{"id":30505,"date":"2017-05-09T12:00:19","date_gmt":"2017-05-09T10:00:19","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30505"},"modified":"2018-05-04T11:41:35","modified_gmt":"2018-05-04T09:41:35","slug":"365-razones-para-amar-el-jazz-un-disco-tomorrow-is-the-question-ornette-coleman-129","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-tomorrow-is-the-question-ornette-coleman-129\/","title":{"rendered":"365 razones para amar el jazz: un disco. Tomorrow Is The Question (Ornette Coleman) [129]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-30506 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959-200x204.jpg\" alt=\"\" width=\"200\" height=\"204\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959-200x204.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959-589x600.jpg 589w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg 700w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco.\u00a0<strong>Ornette Coleman<\/strong>:\u00a0<em>Tomorrow Is The Question\u00a0<\/em>(Contemporary Label, 1959)<\/p>\n<p>Seleccionado por <strong>Arturo Mora Rioja<\/strong>.<\/p>\n<p>Con <strong>Ornette Coleman, Don Cherry, Percy Heath, Red Mitchell, Shelly Manne<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco.\u00a0Ornette Coleman:\u00a0Tomorrow Is The Question\u00a0(Contemporary Label, 1959) Seleccionado por Arturo Mora Rioja. Con Ornette Coleman, Don Cherry, Percy Heath, Red Mitchell, Shelly Manne &nbsp;<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-tomorrow-is-the-question-ornette-coleman-129\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30506,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,18155,13061,20689,15517,1038],"tags":[18715,18716,18165,260,18719,19493,6965,13,12415,15295,18720,18717,15710,1200,8654,18718,18630,8986,16099,77,16100],"class_list":["entry","author-pachi","post-30505","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-365-razones-para-amar-el-jazz","category-ornette-coleman-gracias-maestro","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-arturo-mora-rioja","tag-cien-anos-de-grabaciones-de-jazz","tag-contemporary-label","tag-don-cherry","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-ornette-coleman","tag-percy-heath","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-red-mitchell","tag-shelly-manne","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3169,"url":"https:\/\/tomajazz.com\/web\/los-principios-de-ornette\/","url_meta":{"origin":30505,"position":0},"title":"Los principios de Ornette","author":"Tomajazz","date":"6 junio, 2008","format":false,"excerpt":"En el a\u00f1o 2008 todos queremos a Ornette. No s\u00f3lo ocurre que Sound Grammar, su \u00faltima obra, ha sido elegida como la mejor grabaci\u00f3n de 2007 (aunque para ser exactos muchos la llevamos disfrutando desde finales de 2006), sino que en este pasado a\u00f1o los conciertos que este caballero ha\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/bun\/uploaded_images\/ornette_something-791020.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101300,"url":"https:\/\/tomajazz.com\/web\/james-brandon-lewis-apple-cores-2025\/","url_meta":{"origin":30505,"position":1},"title":"James Brandon Lewis: Apple Cores (Anti-Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"3 noviembre, 2025","format":false,"excerpt":"Apple Cores (Anti-Records; 2025) es una grabaci\u00f3n de James Brandon Lewis publicada hace unos meses. Carlos Lara repasa la grabaci\u00f3n. Con James Brandon Lewis, Josh Werner, Chad Taylor, Guilherme Monteiro, Stephane San Juan","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"James Brandon Lewis: Apple Cores (Anti-Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Apple Cores (Anti-Records; 2025) es una grabaci\u00f3n de James Brandon Lewis publicada hace unos meses. Carlos Lara repasa la grabaci\u00f3n. Con James Brandon Lewis, Josh Werner, Chad Taylor, Guilherme Monteiro, Stephane San Juan\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30551,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-free-jazz-ornette-coleman-132\/","url_meta":{"origin":30505,"position":2},"title":"365 razones para amar el jazz: un disco. 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Atlantic, 1960) Seleccionado por Juan Antonio Serrano Cervantes Con\u00a0Ornette Coleman, Don Cherry, Scott LaFaro, Billy Higgins, Eric Dolphy, Freddie Hubbard, Charlie Haden, Ed Blackwell","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32237,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-shape-of-jazz-to-come-ornette-coleman-256\/","url_meta":{"origin":30505,"position":3},"title":"365 razones para amar el jazz: una grabaci\u00f3n. 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Ornette Coleman: Crisis (Impulse!, 1969) Seleccionado por\u00a0Diego S\u00e1nchez Cascado.","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ornette-Coleman_Crisis_Impulse_1972.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ornette-Coleman_Crisis_Impulse_1972.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ornette-Coleman_Crisis_Impulse_1972.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29255,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-john-zorn-spy-vs-spy-52\/","url_meta":{"origin":30505,"position":5},"title":"365 razones para amar el jazz: un disco. 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Con John Zorn, Tim Berne, Joey Baron, \u00a0Michael Vatcher, Mark Dresser.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/John-Zorn_Spy-Vs.-Spy_Elektra_1988.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30505"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30505\/revisions"}],"predecessor-version":[{"id":30507,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30505\/revisions\/30507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/30506"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}