{"id":30708,"date":"2017-05-28T12:00:07","date_gmt":"2017-05-28T10:00:07","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30708"},"modified":"2017-12-29T21:35:14","modified_gmt":"2017-12-29T20:35:14","slug":"365-razones-para-amar-el-jazz-un-cd-variable-beats-tomas-fujiwara-148","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cd-variable-beats-tomas-fujiwara-148\/","title":{"rendered":"365 razones para amar el jazz: un CD. Variable Beats (Tomas Fujiwara) [148]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-16142 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Tomas-Fujiwara-Trio.-Variable-Bets.Relative-Pitch-Records.2014-200x181.jpg\" alt=\"\" width=\"200\" height=\"181\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Tomas-Fujiwara-Trio.-Variable-Bets.Relative-Pitch-Records.2014-200x181.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Tomas-Fujiwara-Trio.-Variable-Bets.Relative-Pitch-Records.2014-150x136.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Tomas-Fujiwara-Trio.-Variable-Bets.Relative-Pitch-Records.2014-61x55.jpg 61w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Tomas-Fujiwara-Trio.-Variable-Bets.Relative-Pitch-Records.2014.jpg 403w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un CD.\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/?p=16139\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Variable Beats<\/em> (<strong>Tomas Fujiwara Trio<\/strong>. Relative Pitch Records, 2014)<\/a><\/p>\n<p>Seleccionado por Jes\u00fas Mateu Rossell\u00f3<\/p>\n<p>Con <strong>Tomas Fujiwara<\/strong>, <strong>Ralph Alessi<\/strong>, <strong>Brandon Seabrook<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un CD.\u00a0Variable Beats (Tomas Fujiwara Trio. Relative Pitch Records, 2014) Seleccionado por Jes\u00fas Mateu Rossell\u00f3 Con Tomas Fujiwara, Ralph Alessi, Brandon Seabrook<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cd-variable-beats-tomas-fujiwara-148\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":16142,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17851,18155,20689,15517,1038],"tags":[18715,18716,18165,7229,18719,13,12415,15295,18720,18717,9830,15710,18718,1246,6079,16099,77,16100,8754,19557],"class_list":["entry","author-pachi","post-30708","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jesus-mateu-rossello","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-brandon-seabrook","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jesus-mateu-rossello","tag-la-actualidad-del-jazz-en-espana","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-ralph-alessi","tag-relative-pitch-records","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tomas-fujiwara","tag-tomas-fujiwara-trio"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Tomas-Fujiwara-Trio.-Variable-Bets.Relative-Pitch-Records.2014.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":16139,"url":"https:\/\/tomajazz.com\/web\/tomas-fujiwara-trio-variable-bets-relative-pitch-records-2014\/","url_meta":{"origin":30708,"position":0},"title":"Tomas Fujiwara Tr\u00edo: Variable Bets (Relative Pitch Records, 2014)","author":"Jes\u00fas Mateu Rossell\u00f3","date":"31 diciembre, 2014","format":false,"excerpt":"Hace unos meses me estren\u00e9 en Tomajazz rese\u00f1ando el disco Through Foundation (Autoedici\u00f3n, 2014) del cornetista Taylor Ho Bynum y del baterista protagonista de esta nueva rese\u00f1a, Tomas Fujiwara. Poco despu\u00e9s, nos hac\u00edamos eco del disco Reverse Blue (Relative Pitch Records, 2014) de la guitarrista Mary Halvorson en el que\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Tomas-Fujiwara-Trio.-Variable-Bets.Relative-Pitch-Records.2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":14668,"url":"https:\/\/tomajazz.com\/web\/mary-halvorson-reverse-blue-relative-pitch-records-2014\/","url_meta":{"origin":30708,"position":1},"title":"Mary Halvorson: Reverse Blue (Relative Pitch Records, 2014)","author":"Jes\u00fas Mateu Rossell\u00f3","date":"14 octubre, 2014","format":false,"excerpt":"Mary Halvorson es una guitarrista muy activa en la escena de Nueva York. Es poseedora de una discograf\u00eda de lujo en muy pocos a\u00f1os. Desde sus participaciones como sideman con Anthony Braxton, pasando por el sexteto y otras formaciones del cornetista Taylor Ho Bynum, hasta colaborando con la creme de\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mary-Halvorson-Reverse-Blue1-e1413229535979.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mary-Halvorson-Reverse-Blue1-e1413229535979.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mary-Halvorson-Reverse-Blue1-e1413229535979.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28447,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-marcel%c2%b7li-bayer-1680-discordian-records-2014-8\/","url_meta":{"origin":30708,"position":2},"title":"365 razones para amar el jazz: un disco. Marcel\u00b7l\u00ed Bayer: 1680 (Discordian Records, 2014) [8]","author":"Tomajazz","date":"8 enero, 2017","format":false,"excerpt":"Un disco. Marcel\u00b7l\u00ed Bayer: 1680 (Discordian Records, 2014) Seleccionado por Jes\u00fas Mateu Rossell\u00f3.","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Marcel%C2%B7l%C3%AD-Bayer_1680_Discordian-Records.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Marcel%C2%B7l%C3%AD-Bayer_1680_Discordian-Records.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Marcel%C2%B7l%C3%AD-Bayer_1680_Discordian-Records.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Marcel%C2%B7l%C3%AD-Bayer_1680_Discordian-Records.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30445,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-pelicula-acordes-y-desacuerdos-woody-allen-123\/","url_meta":{"origin":30708,"position":3},"title":"365 razones para amar el jazz: una pel\u00edcula. Acordes y desacuerdos (Woody Allen) [123]","author":"Tomajazz","date":"3 mayo, 2017","format":false,"excerpt":"Una pel\u00edcula. Acordes y desacuerdos (Woody Allen, 1999) Seleccionada por\u00a0Jes\u00fas Mateu Rossell\u00f3","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Acordes-y-desacuerdos1-200x280.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31842,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-cowntdown-john-coltrane-231\/","url_meta":{"origin":30708,"position":4},"title":"365 razones para amar el jazz: un tema. Countdown (John Coltrane) [231]","author":"Tomajazz","date":"19 agosto, 2017","format":false,"excerpt":"Que John Coltrane grabara \"Countdown\" en el tremendo Giant Steps (Atlantic, 1959) Seleccionado por Jes\u00fas Mateu Rossell\u00f3","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/John-Coltrane_Giant-Steps_Atlantic_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29146,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-agusti-fernandez-a-moments-liberty-47\/","url_meta":{"origin":30708,"position":5},"title":"365 razones para amar el jazz: una grabaci\u00f3n. Agust\u00ed Fern\u00e1ndez: A Moment&#8217;s Liberty [47]","author":"Tomajazz","date":"16 febrero, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Agust\u00ed Fern\u00e1ndez: A Moment's Liberty (Maya Recordings, 2013) Seleccionado por\u00a0Jes\u00fas Mateu Rossell\u00f3 Con Agust\u00ed Fern\u00e1ndez, Barry Guy, Ram\u00f3n L\u00f3pez.","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/02\/Agusti-Fernandez-a-moments-liberty.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30708"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30708\/revisions"}],"predecessor-version":[{"id":30709,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30708\/revisions\/30709"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/16142"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}