{"id":3095,"date":"2009-04-16T21:33:00","date_gmt":"2009-04-16T19:33:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3095"},"modified":"2009-04-16T21:33:00","modified_gmt":"2009-04-16T19:33:00","slug":"william-parker-sobre-la-musica","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/william-parker-sobre-la-musica\/","title":{"rendered":"William Parker: sobre la m\u00fasica"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/Parker_who_owns_music-734436.gif\"><img decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/Parker_who_owns_music-734434.gif\" alt=\"\" border=\"1\" title=\"\"><\/a>\u00abLa m\u00fasica, como la gravedad y las plantas, es una fuerza omnipresente que se filtra en nuestro subconsciente y nos afecta de modos de los que ni siquiera somos conscientes. Cada m\u00fasico oye la m\u00fasica a su manera. Esta individualidad contribuye al desarrollo de los sistemas de improvisaci\u00f3n\/composici\u00f3n. La est\u00e9tica, la filosof\u00eda y la preparaci\u00f3n musical de los m\u00fasicos ayuda a determinar el color y el car\u00e1cter de la m\u00fasica.\u00bb<\/p>\n<p>\u00abMusic, like gravity and green plants, is a forever-persasive force that seeps into our subconscious. Affecting us in ways we are not even aware of. Each musician hears music his or her own way. This individuality contributes to the development of systems of improvisation\/composition. Aesthetics, philosophies, and musical training of the musicians help to determine the color and character of the music.\u00bb<\/p>\n<p>William Parker <span>Who Owns Music?<\/span><br \/><a href=\"http:\/\/www.buddys.bildzitat.de\/catalog\/product_info.php?cPath=23&#038;products_id=31\" target=\"_blank\" rel=\"noopener\">Buddy&#8217;s Knife<\/a> 2007<br \/>128 p\u00e1ginas, r\u00fastica<br \/>ISBN 978-3-00-020141-7<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abLa m\u00fasica, como la gravedad y las plantas, es una fuerza omnipresente que se filtra en nuestro subconsciente y nos afecta de modos de los que ni siquiera somos conscientes. Cada m\u00fasico oye la m\u00fasica a su manera. Esta individualidad contribuye al desarrollo de los sistemas de improvisaci\u00f3n\/composici\u00f3n. La est\u00e9tica,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/william-parker-sobre-la-musica\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-3095","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2275,"url":"https:\/\/tomajazz.com\/web\/tribute-to-albert-ayler-live-at-the-dynamo-marge-2009\/","url_meta":{"origin":3095,"position":0},"title":"Tribute to Albert Ayler: Live At the Dynamo (Marge, 2009)","author":"Tomajazz","date":"20 julio, 2012","format":false,"excerpt":"El 21 de noviembre de 2008 Joe McPhee, Roy Campbell, William Parker y Warren Smith grababan en directo bajo el nombre Tribute a Albert Ayler. 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