quartet_Slow and Steady","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Convergence-Quartet_Slow-and-Steady-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13641,"url":"https:\/\/tomajazz.com\/web\/matt-bauder-and-day-in-pictures-night-shades-clean-feed-2014\/","url_meta":{"origin":2992,"position":5},"title":"Matt Bauder And Day In Pictures: Night Shades (Clean Feed, 2014)","author":"Jes\u00fas Gonzalo","date":"2 septiembre, 2014","format":false,"excerpt":"Cuando se profundiza en la carrera de Matt Bauder (Michigan 1976) se llega a la conclusi\u00f3n que representa un modelo de m\u00fasico de jazz-saxofonista, con toda la carga\u00a0 hist\u00f3rica que ello conlleva en esta m\u00fasica, fuera de los c\u00e1nones del g\u00e9nero. Vale incluso para su generaci\u00f3n, pues muchos nombres de\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Matt-Bauder.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2992"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2992\/revisions"}],"predecessor-version":[{"id":23146,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2992\/revisions\/23146"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}