{"id":30065,"date":"2017-04-09T12:00:01","date_gmt":"2017-04-09T10:00:01","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30065"},"modified":"2017-12-29T21:35:39","modified_gmt":"2017-12-29T20:35:39","slug":"365-razones-para-amar-el-jazz-un-disco-miles-ahead-miles-davis-1957-99","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-miles-ahead-miles-davis-1957-99\/","title":{"rendered":"365 razones para amar el jazz: un disco. Miles Ahead (Miles Davis, 1957) [99]"},"content":{"rendered":"

\"\"Un disco. Miles Davis + 19: Miles Ahead\u00a0<\/em>(Columbia, 1957)<\/p>\n

Seleccionado por\u00a0Carlos Lara<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Un disco. Miles Davis + 19: Miles Ahead\u00a0(Columbia, 1957) Seleccionado por\u00a0Carlos LaraContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30066,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,13,12415,15295,18720,18717,15710,18718,16099,77,16100],"class_list":["entry","author-pachi","post-30065","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis-19_Miles-Ahead_Columbia_1957.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31106,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-birth-of-the-cool-miles-davis-176\/","url_meta":{"origin":30065,"position":0},"title":"365 razones para amar el jazz: una grabaci\u00f3n. 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Seven Steps to Heaven (Miles Davis, Victor Feldman) [174]","author":"Tomajazz","date":"23 junio, 2017","format":false,"excerpt":"Un tema. \"Seven Steps to Heaven\" (Victor Feldman, Miles Davis) Seleccionado por Kuto Miles Davis Quintet: Seven Steps to Heaven (Columbia, 1957) Con Miles Davis, George Coleman, Herbie Hancock o Victor Feldman, Ron Carter, Frank Butler o Tony Williams Y s\u00ed, es una entrada repetida, pero es lo bueno que\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29587,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-blue-train-john-coltrane-1957-73\/","url_meta":{"origin":30065,"position":4},"title":"365 razones para amar el jazz: un disco. 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Con John Coltrane, Lee Morgan, Curtis Fuller, Paul Chambers, Kenny Drew, Philly Joe Jones.","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30128,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-seven-steps-to-heaven-victor-feldman-104\/","url_meta":{"origin":30065,"position":5},"title":"365 razones para amar el jazz: un tema. \u00abSeven Steps to Heaven\u00bb (Victor Feldman) [104]","author":"Tomajazz","date":"14 abril, 2017","format":false,"excerpt":"Un tema. \"Seven Steps to Heaven\" (Victor Feldman) Seleccionado por Arturo Mora Rioja Miles Davis Quintet: Seven Steps to Heaven (Columbia, 1957) Con Miles Davis, George Coleman, Herbie Hancock o Victor Feldman, Ron Carter, Frank Butler o Tony Williams","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30065"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30065\/revisions"}],"predecessor-version":[{"id":30067,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30065\/revisions\/30067"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/30066"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}