{"id":30705,"date":"2017-05-29T12:00:37","date_gmt":"2017-05-29T10:00:37","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30705"},"modified":"2022-01-14T13:31:02","modified_gmt":"2022-01-14T12:31:02","slug":"365-razones-para-amar-el-jazz-un-podcast-la-odisea-de-la-musica-afroamericana-luis-escalante-149","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-podcast-la-odisea-de-la-musica-afroamericana-luis-escalante-149\/","title":{"rendered":"365 razones para amar el jazz: un podcast. La Odisea de la M\u00fasica Afroamericana (Luis Escalante) [149]"},"content":{"rendered":"

\"\"<\/p>\n

Un podcast<\/em> \/ programa de radio. La Odisea de la M\u00fasica Afroamericana\u00a0<\/em>(Luis Escalante Ozalla<\/strong>)<\/a><\/p>\n

Seleccionado por\u00a0Pachi Tapiz<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

365 razones para amar el jazz: un podcast. La Odisea de la M\u00fasica Afroamericana (Luis Escalante) [149]Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30706,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,17847,18155,20689,15517,1038],"tags":[18715,18716,18165,16026,13370,18719,5360,13,15375,12415,15295,15278,18720,18717,15710,12817,13072,15469,12905,31,12818,15310,15470,15709,15711,18718,16099,77,16100],"class_list":["entry","author-pachi","has-excerpt","post-30705","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-pachi-tapiz","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-art-kane","tag-audioblog","tag-cien-anos-de-grabaciones-de-jazz","tag-historia-del-jazz","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lodlma","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":23849,"url":"https:\/\/tomajazz.com\/web\/especial-count-basie-en-la-odisea-de-la-musica-afroamericana-podcast\/","url_meta":{"origin":30705,"position":0},"title":"Especial Count Basie en La Odisea de la M\u00fasica Afroamericana [Podcast]","author":"Tomajazz","date":"6 mayo, 2016","format":false,"excerpt":"Recopilamos en una \u00fanica entrada las cinco entregas que Luis Escalante Ozalla dedic\u00f3 a\u00a0Count Basie en el\u00a0podcast La Odisea de la Musica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count_Basie_in_Rhythm_and_Blues_Revue.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30710,"url":"https:\/\/tomajazz.com\/web\/especial-la-odisea-de-la-musica-afroamericana-numero-100-podcast\/","url_meta":{"origin":30705,"position":1},"title":"Especial La Odisea de la M\u00fasica Afroamericana n\u00famero 100 [Podcast]","author":"Tomajazz","date":"29 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. La Odisea de la M\u00fasica Afroamericana\u00a0de\u00a0Luis Escalante Ozalla realiza un par\u00f3n\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":23890,"url":"https:\/\/tomajazz.com\/web\/especial-louis-armstrong-en-la-odisea-de-la-musica-afroamericana-podcast\/","url_meta":{"origin":30705,"position":2},"title":"International Jazz Day 2016. Especial Louis Armstrong en La Odisea de la M\u00fasica Afroamericana [Podcast]","author":"Tomajazz","date":"30 abril, 2016","format":false,"excerpt":"Con motivo del d\u00eda del D\u00eda Internacional del Jazz 2016 recuperamos los seis programas que Luis Escalante dedic\u00f3 a Louis Armstrong en el podcast La Odisea de la M\u00fasica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"International Jazz Day_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/International-Jazz-Day_2016.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":23607,"url":"https:\/\/tomajazz.com\/web\/especial-billie-holiday-en-la-odisea-de-la-musica-afroamericana-podcast\/","url_meta":{"origin":30705,"position":3},"title":"Especial Billie Holiday en La Odisea de la M\u00fasica Afroamericana [Podcast]","author":"Tomajazz","date":"12 junio, 2016","format":false,"excerpt":"\u00a0 Recopilamos en una \u00fanica entrada las cinco entregas que Luis Escalante Ozalla dedic\u00f3 a\u00a0Billie Holiday en el\u00a0podcast La Odisea de la Musica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23904,"url":"https:\/\/tomajazz.com\/web\/glenn-miller-la-odisea-de-la-musica-afroamericana-048-podcast\/","url_meta":{"origin":30705,"position":4},"title":"Glenn Miller. La Odisea de la M\u00fasica Afroamericana (048) [Podcast]","author":"Tomajazz","date":"2 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 48 de La Odisea de la M\u00fasica Afroamericana est\u00e1 dedicada a la figura de Glenn Miller, que con su orquesta consigui\u00f3 ser una de las figuras m\u00e1s populares dentro del jazz a finales de la d\u00e9cada de los treinta y en el inicio de los 40, hasta\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Glenn_Miller_Billboard.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Glenn_Miller_Billboard.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Glenn_Miller_Billboard.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Glenn_Miller_Billboard.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26257,"url":"https:\/\/tomajazz.com\/web\/peggy-lee-ii-la-odisea-de-la-musica-afroamericana-063\/","url_meta":{"origin":30705,"position":5},"title":"Peggy Lee (II). La Odisea de la M\u00fasica Afroamericana (063) [Podcast]","author":"Tomajazz","date":"12 septiembre, 2016","format":false,"excerpt":"La segunda entrega de La Odisea de la M\u00fasica Afroamericana dedicada a Peggy Lee est\u00e1 dedicada tanto a su actividad como cantante, como compositora. Duke Ellington, Victor Young, Gerry Mulligan, Henry Mancini o, Natalie Cole son algunos de los nombres que aparecen en el recorrido que Luis Escalante Ozalla realiza\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_Harold_Arlen_Vic_Damone_1961.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_Harold_Arlen_Vic_Damone_1961.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_Harold_Arlen_Vic_Damone_1961.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_Harold_Arlen_Vic_Damone_1961.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30705"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30705\/revisions"}],"predecessor-version":[{"id":60202,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30705\/revisions\/60202"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/30706"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}