{"id":30640,"date":"2017-05-22T12:00:00","date_gmt":"2017-05-22T10:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30640"},"modified":"2017-12-29T21:35:17","modified_gmt":"2017-12-29T20:35:17","slug":"365-razones-para-amar-el-jazz-un-disco-out-to-lunch-eric-dolphy-142","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-out-to-lunch-eric-dolphy-142\/","title":{"rendered":"365 razones para amar el jazz: un disco. Out To Lunch (Eric Dolphy) [142]"},"content":{"rendered":"

\"\"Un disco.\u00a0Eric Dolphy<\/strong>:\u00a0Out To Lunch\u00a0<\/em>(Blue Note, 1964)<\/p>\n

Seleccionado por\u00a0Jack Torrance<\/strong><\/p>\n

Con Eric Dolphy,\u00a0Freddie Hubbard, Bobby Hutcherson, Richard Davis, Tony Williams<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Un disco.\u00a0Eric Dolphy:\u00a0Out To Lunch\u00a0(Blue Note, 1964) Seleccionado por\u00a0Jack Torrance Con Eric Dolphy,\u00a0Freddie Hubbard, Bobby Hutcherson, Richard Davis, Tony WilliamsContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10705,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17868,18155,20689,15517,1038],"tags":[18715,18716,18165,7420,18719,8523,8524,613,13,12415,15295,18720,18717,15710,18718,8525,16099,77,16100,2292],"class_list":["entry","author-pachi","post-30640","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jack-torrance","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-bobby-hutcherson","tag-cien-anos-de-grabaciones-de-jazz","tag-eric-dolphy","tag-freddie-hubbard","tag-jack-torrance","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-richard-davis","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tony-williams"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Eric-Dolphy_Out-To-Lunch.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10704,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-out-to-lunch-eric-dolphy-1964\/","url_meta":{"origin":30640,"position":0},"title":"Tomajazz recomienda… un CD: Out To Lunch! (Eric Dolphy, 1964)","author":"Tomajazz","date":"3 marzo, 2014","format":false,"excerpt":"En 2014 se cumple el 50\u00ba aniversario del fallecimiento de Eric Dolphy, y tambi\u00e9n de la grabaci\u00f3n de Out To Lunch, la gran obra de este flautista, clarinetista bajo y saxofonista alto. El 25 de febrero de 1964 Eric Dolphy, Freddie Hubbard (trompeta), Bobby Hutcherson (vibr\u00e1fono), Richard Davis (contrabajo) y\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Eric-Dolphy_Out-To-Lunch.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":62098,"url":"https:\/\/tomajazz.com\/web\/gazzelloni-eric-dolphy-out-to-lunch-blue-note-1964-por-pachi-tapiz-jazzx5457-minipodcast-de-jazz\/","url_meta":{"origin":30640,"position":1},"title":"\u00abGazzelloni\u00bb [Eric Dolphy Out To Lunch! (Blue Note, 1964)] Por Pachi Tapiz. 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JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30289,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-fire-waltz-mal-waldron-112\/","url_meta":{"origin":30640,"position":2},"title":"365 razones para amar el jazz: un tema. \u00abFire Waltz\u00bb (Mal Waldron) [112]","author":"Tomajazz","date":"22 abril, 2017","format":false,"excerpt":"Un tema. \"Fire Waltz\" (Mal Waldron) Seleccionado por Jack Torrance Mal Waldron:\u00a0The Quest\u00a0(New Jazz, 1961) Con Mal Waldron, Eric Dolphy, Booker Ervin, Ron Carter, Joe Benjamin, Charlie Persip","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Mal-Waldron_The-Quest_New-Jazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":30640,"position":3},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. Pachi Tapiz repasa la grabaci\u00f3n. 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Atlantic, 1960) Seleccionado por Juan Antonio Serrano Cervantes Con\u00a0Ornette Coleman, Don Cherry, Scott LaFaro, Billy Higgins, Eric Dolphy, Freddie Hubbard, Charlie Haden, Ed Blackwell","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31656,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-blues-and-the-abstract-truth-oliver-nelson-212\/","url_meta":{"origin":30640,"position":5},"title":"365 razones para amar el jazz: una grabaci\u00f3n. The Blues And The Abstract Truth (Oliver Nelson) [212]","author":"Tomajazz","date":"31 julio, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Oliver Nelson:\u00a0The Blues And The Abstract Truth\u00a0(Impulse!, 1961) Seleccionado por\u00a0Pachi Tapiz Con\u00a0Oliver Nelson, Eric Dolphy, George Barrow, Freddie Hubbard, Bill Evans, Paul Chambers, Roy Haynes\u00a0","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30640"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30640\/revisions"}],"predecessor-version":[{"id":30641,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30640\/revisions\/30641"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10705"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}