{"id":3079,"date":"2009-05-28T10:24:00","date_gmt":"2009-05-28T08:24:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3079"},"modified":"2018-05-30T18:57:03","modified_gmt":"2018-05-30T16:57:03","slug":"quien-es-bert","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/quien-es-bert\/","title":{"rendered":"\u00bfQui\u00e9n es Bert?. Ario Hoenig: Bert&#8217;s Playground (Dreyfuss Jazz, 2008) [Grabaci\u00f3n]"},"content":{"rendered":"<div><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-37029 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/05\/Ari-Hoenig_Berts-Playground-200x198.jpg\" alt=\"\" width=\"200\" height=\"198\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/05\/Ari-Hoenig_Berts-Playground-200x198.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/05\/Ari-Hoenig_Berts-Playground-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/05\/Ari-Hoenig_Berts-Playground-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/05\/Ari-Hoenig_Berts-Playground-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/05\/Ari-Hoenig_Berts-Playground.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En las notas de <em>Bert\u2019s Playground<\/em>, que incluye un amplio y aburrido apartado dedicado a los reconocimientos, no se indica expl\u00edcitamente qui\u00e9n o qu\u00e9 es ese tal Bert al que el bater\u00eda y percusionista Ari Hoenig dedica este CD, aunque uno puede suponer que es un pez, o m\u00e1s bien su pez. Sea como fuere, \u00e9ste es un disco algo m\u00e1s que interesante. All\u00ed colaboran m\u00fasicos ilustres como el saxofonista Chris Potter, el guitarrista Jonathan Kreisberg o el contrabajista Matt Penman, as\u00ed como el saxo alto Will Vinson, el contrabajista Orlando le Fleming o el guitarrista Gilad Hekselman. Estos seis m\u00fasicos se van repartiendo en distintas formaciones (dos tr\u00edos y dos cuartetos diferentes) a raz\u00f3n de dos o tres temas con cada una de ellas. A lo largo de los 65 minutos desgranan un repertorio en el que se alternan temas propios de Hoenig con versiones de Coltrane (\u201cMoment\u2019s Notice\u201d), Wayne Shorter (\u201cFall\u201d) o los standards \u201cThe Way You Look Tonight\u201d y \u201cEmbraceable You\u201d. En el disco todo funciona a la perfecci\u00f3n, aunque personalmente un servidor prefiera grabaciones con un mayor sentido de conjunto, o lo que es lo mismo, sin tanto cambio de personal entre un tema y el siguiente: no hay un tema en el que no cambie alg\u00fan m\u00fasico respecto de la formaci\u00f3n del tema anterior). No obstante, el momento cumbre tiene lugar cuando Ari Hoenig se queda solo y hace que su bater\u00eda cante el inmortal \u201c\u2019Round Midnight\u201d. Son dos minutos y treinta y cinco segundos sublimes al alcance de muy pocos bater\u00edas.<\/div>\n<p style=\"text-align: right;\">Tomajazz:\u00a0\u00a9\u00a0<strong>Pachi Tapiz<\/strong>, 2009<\/p>\n<p style=\"text-align: left;\">Ari Hoenig Bert&#8217;s Playground (Dreyfuss Jazz, FDM 46050369192)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En las notas de Bert\u2019s Playground, que incluye un amplio y aburrido apartado dedicado a los reconocimientos, no se indica expl\u00edcitamente qui\u00e9n o qu\u00e9 es ese tal Bert al que el bater\u00eda y percusionista Ari Hoenig dedica este CD, aunque uno puede suponer que es un pez, o m\u00e1s bien<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/quien-es-bert\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":37029,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-3079","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/05\/Ari-Hoenig_Berts-Playground.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":37021,"url":"https:\/\/tomajazz.com\/web\/hdo-418-ari-hoenig-david-ambrosio-trio-yuval-amihai-podcast\/","url_meta":{"origin":3079,"position":0},"title":"HDO 418. 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Ir a descargar NY Standard es una grabaci\u00f3n liderada por el baterista\u00a0Ari Hoenig en la que est\u00e1 acompa\u00f1ado por\u00a0Orlando le Fleming, el guitarrista\u00a0Gilad Hekselman, los pianistas\u00a0Tigran Hamasyan,\u00a0Shai Maestro o\u00a0Eden Ladin, y en tres temas por el saxo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":103064,"url":"https:\/\/tomajazz.com\/web\/noah-preminger-dark-days-2025\/","url_meta":{"origin":3079,"position":1},"title":"Noah Preminger: Dark Days (Criss Cross Jazz; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"29 diciembre, 2025","format":false,"excerpt":"Dark Days (Criss Cross Jazz; 2025) es lo nuevo de Noah Preminger. Carlos Lara repasa la grabaci\u00f3n. Con Noah Preminger, Ely Perlman, Kim Cass, Terreon Gully","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Noah Preminger: Dark Days (Criss Cross Jazz; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Dark Days (Criss Cross Jazz; 2025) es lo nuevo de Noah Preminger. Carlos Lara repasa la grabaci\u00f3n. Con Noah Preminger, Ely Perlman, Kim Cass, Terreon Gully","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Noah-Preminger-Dark-Days-Criss-Cross-Jazz-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Noah-Preminger-Dark-Days-Criss-Cross-Jazz-2025.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Noah-Preminger-Dark-Days-Criss-Cross-Jazz-2025.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Noah-Preminger-Dark-Days-Criss-Cross-Jazz-2025.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26842,"url":"https:\/\/tomajazz.com\/web\/hdo-176-tritarristas-cameron-mizell-ricardo-grilli-andres-thor-podcast\/","url_meta":{"origin":3079,"position":2},"title":"HDO 176. 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En HDO 176 suenan 1954 (Tone Rogue Records, 2016) de Ricardo Grilli junto a Aaron Parks, Joe Martin y Eric Harland; Negative Spaces (Destiny Records, 2016) de Cameron Mizell con Brad Whiteley y Kenneth Salters;\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Cameron-Mizell_Negative-Spaces_Destiny-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Cameron-Mizell_Negative-Spaces_Destiny-Records_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Cameron-Mizell_Negative-Spaces_Destiny-Records_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Cameron-Mizell_Negative-Spaces_Destiny-Records_2016.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Cameron-Mizell_Negative-Spaces_Destiny-Records_2016.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":100192,"url":"https:\/\/tomajazz.com\/web\/fredis-jazz-band-vol-2-temps-record-2024-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":3079,"position":3},"title":"Fredi&#8217;s Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 octubre, 2025","format":false,"excerpt":"Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band. 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Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100173,"url":"https:\/\/tomajazz.com\/web\/the-necks-disquiet-northern-spy-2025\/","url_meta":{"origin":3079,"position":4},"title":"The Necks: Disquiet (Northern Spy; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"13 octubre, 2025","format":false,"excerpt":"Disquiet (Northern Spy; 2025) es el nuevo triple CD de The Necks. Pachi Tapiz repasa la grabaci\u00f3n. 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Con Norma Winstone, Mark Lockheart, John Parricelli, Nikki Iles, Dave Holland, James Maddren, The London Vocal Project \n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/04\/Dave-Holland-Vital-Spark-Music-of-Kenny-Wheeler-Edition-Records-2026.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/04\/Dave-Holland-Vital-Spark-Music-of-Kenny-Wheeler-Edition-Records-2026.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/04\/Dave-Holland-Vital-Spark-Music-of-Kenny-Wheeler-Edition-Records-2026.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/04\/Dave-Holland-Vital-Spark-Music-of-Kenny-Wheeler-Edition-Records-2026.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=3079"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3079\/revisions"}],"predecessor-version":[{"id":37033,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3079\/revisions\/37033"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/37029"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=3079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=3079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=3079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}