{"id":29920,"date":"2017-03-28T12:00:20","date_gmt":"2017-03-28T10:00:20","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29920"},"modified":"2017-12-29T21:35:45","modified_gmt":"2017-12-29T20:35:45","slug":"365-razones-para-amar-el-jazz-un-disco-clifford-brown-and-max-roach-87","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-clifford-brown-and-max-roach-87\/","title":{"rendered":"365 razones para amar el jazz: un disco. Clifford Brown and Max Roach [87]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29921 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955-200x199.jpg\" width=\"200\" height=\"199\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955.jpg 450w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco.\u00a0<em>Clifford Brown and Max Roach<\/em> (<strong>Clifford Brown<\/strong> y <strong>Max Roach<\/strong>. EmArcy, 1955)<\/p>\n<p>Seleccionado por\u00a0<strong>Arturo Mora Rioja<\/strong>.<\/p>\n<p>Con\u00a0Clifford Brown, Harold Land, George Morrow, Richie Powell, Max Roach<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco.\u00a0Clifford Brown and Max Roach (Clifford Brown y Max Roach. EmArcy, 1955) Seleccionado por\u00a0Arturo Mora Rioja. Con\u00a0Clifford Brown, Harold Land, George Morrow, Richie Powell, Max Roach<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-clifford-brown-and-max-roach-87\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29921,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,18155,20689,15517,1038],"tags":[18715,18716,18165,260,18719,13989,1676,8467,1780,13,12415,15295,18720,18717,15710,1978,18718,19227,16099,77,16100],"class_list":["entry","author-pachi","post-29920","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-arturo-mora-rioja","tag-cien-anos-de-grabaciones-de-jazz","tag-clifford-brown","tag-emarcy","tag-george-morrow","tag-harold-land","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-max-roach","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-richie-powell","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29931,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-at-basin-street-clifford-brown-and-max-roach-89-a-new-perspective-04\/","url_meta":{"origin":29920,"position":0},"title":"365 razones para amar el jazz: una portada. At Basin Street (Clifford Brown and Max Roach) [89] [A New Perspective 04]","author":"Tomajazz","date":"30 marzo, 2017","format":false,"excerpt":"Una portada.\u00a0At Basin Street\u00a0(Clifford Brown and Max Roach. EmArcy, 1956). Fotograf\u00eda de Chuck Stewart Seleccionado por Jos\u00e9 Luis Luna Rocafort. Cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Clifford Brown, Max Roach, Richie Powell, Sonny\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1848,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-stompin-at-the-savoy-clifford-brown-max-roach\/","url_meta":{"origin":29920,"position":1},"title":"Tomajazz recomienda\u2026 un tema: \u201cStompin\u2019 At The Savoy\u201d (Clifford Brown &#038; Max Roach, 1954)","author":"Adolphus van Tenzing","date":"15 junio, 2009","format":false,"excerpt":"Pocos combos aprovecharon los estilos predominantes a mediados de los a\u00f1os cincuenta como el quinteto del trompetista Clifford Brown y el bater\u00eda Max Roach. Completado por el saxo tenor Harold Land, el pianista Richie Powell (hermano de Bud Powell) y el contrabajista George Morrow, su hard bop combinaba los fieros\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Brown And Roach Incorporated","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2009\/06\/br.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":63220,"url":"https:\/\/tomajazz.com\/web\/clifford-brown-max-roach-harold-land-take-the-a-train-por-juan-f-trillo-tomajazz-remembers-16-minipodcast-de-jazz\/","url_meta":{"origin":29920,"position":2},"title":"Clifford Brown, Max Roach &#038; Harold Land \u201cTake the A-Train\u201d Por Juan F. Trillo. Tomajazz Remembers #16 [Minipodcast de jazz]","author":"Tomajazz","date":"1 mayo, 2022","format":false,"excerpt":"En Tomajazz comenzamos la edici\u00f3n de mayo con una nueva entrega del podcast Tomajazz Remembers. En esta ocasi\u00f3n Juan F. Trillo elige la versi\u00f3n de \"Take The A-Train\" que grabaron Clifford Brown y Max Roach. Adem\u00e1s, nos cuenta la historia de este conocid\u00edsimo tema.","rel":"","context":"En \u00ab*_Juan F. Trillo\u00bb","block_context":{"text":"*_Juan F. Trillo","link":"https:\/\/tomajazz.com\/web\/category\/_juan-f-trillo\/"},"img":{"alt_text":"Clifford Brown, Max Roach & Harold Land \u201cTake the A-Train\u201d Por Juan F. Trillo. Tomajazz Remembers #16 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/ATTR_016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/ATTR_016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/ATTR_016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/ATTR_016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31767,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-we-insist-max-roach-226\/","url_meta":{"origin":29920,"position":3},"title":"365 razones para amar el jazz: una portada. We Insist! (Max Roach) [226]","author":"Tomajazz","date":"14 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0Max Roach: We Insist\/\u00a0(Candid, 1960) Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"We Insist! Max Roach Freedom Now Suite","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29576,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-magnificent-thad-jones-thad-jones-1956-70\/","url_meta":{"origin":29920,"position":4},"title":"365 razones para amar el jazz: un disco. The Magnificent Thad Jones (Thad Jones, 1956) [70]","author":"Tomajazz","date":"11 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Thad Jones:\u00a0The Magnificent Thad Jones\u00a0(Blue Note, 1956) Seleccionado por\u00a0Juanma Castro Medina. Con Thad Jones, Billy Mitchell, Barry Harris, Percy Heath, Max Roach.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28640,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-brilliant-corners-thelonious-monk-1956-12\/","url_meta":{"origin":29920,"position":5},"title":"365 razones para amar el jazz: un disco. Brilliant Corners (Thelonious Monk, 1956) [12]","author":"Tomajazz","date":"12 enero, 2017","format":false,"excerpt":"Un disco.\u00a0Brilliant Corners. Thelonious Monk (Riverside, 1956). Seleccionado por Juanma Castro Medina. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul Chambers","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29920"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29920\/revisions"}],"predecessor-version":[{"id":29922,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29920\/revisions\/29922"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29921"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}