{"id":3039,"date":"2009-09-14T22:59:00","date_gmt":"2009-09-14T20:59:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3039"},"modified":"2016-04-10T23:06:56","modified_gmt":"2016-04-10T21:06:56","slug":"richard-pinhas-and-merzbow-keio-line","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/richard-pinhas-and-merzbow-keio-line\/","title":{"rendered":"Richard Pinhas and Merzbow: Keio Line!"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/richard-pinhas-and-merzbow_keio-line-733079.jpg\"><img decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/richard-pinhas-and-merzbow_keio-line-733074.jpg\" alt=\"\" border=\"1\" title=\"\"><\/a><\/p>\n<div>Tal y como comentaba Alex Cid en \u00ab<a href=\"http:\/\/malditosmusicos.blogspot.com\/2009\/08\/zombies.html\" target=\"_blank\" rel=\"noopener\">Zombies<\/a>\u00ab, Merzbow \u00abes un artista japon\u00e9s, una mente inquieta y perversa y uno de los estandartes del <i>noise <\/i>m\u00e1s experimental y chirriante\u00bb. A pesar de lo acertado de su afirmaci\u00f3n, <i>Keio Line!<\/i> (doble CD a d\u00fao con el guitarrista franc\u00e9s Richard Pinhas) no se limita \u00fanicamente a la correspondiente sesi\u00f3n de tralla sonora sin compasi\u00f3n que suele ser habitual en las obras del japon\u00e9s.<\/div>\n<div><\/div>\n<div>\n<div>El encuentro por primera vez entre ambos m\u00fasicos en el estudio tuvo lugar cuatro d\u00edas despu\u00e9s de su primer concierto, espoleado por la magia que se produjo en ese directo seg\u00fan las palabras de los implicados. En la grabaci\u00f3n, su di\u00e1logo  rompe barreras estil\u00edsticas, especialmente en el primero de los CD, para una propuesta que transita entre terrenos tan dispares y aparentemente alejados como lo son el <i>noise <\/i>de Merzbow y el rock progresivo de Pinhas. A pesar de ello, la larga duraci\u00f3n de los temas permite que ese flujo de ideas y sonidos entre ambos m\u00fasicos se produzca con suma naturalidad y sin forzar la maquinaria en ning\u00fan momento, para una magn\u00edfica y parad\u00f3jicamente mel\u00f3dica sorpresa.<\/div>\n<div><\/div>\n<div>Pachi Tapiz<\/div>\n<div><\/div>\n<div>Richard Pinhas and Merzbow &#8211; <i>Keio Line!<\/i><\/p>\n<p>Richard Pinhas (guitarras y <i>loops<\/i>), Merzbow (<i>EMS Synthy A<\/i> y ruidos)<\/p>\n<p>CD 1: \u00abTokyo Electric Guerrilla\u00bb 18:27, \u00abIkebukuro: Tout le Monde Descend!\u00bb 17:34, \u00abShibuya AKS\u00bb 26:28<br \/>CD 2: \u00abMerzdon\/Heldow Kills Animals Killers\u00bb 8:16, \u00abChaos Line\u00bb 21:45, \u00abFuck The Power (and Fuck Global Players)\u00bb 16:29<\/p>\n<p>Grabado el 25 y 26 de octubre de 2007 en Peace Music Studio, Tokyo. Mezclado en diciembre de 2007 en Ramses Studio, Par\u00eds. Publicado en 2008 por Cuneiform Records. Rune 278\/279<\/p><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tal y como comentaba Alex Cid en \u00abZombies\u00ab, Merzbow \u00abes un artista japon\u00e9s, una mente inquieta y perversa y uno de los estandartes del noise m\u00e1s experimental y chirriante\u00bb. A pesar de lo acertado de su afirmaci\u00f3n, Keio Line! (doble CD a d\u00fao con el guitarrista franc\u00e9s Richard Pinhas) no<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/richard-pinhas-and-merzbow-keio-line\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-3039","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3180,"url":"https:\/\/tomajazz.com\/web\/en-cuatro-palabras-de-todo-un-poco-capitulo-2-noviembre-2007\/","url_meta":{"origin":3039,"position":0},"title":"En cuatro palabras: de todo un poco (cap\u00edtulo 2. Noviembre 2007)","author":"Tomajazz","date":"13 noviembre, 2007","format":false,"excerpt":"De homenajes\u2026 Turtle Island Quartet se enfrentan en A Love Supreme \u2013 The Legacy Of John Coltrane (Telarc CD80684) al legado de John Coltrane. En apenas una hora interpretan unos cuantos temas cl\u00e1sicos o relacionados con el saxofonista. As\u00ed recrean al completo los cuatro movimientos de la suite \u201cA Love\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3116,"url":"https:\/\/tomajazz.com\/web\/electronics-por-zeitkratzer\/","url_meta":{"origin":3039,"position":1},"title":"electronics por Zeitkratzer","author":"Tomajazz","date":"17 febrero, 2009","format":false,"excerpt":"Creados en 1999 seg\u00fan la informaci\u00f3n incluida en su web, y en 1997 seg\u00fan lo que indican en sus tres \u00faltimas grabaciones, Zeitkratzer es un colectivo que aunque tiene su centro de trabajo Berl\u00edn, recoge a m\u00fasicos de diferentes partes del mundo que se re\u00fanen en la citada ciudad alemana\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":100192,"url":"https:\/\/tomajazz.com\/web\/fredis-jazz-band-vol-2-temps-record-2024-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":3039,"position":2},"title":"Fredi&#8217;s Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 octubre, 2025","format":false,"excerpt":"Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Fredi's Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band.  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Intervienen Akira Sakata, Giovanni Di Domenico, Giotis Damianidis, Petros Damianidis, Aleksandar \u0160kori\u0107, Paal Nilssen-Love, Tatsuhisa Yamamoto","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=3039"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3039\/revisions"}],"predecessor-version":[{"id":23161,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3039\/revisions\/23161"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=3039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=3039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=3039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}