{"id":30526,"date":"2017-05-11T12:00:36","date_gmt":"2017-05-11T10:00:36","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30526"},"modified":"2017-12-29T21:35:23","modified_gmt":"2017-12-29T20:35:23","slug":"365-razones-para-amar-el-jazz-una-portada-brilliant-corners-thelonious-monk-130-a-new-perspective-09","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-brilliant-corners-thelonious-monk-130-a-new-perspective-09\/","title":{"rendered":"365 razones para amar el jazz: una portada. Brilliant Corners (Thelonious Monk) [131] [A New Perspective 09]"},"content":{"rendered":"

\"\"Una portada.\u00a0Brilliant Corners\u00a0<\/em>(Thelonious Monk<\/strong>. Riverside, 1957). Fotograf\u00eda de Paul Weller<\/strong>.<\/p>\n

Seleccionado por Jos\u00e9 Luis Luna Rocafort<\/strong>. Novena\u00a0entrega de la serie\u00a0A New Perspective<\/em><\/a>: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<\/p>\n

Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul Chamber<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Una portada.\u00a0Brilliant Corners\u00a0(Thelonious Monk. Riverside, 1957). Fotograf\u00eda de Paul Weller. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Novena\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, PaulContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28641,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17846,18155,18586,9531,20689,15517,1038],"tags":[18715,18716,18165,19550,18719,6845,18553,13,12415,15295,18720,18717,10088,15710,1978,8244,19501,19502,18718,2138,2225,5083,16099,77,16100],"class_list":["entry","author-pachi","post-30526","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jose-luis-luna-rocafort","category-365-razones-para-amar-el-jazz","category-a-new-perspective","category-especial-contenidos","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-a-new-perspective","tag-cien-anos-de-grabaciones-de-jazz","tag-clark-terry","tag-ernie-henry","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jose-luis-luna-rocafort","tag-la-actualidad-del-jazz-en-espana","tag-max-roach","tag-oscar-pettiford","tag-paul-chamber","tag-paul-weller","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-riverside","tag-sonny-rollins","tag-thelonious-monk","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30897,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-volume-2-sonny-rollins-161-a-new-perspective-13\/","url_meta":{"origin":30526,"position":0},"title":"365 razones para amar el jazz: una portada. Volume 2 (Sonny Rollins) [161] [A New Perspective 13]","author":"Tomajazz","date":"10 junio, 2017","format":false,"excerpt":"Una portada. Volume 2\u00a0(Sonny Rollins. Blue Note, 1957). Fotograf\u00eda de Francis Wolff. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo tercera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Sonny Rollins, Horace Silver, Thelonious Monk, Jay Jay\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Sonny-Rollins_Vol-2_Blue-Note-200x196.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28640,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-brilliant-corners-thelonious-monk-1956-12\/","url_meta":{"origin":30526,"position":1},"title":"365 razones para amar el jazz: un disco. Brilliant Corners (Thelonious Monk, 1956) [12]","author":"Tomajazz","date":"12 enero, 2017","format":false,"excerpt":"Un disco.\u00a0Brilliant Corners. Thelonious Monk (Riverside, 1956). Seleccionado por Juanma Castro Medina. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul Chambers","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30960,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-chet-chet-baker-164-a-new-perspective-14\/","url_meta":{"origin":30526,"position":2},"title":"365 razones para amar el jazz: una portada. Chet (Chet Baker) [164] [A New Perspective 14]","author":"Tomajazz","date":"13 junio, 2017","format":false,"excerpt":"Una portada. Chet\u00a0(Chet Baker. Riverside, 1959). Fotograf\u00eda de Melvin Sokolsky. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Chet Baker, Pepper Adams, Herbie Mann, Kenny Burrell, Bill Evans,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Chet-Baker_Chet_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30131,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-cool-struttin-sonny-clark-105-a-new-perspective-05\/","url_meta":{"origin":30526,"position":3},"title":"365 razones para amar el jazz: una portada. Cool Struttin’ (Sonny Clark) [105] [A New Perspective 05]","author":"Tomajazz","date":"15 abril, 2017","format":false,"excerpt":"Una portada. Cool Struttin' (Sonny Clark. Blue Note, 1958). Fotograf\u00eda de Francis Wolff. Dise\u00f1o de Reid Miles. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Quinta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Sonny Clark, Jackie McLean,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Sonny-Clark_Cool_Struttin_Blue-Note-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30626,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-soul-station-hank-mobley-140-a-new-perspective-10\/","url_meta":{"origin":30526,"position":4},"title":"365 razones para amar el jazz: una portada. Soul Station (Hank Mobley) [140] [A New Perspective 10]","author":"Tomajazz","date":"20 mayo, 2017","format":false,"excerpt":"Una portada. Soul Station (Hank Mobley. Blue Note, 1960). Fotograf\u00eda de Francis Wolff, dise\u00f1o de Reid Miles. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Hank Mobley, Wynton Kelly,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28697,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-a-new-perspective-donald-byrd-1963-14-a-new-perspective-01\/","url_meta":{"origin":30526,"position":5},"title":"365 razones para amar el jazz: una portada. A New Perspective (Donald Byrd, 1963) [14] [A New Perspective 01]","author":"Tomajazz","date":"14 enero, 2017","format":false,"excerpt":"Una portada.\u00a0A New Perspective\u00a0(Donald Byrd.\u00a0Blue Note, 1963).\u00a0Fotograf\u00eda y dise\u00f1o de portada:\u00a0Reid Miles. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Primera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Donald Byrd, Lex Humphries, Herbie Hancock, Hank Mobley, Donald Best,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30526"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30526\/revisions"}],"predecessor-version":[{"id":30549,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30526\/revisions\/30549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/28641"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}