Un tema.\u00a0\u201cMoten Swing\u201d (Buster Moten – Bennie Moten, 1932)<\/p>\n
Seleccionado por\u00a0Luis Escalante Ozalla<\/strong><\/p>\n\n<\/iframe><\/p>\n<p style=\"text-align: left;\">Banda Sonora de la pel\u00edcula <em>Kansas City <\/em>(Robert Altman, 1996)<br \/>\nCon\u00a0Geri Allen, Christian McBride, Victor Lewis, Mark Whifield, Nicholas Payton, James Zollar, Jesse Davis, David \u201cFathed\u201d Newman, Joshua Redman, Don Byron<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema.\u00a0\u201cMoten Swing\u201d (Buster Moten – Bennie Moten, 1932) Seleccionado por\u00a0Luis Escalante Ozalla Banda Sonora de la pel\u00edcula Kansas City (Robert Altman, 1996) Con\u00a0Geri Allen, Christian McBride, Victor Lewis, Mark Whifield, Nicholas Payton, James Zollar, Jesse Davis, David \u201cFathed\u201d Newman, Joshua Redman, Don Byron<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-moten-swing-buster-moten-bennie-moten-109\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30174,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[18715,18716,18165,19314,19313,19312,1566,18719,19311,9013,647,19310,13,12415,15295,18720,18717,11001,1887,15710,12816,19309,8220,18718,11741,16099,77,16100,9875],"class_list":["entry","author-pachi","post-30173","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-bennie-moten","tag-buster-moten","tag-buster-moten-bennie-moten","tag-christian-mcbride","tag-cien-anos-de-grabaciones-de-jazz","tag-david-fathed-newman","tag-don-byron","tag-geri-allen","tag-james-zollar","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jesse-davis","tag-joshua-redman","tag-la-actualidad-del-jazz-en-espana","tag-luis-escalante-ozalla","tag-mark-whifield","tag-nicholas-payton","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-robert-altman","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-victor-lewis"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Moten_Swing.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28730,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-getting-some-fun-out-life-18\/","url_meta":{"origin":30173,"position":0},"title":"365 razones para amar el jazz: un tema. \u201cGetting some fun out of life\u201d [18]","author":"Tomajazz","date":"18 enero, 2017","format":false,"excerpt":"Un tema: \"Getting some fun out of life\". M\u00fasica y letra: Edgar Leslie & Johnny Burke Seleccionado por Luis Escalante Ozalla. Billie Holiday: The Quintessential \u2013 Vol. 5\u00a0(1989) Billie Holiday, Claude Thornhill, Walter Page, Jo Jones, Freddie Green, Buck Clayton, Lester Young, Buster Bailey Grabaci\u00f3n: 13 de Septiembre de 1937.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Billie-Holiday_The-Quintesential_Columbia-Jazz_1989.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29270,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-escondido-bennie-maupin-56\/","url_meta":{"origin":30173,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abEscondido\u00bb (Bennie Maupin) [56]","author":"Tomajazz","date":"25 febrero, 2017","format":false,"excerpt":"Un tema. \"Escondido\" (Bennie Maupin) Seleccionado por\u00a0Juli\u00e1n Ruesga Bono. Bennie Maupin: Early Reflections (Cryptogramophone, 2008) Con Bennie Maupin, Michal Tokaj, Michal Baranski, Lukasz Zyta, Hania Chowaniec-Rybka. \u00a0","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":31713,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-onyx-club-221\/","url_meta":{"origin":30173,"position":2},"title":"365 razones para amar el jazz: un club de jazz: Onyx Club [221]","author":"Tomajazz","date":"9 agosto, 2017","format":false,"excerpt":"Un club de jazz: Onyx Club. 52nd. Street. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario: Maxine Sullivan y Buster Bailey. Posiblemente Frank Newton (tp), John Kirby (b). 1938.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1912,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-sesion-bennie-moten-13-de-diciembre-de-1932\/","url_meta":{"origin":30173,"position":3},"title":"Tomajazz recomienda… una sesi\u00f3n: Bennie Moten, 13 de diciembre de 1932.","author":"Adolphus van Tenzing","date":"29 octubre, 2010","format":false,"excerpt":"En plena Gran Depresi\u00f3n, la mejor banda del castigado Medio Oeste lleg\u00f3, cansada y abatida, a los estudios de RCA Victor en Camden (Nueva Jersey) a registrar en una sesi\u00f3n maratoniana lo que a la postre ser\u00eda su canto del cisne. Tras algunas bajas hist\u00f3ricas y la absorci\u00f3n de la\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Bennie Moten Orchestra: 1929-1932 Band Box Shuffle (HEP CD 1070\/2; CD doble)","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/10\/63-benniemoten_bandboxshuffle.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28886,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-miles-davis-bitches-brew-1970-31\/","url_meta":{"origin":30173,"position":4},"title":"365 razones para amar el jazz: un disco. Miles Davis: Bitches Brew (1970) [31]","author":"Tomajazz","date":"31 enero, 2017","format":false,"excerpt":"Un disco. Miles Davis:\u00a0Bitches Brew\u00a0(CBS, 1970) Seleccionado por Juan Antonio Serrano Cervantes. Con\u00a0Miles Davis, Dave Holland, Harvey Brooks, Bennie Maupin, Don Alias, Jack DeJohnette, Lenny White, John McLaughlin, Chick Corea, Joe Zawinul , Larry Young, Jim Riley, Wayne Shorter,","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30599,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-lawns-carla-bley-137\/","url_meta":{"origin":30173,"position":5},"title":"365 razones para amar el jazz: un tema. \u00abLawns\u00bb (Carla Bley) [137]","author":"Tomajazz","date":"17 mayo, 2017","format":false,"excerpt":"Un tema. \"Lawns\" de Carla Bley. Incluido en\u00a0Sextet\u00a0(Carla Bley. Watt \/ ECM, 1987) Seleccionado por\u00a0Luis Escalante Ozalla Carla Bley y Steve Swallow. Grabaci\u00f3n en concierto en 1998 \u00a0","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Carla-Bley-Sextet_Watt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30173"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30173\/revisions"}],"predecessor-version":[{"id":30175,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30173\/revisions\/30175"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/30174"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/iframe><\/p>\n<p style=\"text-align: left;\">Banda Sonora de la pel\u00edcula <em>Kansas City <\/em>(Robert Altman, 1996)<br \/>\nCon\u00a0Geri Allen, Christian McBride, Victor Lewis, Mark Whifield, Nicholas Payton, James Zollar, Jesse Davis, David \u201cFathed\u201d Newman, Joshua Redman, Don Byron<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema.\u00a0\u201cMoten Swing\u201d (Buster Moten – Bennie Moten, 1932) Seleccionado por\u00a0Luis Escalante Ozalla Banda Sonora de la pel\u00edcula Kansas City (Robert Altman, 1996) Con\u00a0Geri Allen, Christian McBride, Victor Lewis, Mark Whifield, Nicholas Payton, James Zollar, Jesse Davis, David \u201cFathed\u201d Newman, Joshua Redman, Don Byron<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-moten-swing-buster-moten-bennie-moten-109\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30174,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[18715,18716,18165,19314,19313,19312,1566,18719,19311,9013,647,19310,13,12415,15295,18720,18717,11001,1887,15710,12816,19309,8220,18718,11741,16099,77,16100,9875],"class_list":["entry","author-pachi","post-30173","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-bennie-moten","tag-buster-moten","tag-buster-moten-bennie-moten","tag-christian-mcbride","tag-cien-anos-de-grabaciones-de-jazz","tag-david-fathed-newman","tag-don-byron","tag-geri-allen","tag-james-zollar","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jesse-davis","tag-joshua-redman","tag-la-actualidad-del-jazz-en-espana","tag-luis-escalante-ozalla","tag-mark-whifield","tag-nicholas-payton","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-robert-altman","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-victor-lewis"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Moten_Swing.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28730,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-getting-some-fun-out-life-18\/","url_meta":{"origin":30173,"position":0},"title":"365 razones para amar el jazz: un tema. \u201cGetting some fun out of life\u201d [18]","author":"Tomajazz","date":"18 enero, 2017","format":false,"excerpt":"Un tema: \"Getting some fun out of life\". 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Bennie Maupin: Early Reflections (Cryptogramophone, 2008) Con Bennie Maupin, Michal Tokaj, Michal Baranski, Lukasz Zyta, Hania Chowaniec-Rybka. \u00a0","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":31713,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-onyx-club-221\/","url_meta":{"origin":30173,"position":2},"title":"365 razones para amar el jazz: un club de jazz: Onyx Club [221]","author":"Tomajazz","date":"9 agosto, 2017","format":false,"excerpt":"Un club de jazz: Onyx Club. 52nd. 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Posiblemente Frank Newton (tp), John Kirby (b). 1938.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1912,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-sesion-bennie-moten-13-de-diciembre-de-1932\/","url_meta":{"origin":30173,"position":3},"title":"Tomajazz recomienda… una sesi\u00f3n: Bennie Moten, 13 de diciembre de 1932.","author":"Adolphus van Tenzing","date":"29 octubre, 2010","format":false,"excerpt":"En plena Gran Depresi\u00f3n, la mejor banda del castigado Medio Oeste lleg\u00f3, cansada y abatida, a los estudios de RCA Victor en Camden (Nueva Jersey) a registrar en una sesi\u00f3n maratoniana lo que a la postre ser\u00eda su canto del cisne. 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![\"\"](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Moten_Swing-200x200.jpg\" "\\"\\"")
Un tema.\u00a0\u201cMoten Swing\u201d (Buster Moten – Bennie Moten, 1932)<\/p>\nUn tema.\u00a0\u201cMoten Swing\u201d (Buster Moten – Bennie Moten, 1932)<\/p>\n