{"id":29931,"date":"2017-03-30T12:00:13","date_gmt":"2017-03-30T10:00:13","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29931"},"modified":"2017-12-29T21:35:45","modified_gmt":"2017-12-29T20:35:45","slug":"365-razones-para-amar-el-jazz-una-portada-at-basin-street-clifford-brown-and-max-roach-89-a-new-perspective-04","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-at-basin-street-clifford-brown-and-max-roach-89-a-new-perspective-04\/","title":{"rendered":"365 razones para amar el jazz: una portada. At Basin Street (Clifford Brown and Max Roach) [89] [A New Perspective 04]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29932 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una portada.\u00a0<em>At Basin Street\u00a0<\/em>(<strong>Clifford Brown and Max Roach<\/strong>. EmArcy, 1956). Fotograf\u00eda de <strong>Chuck Stewart<\/strong><\/p>\n<p>Seleccionado por <strong>Jos\u00e9 Luis Luna Rocafort<\/strong>. Cuarta entrega de la serie\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/?cat=18586\" target=\"_blank\"><em>A New Perspective<\/em><\/a>: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<\/p>\n<p>Con Clifford Brown, Max Roach, Richie Powell, Sonny Rollins, George Morrow<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una portada.\u00a0At Basin Street\u00a0(Clifford Brown and Max Roach. EmArcy, 1956). Fotograf\u00eda de Chuck Stewart Seleccionado por Jos\u00e9 Luis Luna Rocafort. Cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Clifford Brown, Max Roach, Richie Powell, Sonny<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-at-basin-street-clifford-brown-and-max-roach-89-a-new-perspective-04\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29932,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17846,18155,18586,20689,15517,1038],"tags":[18715,18716,18165,19550,19235,18719,13989,8467,13,12415,15295,18720,18717,10088,15710,1978,18718,19227,2225,16099,77,16100],"class_list":["entry","author-pachi","post-29931","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jose-luis-luna-rocafort","category-365-razones-para-amar-el-jazz","category-a-new-perspective","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-a-new-perspective","tag-chuck-stewart","tag-cien-anos-de-grabaciones-de-jazz","tag-clifford-brown","tag-george-morrow","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jose-luis-luna-rocafort","tag-la-actualidad-del-jazz-en-espana","tag-max-roach","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-richie-powell","tag-sonny-rollins","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30376,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-mingus-at-the-bohemia-charles-mingus-119-a-new-perspective-07\/","url_meta":{"origin":29931,"position":0},"title":"365 razones para amar el jazz: una portada. Mingus At The Bohemia (Charles Mingus) [119] [A New Perspective 07]","author":"Tomajazz","date":"29 abril, 2017","format":false,"excerpt":"Una portada. Mingus At The Bohemia\u00a0(Charles Mingus. Debut Records, 1956). Fotograf\u00eda de Bob Parent. Seleccionado por Jos\u00e9 Luis Luna Rocafort. S\u00e9ptima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con George Barrow, Eddie Bert, Mal Waldron, Charles\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Mingus_At-The-Bohemia_Debut-Records.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30526,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-brilliant-corners-thelonious-monk-130-a-new-perspective-09\/","url_meta":{"origin":29931,"position":1},"title":"365 razones para amar el jazz: una portada. Brilliant Corners (Thelonious Monk) [131] [A New Perspective 09]","author":"Tomajazz","date":"11 mayo, 2017","format":false,"excerpt":"Una portada.\u00a0Brilliant Corners\u00a0(Thelonious Monk. Riverside, 1957). Fotograf\u00eda de Paul Weller. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Novena\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30772,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-not-so-dukish-johnny-hodges-146-a-new-perspective-12\/","url_meta":{"origin":29931,"position":2},"title":"365 razones para amar el jazz: una portada. Not So Dukish (Johnny Hodges) [155] [A New Perspective 12]","author":"Tomajazz","date":"4 junio, 2017","format":false,"excerpt":"Una portada. Not So Dukish\u00a0(Johnny Hodges And His Orchestra. Verve, 1958). Fotograf\u00eda de Herman Leonard. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Und\u00e9cima\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Johnny Hodges, Roy Eldridge, Ray Nance, Lawrence\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29920,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-clifford-brown-and-max-roach-87\/","url_meta":{"origin":29931,"position":3},"title":"365 razones para amar el jazz: un disco. Clifford Brown and Max Roach [87]","author":"Tomajazz","date":"28 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Clifford Brown and Max Roach (Clifford Brown y Max Roach. EmArcy, 1955) Seleccionado por\u00a0Arturo Mora Rioja. Con\u00a0Clifford Brown, Harold Land, George Morrow, Richie Powell, Max Roach","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31964,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-dexter-blows-hot-and-cool-dexter-gordon-239-a-new-perspective-24\/","url_meta":{"origin":29931,"position":4},"title":"365 razones para amar el jazz: una portada. Dexter Blows Hot And Cool (Dexter Gordon) [239] [A New Perspective 24]","author":"Tomajazz","date":"27 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0Dexter Blows Hot And Cool\u00a0(Dexter Gordon, Dooto,\u00a01955). Fotograf\u00eda de\u00a0Howard Morehead Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Vig\u00e9sima cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31505,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-porgy-and-bess-oscar-peterson-joe-pass-199-a-new-perspective-19\/","url_meta":{"origin":29931,"position":5},"title":"365 razones para amar el jazz: una portada. Porgy and Bess (Oscar Peterson &#8211; Joe Pass) [199] [A New Perspective 19]","author":"Tomajazz","date":"18 julio, 2017","format":false,"excerpt":"Una portada. Porgy And Bess\u00a0(Oscar Peterson & Joe Pass. Pablo, 1976). Fotograf\u00eda de\u00a0Phil Stern. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo novena entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Peterson-Pass_Porgy-And-Bess_Pablo.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29931"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29931\/revisions"}],"predecessor-version":[{"id":29933,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29931\/revisions\/29933"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29932"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}