{"id":30696,"date":"2017-05-26T12:00:52","date_gmt":"2017-05-26T10:00:52","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30696"},"modified":"2017-12-29T21:35:15","modified_gmt":"2017-12-29T20:35:15","slug":"365-razones-para-amar-el-jazz-una-portada-the-inflated-tear-roland-kirk-146-a-new-perspective-11","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-the-inflated-tear-roland-kirk-146-a-new-perspective-11\/","title":{"rendered":"365 razones para amar el jazz: una portada. The Inflated Tear (Roland Kirk) [146] [A New Perspective 11]"},"content":{"rendered":"

\"\"Una portada. The Inflated Tear <\/em>(Roland Kirk<\/strong>. Atlantic, 1968). Fotograf\u00eda de Lee Friedlander<\/strong>.<\/p>\n

Seleccionado por Jos\u00e9 Luis Luna Rocafort<\/strong>. D\u00e9cima entrega de la serie\u00a0A New Perspective<\/em><\/a>: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<\/p>\n

Con Roland Kirk,Ron Burton, Steve Novosel, Jimmy Hopps, Dick Griffin aka Dick Griffith
\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Una portada. The Inflated Tear (Roland Kirk. Atlantic, 1968). Fotograf\u00eda de Lee Friedlander. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Roland Kirk,Ron Burton, Steve Novosel, Jimmy Hopps, DickContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30697,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17846,18155,18586,20689,15517,1038],"tags":[18715,18716,18165,19550,9592,18719,7424,19549,13,12415,15295,18720,18717,19548,10088,15710,19544,18718,19545,19546,19547,16099,77,16100],"class_list":["entry","author-pachi","post-30696","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jose-luis-luna-rocafort","category-365-razones-para-amar-el-jazz","category-a-new-perspective","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-a-new-perspective","tag-atlantic","tag-cien-anos-de-grabaciones-de-jazz","tag-dick-griffin","tag-dick-griffith","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jimmy-hopps","tag-jose-luis-luna-rocafort","tag-la-actualidad-del-jazz-en-espana","tag-lee-friedlander","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-roland-kirk","tag-ron-burton","tag-steve-novosel","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31109,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-birth-of-the-cool-miles-davis-177\/","url_meta":{"origin":30696,"position":0},"title":"365 razones para amar el jazz: una portada. 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Body Talk (George Benson) [84] [A New Perspective 03]","author":"Tomajazz","date":"25 marzo, 2017","format":false,"excerpt":"Una portada.\u00a0Body Talk\u00a0(George Benson. CTI, 1976). Fotograf\u00eda de Pete Turner Seleccionado por Jos\u00e9 Luis Luna Rocafort.\u00a0Tercera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con\u00a0George Benson, Earl Klugh, Harold Mabern, Ron Carter, Gary King, Jack DeJohnette, Mobutu,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/george-benson_body-talk_CTI_1976.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/george-benson_body-talk_CTI_1976.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/george-benson_body-talk_CTI_1976.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/george-benson_body-talk_CTI_1976.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31744,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-blue-train-john-coltrane-224-a-new-perspective-22\/","url_meta":{"origin":30696,"position":3},"title":"365 razones para amar el jazz: una portada. 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The New Sextet (Oscar Pettiford) [216] [A New Perspective 20]","author":"Tomajazz","date":"4 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0The New Sextet\u00a0(Oscar Pettiford. Debut, 1953). Fotograf\u00eda de Herman Leonard. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. 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Sax no End (The Kenny Clarke \/ Francy Boland Big Band) [126] [A New Perspective 08]","author":"Tomajazz","date":"6 mayo, 2017","format":false,"excerpt":"Una portada.\u00a0Sax No End\u00a0(The Kenny Clarke \/ Francy Boland Big Band. SABA - MPS, 1967). Fotograf\u00eda de\u00a0\u00a0Karl Heinz Chargesheimer. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Octava\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Kenny-Clarke-Francy-Boland_Big-Band_Sax-No-End_MPS-SABA_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30696"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30696\/revisions"}],"predecessor-version":[{"id":30698,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30696\/revisions\/30698"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/30697"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}