{"id":30163,"date":"2017-04-16T12:00:04","date_gmt":"2017-04-16T10:00:04","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30163"},"modified":"2017-12-29T21:35:36","modified_gmt":"2017-12-29T20:35:36","slug":"365-razones-para-amar-el-jazz-un-disco-a-escuchar-por-la-noche-three-for-all-woods-flanagan-mitchell-106","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-a-escuchar-por-la-noche-three-for-all-woods-flanagan-mitchell-106\/","title":{"rendered":"365 razones para amar el jazz: un disco (a escuchar por la noche). Three For All (Woods &#8211; Flanagan &#8211; Mitchell) [106]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-30164 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Phil-Woods-Tommy-Flamangan-Red-Mitchell_Three-For-All_Enja_1981-200x197.jpg\" alt=\"\" width=\"200\" height=\"197\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Phil-Woods-Tommy-Flamangan-Red-Mitchell_Three-For-All_Enja_1981-200x197.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Phil-Woods-Tommy-Flamangan-Red-Mitchell_Three-For-All_Enja_1981.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Phil-Woods-Tommy-Flamangan-Red-Mitchell_Three-For-All_Enja_1981-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Phil-Woods-Tommy-Flamangan-Red-Mitchell_Three-For-All_Enja_1981-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco \u00abque me gusta escuchar por la noche\u00bb.\u00a0<strong>Phil Woods &#8211; Tommy Flanagan &#8211; Red Mitchell<\/strong>:\u00a0<em>Three For All\u00a0<\/em>(Enja, 1981)<\/p>\n<p>Seleccionado por\u00a0<strong>Kuto<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco \u00abque me gusta escuchar por la noche\u00bb.\u00a0Phil Woods &#8211; Tommy Flanagan &#8211; Red Mitchell:\u00a0Three For All\u00a0(Enja, 1981) Seleccionado por\u00a0Kuto<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-a-escuchar-por-la-noche-three-for-all-woods-flanagan-mitchell-106\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30164,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17843,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,1678,13,12415,15295,18720,18717,37,15710,8176,19305,18718,18630,16099,77,16100,7009],"class_list":["entry","author-pachi","post-30163","post","type-post","status-publish","format-standard","has-post-thumbnail","category-don-kuto","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-enja","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-kuto","tag-la-actualidad-del-jazz-en-espana","tag-phil-woods","tag-phil-woods-tommy-flanagan-red-mitchell","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-red-mitchell","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tommy-flanagan"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Phil-Woods-Tommy-Flamangan-Red-Mitchell_Three-For-All_Enja_1981.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30166,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-incredible-jazz-guitar-of-wes-montgomery-106\/","url_meta":{"origin":30163,"position":0},"title":"365 razones para amar el jazz: un disco. 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Booker Little [78]","author":"Tomajazz","date":"19 marzo, 2017","format":false,"excerpt":"Un LP.\u00a0Booker Little:\u00a0Booker Little\u00a0(Time, 1960) Seleccionado por Jes\u00fas Mateu Rossell\u00f3 Con Booker Little,\u00a0Eddie Baker, Tommy Flanagan, Wynton Kelly, Mal Waldron, Bob Cranshaw, Art Davis, Addison Farmer, Scott LaFaro, Roy Haynes, Max Roach, Ed Shaughnessy","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Booker-Little_Booker-Little_Time_1960.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Booker-Little_Booker-Little_Time_1960.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Booker-Little_Booker-Little_Time_1960.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Booker-Little_Booker-Little_Time_1960.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31008,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-diseno-de-portada-cookin-miles-davis-170\/","url_meta":{"origin":30163,"position":2},"title":"365 razones para amar el jazz: un dise\u00f1o de portada. 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Joe Gordon:\u00a0Lookin' Good\u00a0(Contemporary Records, 1961) Seleccionado por\u00a0Juanma Castro Medina Con Joe Gordon, Jimmy Woods, Dick Whittington, Jimmy Bond, Milt Turner","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Joe-Gordon_LookinGood_Contemporary-Records_1961.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Joe-Gordon_LookinGood_Contemporary-Records_1961.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Joe-Gordon_LookinGood_Contemporary-Records_1961.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30505,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-tomorrow-is-the-question-ornette-coleman-129\/","url_meta":{"origin":30163,"position":4},"title":"365 razones para amar el jazz: un disco. Tomorrow Is The Question (Ornette Coleman) [129]","author":"Tomajazz","date":"9 mayo, 2017","format":false,"excerpt":"Un disco.\u00a0Ornette Coleman:\u00a0Tomorrow Is The Question\u00a0(Contemporary Label, 1959) Seleccionado por Arturo Mora Rioja. Con Ornette Coleman, Don Cherry, Percy Heath, Red Mitchell, Shelly Manne \u00a0","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31290,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-colossus-of-detroit-billy-mitchell-188\/","url_meta":{"origin":30163,"position":5},"title":"365 razones para amar el jazz: una grabaci\u00f3n. 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