{"id":30551,"date":"2017-05-13T12:00:36","date_gmt":"2017-05-13T10:00:36","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30551"},"modified":"2018-05-04T11:41:34","modified_gmt":"2018-05-04T09:41:34","slug":"365-razones-para-amar-el-jazz-un-disco-free-jazz-ornette-coleman-132","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-free-jazz-ornette-coleman-132\/","title":{"rendered":"365 razones para amar el jazz: un disco. Free Jazz (Ornette Coleman) [133]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-30553 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\">Un disco.\u00a0<em>Free Jazz: A Collective Improvisation<\/em> (Ornette Coleman. Atlantic, 1960)<\/p>\n<p>Seleccionado por <strong>Juan Antonio Serrano Cervantes<\/strong><\/p>\n<p>Con\u00a0Ornette Coleman, Don Cherry, Scott LaFaro, Billy Higgins, Eric Dolphy, Freddie Hubbard, Charlie Haden, Ed Blackwell<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco.\u00a0Free Jazz: A Collective Improvisation (Ornette Coleman. Atlantic, 1960) Seleccionado por Juan Antonio Serrano Cervantes Con\u00a0Ornette Coleman, Don Cherry, Scott LaFaro, Billy Higgins, Eric Dolphy, Freddie Hubbard, Charlie Haden, Ed Blackwell<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-free-jazz-ornette-coleman-132\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30553,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17844,18155,13061,20689,15517,1038],"tags":[18715,18716,18165,1472,1557,18719,6965,7265,8523,8524,13,12415,15295,18720,18717,15710,1200,18718,2192,16099,77,16100],"class_list":["entry","author-pachi","post-30551","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juan-antonio-serrano-cervantes","category-365-razones-para-amar-el-jazz","category-ornette-coleman-gracias-maestro","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-billy-higgins","tag-charlie-haden","tag-cien-anos-de-grabaciones-de-jazz","tag-don-cherry","tag-ed-blackwell","tag-eric-dolphy","tag-freddie-hubbard","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-ornette-coleman","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-scott-lafaro","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32237,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-shape-of-jazz-to-come-ornette-coleman-256\/","url_meta":{"origin":30551,"position":0},"title":"365 razones para amar el jazz: una grabaci\u00f3n. The Shape Of Jazz To Come (Ornette Coleman) [256]","author":"Tomajazz","date":"13 septiembre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Ornette Coleman:\u00a0The Shape Of Jazz To Come\u00a0(Atlantic, 1959) Seleccionado por Mart\u00ed Farr\u00e9 Con Ornette Coleman, Don Cherry, Charlie Haden, Billy Higgins","rel":"","context":"En \u00ab*_Mart\u00ed Farr\u00e9\u00bb","block_context":{"text":"*_Mart\u00ed Farr\u00e9","link":"https:\/\/tomajazz.com\/web\/category\/marti-farre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101300,"url":"https:\/\/tomajazz.com\/web\/james-brandon-lewis-apple-cores-2025\/","url_meta":{"origin":30551,"position":1},"title":"James Brandon Lewis: Apple Cores (Anti-Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"3 noviembre, 2025","format":false,"excerpt":"Apple Cores (Anti-Records; 2025) es una grabaci\u00f3n de James Brandon Lewis publicada hace unos meses. Carlos Lara repasa la grabaci\u00f3n. Con James Brandon Lewis, Josh Werner, Chad Taylor, Guilherme Monteiro, Stephane San Juan","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"James Brandon Lewis: Apple Cores (Anti-Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Apple Cores (Anti-Records; 2025) es una grabaci\u00f3n de James Brandon Lewis publicada hace unos meses. Carlos Lara repasa la grabaci\u00f3n. Con James Brandon Lewis, Josh Werner, Chad Taylor, Guilherme Monteiro, Stephane San Juan\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30505,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-tomorrow-is-the-question-ornette-coleman-129\/","url_meta":{"origin":30551,"position":2},"title":"365 razones para amar el jazz: un disco. Tomorrow Is The Question (Ornette Coleman) [129]","author":"Tomajazz","date":"9 mayo, 2017","format":false,"excerpt":"Un disco.\u00a0Ornette Coleman:\u00a0Tomorrow Is The Question\u00a0(Contemporary Label, 1959) Seleccionado por Arturo Mora Rioja. Con Ornette Coleman, Don Cherry, Percy Heath, Red Mitchell, Shelly Manne \u00a0","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Tomorrow-Is-The-Question_Contemporary_1959.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11013,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-change-of-the-century-the-complete-session-ornette-coleman-1959\/","url_meta":{"origin":30551,"position":3},"title":"Tomajazz recomienda&#8230; un CD: Change of the Century. The Complete Session (Ornette Coleman, 1959)","author":"Tomajazz","date":"17 marzo, 2014","format":false,"excerpt":"Change of the Century es el segundo disco grabado por el cuarteto de Ornette Coleman. Don Cherry, Charlie Haden y Billy Higgins acompa\u00f1aban a Ornette Coleman (autor de todas las composiciones), en el desarrollo de su concepci\u00f3n musical. No habr\u00eda mucho que a\u00f1adir a la importancia de esta grabaci\u00f3n. Su\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Ornette_Coleman_Change_Of_The_Century_The_Complete_Sessions.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":100104,"url":"https:\/\/tomajazz.com\/web\/fred-hersch-the-surrounding-green-ecm-2025\/","url_meta":{"origin":30551,"position":4},"title":"Fred Hersch: The Surrounding Green (ECM; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"5 octubre, 2025","format":false,"excerpt":"The Surrounding Green (ECM; 2025) es la nueva grabaci\u00f3n de Fred Hersch. Pachi Tapiz repasa la grabaci\u00f3n. Con Fred Hersch, Drew Gress, Joey Baron","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Fred Hersch: The Surrounding Green (ECM; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - The Surrounding Green (ECM; 2025) es la nueva grabaci\u00f3n de Fred Hersch. Pachi Tapiz repasa la grabaci\u00f3n. Con Fred Hersch, drew","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fred-Hersch-The-Surrounding-Green-2025-ECM-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fred-Hersch-The-Surrounding-Green-2025-ECM-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fred-Hersch-The-Surrounding-Green-2025-ECM-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fred-Hersch-The-Surrounding-Green-2025-ECM-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29276,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-a-reeditar-urgentemente-ornette-coleman-crisis-58\/","url_meta":{"origin":30551,"position":5},"title":"365 razones para amar el jazz: un disco a reeditar urgentemente. Ornette Coleman: Crisis [58]","author":"Tomajazz","date":"27 febrero, 2017","format":false,"excerpt":"Un disco a reeditar urgentemente. Ornette Coleman: Crisis (Impulse!, 1969) Seleccionado por\u00a0Diego S\u00e1nchez Cascado.","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ornette-Coleman_Crisis_Impulse_1972.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ornette-Coleman_Crisis_Impulse_1972.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ornette-Coleman_Crisis_Impulse_1972.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30551"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30551\/revisions"}],"predecessor-version":[{"id":30556,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30551\/revisions\/30556"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/30553"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}