{"id":3081,"date":"2009-05-20T21:37:00","date_gmt":"2009-05-20T19:37:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3081"},"modified":"2015-06-11T18:49:48","modified_gmt":"2015-06-11T16:49:48","slug":"veteranos-en-la-brecha-xviii-ornette-coleman","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xviii-ornette-coleman\/","title":{"rendered":"Veteranos en la brecha (XVIII): Ornette Coleman"},"content":{"rendered":"<div>\n<a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/ornette_coleman-wire-700814.jpg\"><img decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/ornette_coleman-wire-700810.jpg\" alt=\"\" border=\"1\" title=\"\"><\/a>Llegamos a la entrega de la mayor\u00eda de edad en esta serie de los veteranos en activo, y qu\u00e9 mejor que celebrarlo teniendo a Ornette Coleman sea su protagonista. El creador de esa teor\u00eda musical no escrita que es la <span>harmolodia<\/span>, es el comisario de la pr\u00f3xima edici\u00f3n de Southbank Centre Meltdown, <a href=\"http:\/\/www.tomajazz.com\/noticias\/index.php?NOTID=3726\" target=\"_blank\">tal y como inform\u00e1bamos en las noticias de Tomajazz a finales del mes de abril<\/a>. La imprescindible <span>The Wire<\/span>, que aunque no est\u00e1 dedicada al jazz siempre encuentra un motivo u otro para incluirlo entre sus contenidos, le dedica la portada de su n\u00famero del mes de junio (el 304), a este saxofonista, violinista, trompetista, compositor e ide\u00f3logo. En su interior se puede disfrutar de una larga entrevista de Phil Freeman a este veterano de ocho p\u00e1ginas.<\/p>\n<p>Entre el resto de contenidos Andy Moor, guitarrista de The Ex, es el protagonista de \u00abThe Invisible Jukebox\u00bb. Barry Witherden es el encargado de la secci\u00f3n \u00abJazz &#038; Improv\u00bb, mientras que en la secci\u00f3n \u00abSoundcheck\u00bb se repasan discos de Don Cherry, Lawrence Casserley &#038; Adam Linson, Tortoise, Sun Ra o Andrea Parkins. Para el siguiente n\u00famero anuncian que el pianista Ran Blake estar\u00e1 entre sus contenidos.<\/p>\n<p>Pachi Tapiz\n<\/div>\n<p><\/p>\n<div>\n<span>The Wire. Adventures In Modern Music.<\/span>\n<\/div>\n<p>108 p\u00e1ginas en blanco y negro y color.<\/p>\n<div>Precio de venta: 3,90 libras esterlinas.<br \/>Con el CD <span>Exploratory Music From Poland 01<\/span> para los suscriptores.\n<\/div>\n<p><a href=\"http:\/\/thewire.co.uk\/\" target=\"_blank\" rel=\"noopener\">http:\/\/thewire.co.uk<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Llegamos a la entrega de la mayor\u00eda de edad en esta serie de los veteranos en activo, y qu\u00e9 mejor que celebrarlo teniendo a Ornette Coleman sea su protagonista. El creador de esa teor\u00eda musical no escrita que es la harmolodia, es el comisario de la pr\u00f3xima edici\u00f3n de Southbank<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xviii-ornette-coleman\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9531,13061,1],"tags":[13060],"class_list":["entry","author-pachi","post-3081","post","type-post","status-publish","format-standard","category-especial-contenidos","category-ornette-coleman-gracias-maestro","category-uncategorized","tag-especial-ornette-coleman"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":101300,"url":"https:\/\/tomajazz.com\/web\/james-brandon-lewis-apple-cores-2025\/","url_meta":{"origin":3081,"position":0},"title":"James Brandon Lewis: Apple Cores (Anti-Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"3 noviembre, 2025","format":false,"excerpt":"Apple Cores (Anti-Records; 2025) es una grabaci\u00f3n de James Brandon Lewis publicada hace unos meses. Carlos Lara repasa la grabaci\u00f3n. Con James Brandon Lewis, Josh Werner, Chad Taylor, Guilherme Monteiro, Stephane San Juan","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"James Brandon Lewis: Apple Cores (Anti-Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Apple Cores (Anti-Records; 2025) es una grabaci\u00f3n de James Brandon Lewis publicada hace unos meses. Carlos Lara repasa la grabaci\u00f3n. Con James Brandon Lewis, Josh Werner, Chad Taylor, Guilherme Monteiro, Stephane San Juan\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/James-Brandon-Lewis-Apple-Cores-Anti-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2634,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xii-lonely-woman-ornette-coleman-1959\/","url_meta":{"origin":3081,"position":1},"title":"En &quot;La casa del Mundo&quot; (XII): &quot;Lonely Woman&quot; (Ornette Coleman, 1959)","author":"Tomajazz","date":"28 abril, 2011","format":false,"excerpt":"Un tema inmortal por el padre de Free Jazz. Una de las melod\u00edas m\u00e1s bellas de toda la historia del jazz dedicada a una mujer solitaria. \u00a9 Pachi Tapiz, 2011 \"Lonely Woman\" Ornette Coleman The Shape Of Jazz To Come Atlantic (1959) Emitido el martes 26 de abril de 2011.\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2478,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxiii-lonely-woman-ornette-coleman-1959\/","url_meta":{"origin":3081,"position":2},"title":"En la casa del Mundo (XXIII): Lonely Woman (Ornette Coleman, 1959)","author":"Tomajazz","date":"24 noviembre, 2011","format":false,"excerpt":"Harvey Pekar, Robert Crumb, Sabicas, Groucho Marx y Ornette Coleman son algunos de los personajes que pasaron de un modo u otro por la emisi\u00f3n de La casa del Mundo. \u00bfSe puede pedir m\u00e1s? S\u00ed. Por ejemplo, evitar los despistes (excusatio non petita...). \"Lonely Woman\" Ornette Coleman The Shape Of\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3132,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-sobre-ornette-coleman-seis-anos-despues\/","url_meta":{"origin":3081,"position":3},"title":"Charles Mingus sobre Ornette Coleman. Seis a\u00f1os despu\u00e9s","author":"Tomajazz","date":"27 diciembre, 2008","format":false,"excerpt":"(Ornette Coleman) \"no trabaja mucho. Pero si quiere hablar de m\u00fasica free, grab\u00e9 para Candid un disco de m\u00fasica completamente free, Charles Mingus Presents Charles Mingus, con Eric Dolphy, Ted Curson y Dannie Richmond\". Entrevista por Mike Hennessey realizada en 1971 y publicada originalmente en Jazz Magazine. Entrevista traducida al\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11455,"url":"https:\/\/tomajazz.com\/web\/martin-williams-sobre-ornette-coleman\/","url_meta":{"origin":3081,"position":4},"title":"Martin Williams sobre Ornette Coleman","author":"Tomajazz","date":"9 abril, 2014","format":false,"excerpt":"Una m\u00fasica como la de Coleman, que depende tanto de los reflejos y contiene tan pocas protecciones para sus int\u00e9rpretes, arriesga mucho y exige m\u00fasicos inspirados. Y en su m\u00fasica no existe el elemento sobrante que se aprecia en la de algunos de sus seguidores m\u00e1s j\u00f3venes, cuya m\u00fasica depara\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Ornette Coleman live at Saalfelden 2009 Fotograf\u00eda: Davide Leonardi","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/450px-Ornette_Coleman_2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6196,"url":"https:\/\/tomajazz.com\/web\/ornette-coleman-y-el-ritmo\/","url_meta":{"origin":3081,"position":5},"title":"Ornette Coleman y el ritmo","author":"Tomajazz","date":"1 mayo, 2013","format":false,"excerpt":"Mi m\u00fasica, no tiene un tiempo real, un tiempo m\u00e9trico. Tiene un tiempo, pero no en el sentido de algo que se puede medir. Es algo m\u00e1s parecido a la respiraci\u00f3n, un tiempo m\u00e1s natural y m\u00e1s libre. La gente se ha olvidado de lo hermoso que es ser natural.\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"4b. Ornette","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/11\/4b.-Ornette.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=3081"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3081\/revisions"}],"predecessor-version":[{"id":18730,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3081\/revisions\/18730"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=3081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=3081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=3081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}