{"id":30703,"date":"2017-05-26T11:17:33","date_gmt":"2017-05-26T09:17:33","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30703"},"modified":"2017-05-26T11:20:18","modified_gmt":"2017-05-26T09:20:18","slug":"rafael-garces-next-station-quadrant-records-2016-cd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/rafael-garces-next-station-quadrant-records-2016-cd\/","title":{"rendered":"Rafael Garc\u00e9s: Next Station (Quadrant Records, 2016) [CD]"},"content":{"rendered":"

\"\"Next Station<\/em>, es un notable trabajo del cubano-espa\u00f1ol Rafael Garc\u00e9s, saxo y piano, adem\u00e1s de compositor y arreglista. Nacido en La Habana, Garc\u00e9s comenz\u00f3 su formaci\u00f3n musical muy joven, estudiando en el Conservatorio Nacional de M\u00fasica de La Habana y recibiendo posteriormente formaci\u00f3n de maestros como Rolando Ochoa o Carlos Averoff (Irakere), del que recibi\u00f3 sus primeras nociones de jazz.<\/p>\n

Con Next Station<\/em>, Rafael Garc\u00e9s realiza un \u00e1lbum excelente, lleno de matices y acentos sonoros: m\u00fasica afrocubana, bop, blues, flamenco,\u2026, que se podr\u00eda definir como cubop flamenco<\/em>, si el jazz de Garc\u00e9s no fuera una m\u00fasica tan expansiva y dif\u00edcil de encerrar en el caj\u00f3n de una corta definici\u00f3n. Su m\u00fasica te lleva a muchos lugares, ahonda en recovecos que no esperas encontrar, o a los que no esperabas llegar, resonando en ella muchas evocaciones y cadencias. Garc\u00e9s es un bricoleur<\/em> sonoro, toma elementos y materiales de diferentes espacios musicales para construir algo nuevo y propio: Coltrane, Gillespie, Parker, Cuba, flamenco, \u2026 .<\/p>\n

Todos los temas del \u00e1lbum est\u00e1n compuestos por \u00e9l, excepto la pista con la que termina el disco, \u00fanico tema ajeno, una versi\u00f3n de \u201cSmile\u201d, (Charlie Chaplin, John Turner, Geoffrey Parsons), cantado por Carmen Cano, que tambi\u00e9n vocaliza magistralmente en el tema anterior, \u201cHorizons\u201d, de tonos flamencos. En fin, un \u00e1lbum de lo mejor del jazz espa\u00f1ol con acento cubano.<\/p>\n

Tomajazz:\u00a0\u00a9 Juli\u00e1n Ruesga Bono, 2017<\/p>\n

Rafael Garc\u00e9s: Next Station<\/em> (Quadrant Records, 2016)<\/strong><\/p>\n

Pistas:<\/strong> 1. White Board, 2. F\u00e9, 3. Guarapo, 4. Dama 5 Estrellas, 5. Morumba, 6. Ni\u00f1a Costurera, 7. Assay Place, 8. Savannah, 9. Llegaron los G\u00fcajiros, 10. Horizons, 11. Smile.<\/p>\n

M\u00fasicos:<\/strong> Rafael Garc\u00e9s: saxof\u00f3n, piano, arreglos y producci\u00f3n; Ignacio Berroa: bater\u00eda (1,3); Carmen Cano: voz (10,11); Ra\u00fal Frometa: bajo (3,5); Francis Pos\u00e9: contrabajo (1,2); Pablo Zapata: bajo (7,8,9,10); Bernat Hern\u00e1ndez: contrabajo (4); \u00c1lvaro Gand\u00fal: piano (1,3); Dusan Jevtovic: guitarra (4); Daniel Galiano: bater\u00eda (7,10); Xavi Reija: bater\u00eda (4,9); V\u00edctor P\u00e9rez: percusi\u00f3n cubana (5,8); Orlando Barrera \u201cBatanga\u201d: trompeta (5).<\/p>\n","protected":false},"excerpt":{"rendered":"

Next Station, es un notable trabajo del cubano-espa\u00f1ol Rafael Garc\u00e9s, saxo y piano, adem\u00e1s de compositor y arreglista. Nacido en La Habana, Garc\u00e9s comenz\u00f3 su formaci\u00f3n musical muy joven, estudiando en el Conservatorio Nacional de M\u00fasica de La Habana y recibiendo posteriormente formaci\u00f3n de maestros como Rolando Ochoa o CarlosContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28009,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17854,5,15517,1038],"tags":[9104,7761,19551,12651,15698,12676,19554,7759,8812,12696,16012,9999,13,15699,12415,15295,603,15710,15307,15308,15309,19556,19553,5400,9103,19552,15306,16099,77,16100,19555,7645],"class_list":["entry","author-pachi","post-30703","post","type-post","status-publish","format-standard","has-post-thumbnail","category-julian-ruesga-bono","category-grabaciones","category-textos","category-contenidos","tag-alvaro-gandul","tag-bernat-hernandez","tag-carmen-cano","tag-cd","tag-cd-de-jazz","tag-critica","tag-daniel-galiano","tag-dusan-jevtovic","tag-francis-pose","tag-grabaciones","tag-grabaciones-de-jazz","tag-ignacio-berroa","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-julian-ruesga-bono","tag-la-actualidad-del-jazz-en-espana","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-orlando-barrera-batanga","tag-pablo-zapata","tag-quadrant","tag-rafael-garces","tag-raul-frometa","tag-resenas","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-victor-perez","tag-xavi-reija"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Rafael-Garc\u00e9s_Next-Station_Quadrant_2016.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30703"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30703\/revisions"}],"predecessor-version":[{"id":30704,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30703\/revisions\/30704"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/28009"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}