{"id":30982,"date":"2017-06-15T12:00:54","date_gmt":"2017-06-15T10:00:54","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=30982"},"modified":"2017-12-29T21:37:13","modified_gmt":"2017-12-29T20:37:13","slug":"365-razones-para-amar-el-jazz-un-tema-clasico-west-end-blues-166","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-clasico-west-end-blues-166\/","title":{"rendered":"365 razones para amar el jazz: un tema cl\u00e1sico: West End Blues [166]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-20140 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens-200x175.jpg\" alt=\"\" width=\"200\" height=\"175\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens-200x175.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens-150x132.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens-600x526.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens-63x55.jpg 63w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema cl\u00e1sico: \u00abWest End Blues\u00bb.\u00a0Un tema de <strong>Joe King Oliver<\/strong>. La grabaci\u00f3n m\u00e1s conocida y celebrada es la realizada por <strong>Louis Armstrong &amp; His Hot Five<\/strong>, el 28 de junio de 1928. Grabaci\u00f3n de 3 minutos, editada en un 78 rpm ese mismo a\u00f1o. Est\u00e1 presente en casi todos los CDs recopilatorios de <strong>Louis Armstrong<\/strong>.<\/p>\n<p>Seleccionado por\u00a0<strong>Juli\u00e1n Ruesga Bono<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"West End Blues - Louis Armstrong &amp; His Hot Five, 1928\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/pXHdqTVC3cA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema cl\u00e1sico: \u00abWest End Blues\u00bb.\u00a0Un tema de Joe King Oliver. La grabaci\u00f3n m\u00e1s conocida y celebrada es la realizada por Louis Armstrong &amp; His Hot Five, el 28 de junio de 1928. Grabaci\u00f3n de 3 minutos, editada en un 78 rpm ese mismo a\u00f1o. Est\u00e1 presente en casi todos<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-clasico-west-end-blues-166\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":20140,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17854,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,13,12415,15295,18720,18717,603,15710,8161,19562,18718,16099,77,16100],"class_list":["entry","author-pachi","post-30982","post","type-post","status-publish","format-standard","has-post-thumbnail","category-julian-ruesga-bono","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-julian-ruesga-bono","tag-la-actualidad-del-jazz-en-espana","tag-louis-armstrong","tag-louis-armstrong-his-hot-five","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30710,"url":"https:\/\/tomajazz.com\/web\/especial-la-odisea-de-la-musica-afroamericana-numero-100-podcast\/","url_meta":{"origin":30982,"position":0},"title":"Especial La Odisea de la M\u00fasica Afroamericana n\u00famero 100 [Podcast]","author":"Tomajazz","date":"29 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. La Odisea de la M\u00fasica Afroamericana\u00a0de\u00a0Luis Escalante Ozalla realiza un par\u00f3n\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":20142,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-west-end-blues-louis-armstrong-1928\/","url_meta":{"origin":30982,"position":1},"title":"La m\u00fasica de LODLMA: \u00abWest End Blues\u00bb (Louis Armstrong, 1928)","author":"Tomajazz","date":"12 octubre, 2015","format":"imagen","excerpt":"En el cap\u00edtulo d\u00e9cimo noveno de La Odisea de la M\u00fasica Afroamericana (LODLMA) suena\u2026 \u201cWest End Blues\u201d: Ya han pasado m\u00e1s de 80 a\u00f1os desde\u00a0la grabaci\u00f3n de \u201cWest End Blues\u201d por los Hot Five de Louis Armstrong, uno de los monumentos m\u00e1s importantes de la historia del jazz y, por\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Louis Armstrond and His Hot Five","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":58978,"url":"https:\/\/tomajazz.com\/web\/jazzx5346-louis-armstrong-and-his-hot-five-west-end-blues-1928-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":30982,"position":2},"title":"JazzX5#346. Louis Armstrong and His Hot Five: \u00abWest End Blues\u00bb (1928) [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"27 noviembre, 2021","format":false,"excerpt":"En JazzX5 \"West End Blues\", un cl\u00e1sico de Louis Armstrond and His Hot Five, en la edici\u00f3n del fin de semana del 27 de noviembre. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#346. 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Cuando los m\u00fasicos de Nueva Orleans emigraron a Chicago en 1917, Johnson se qued\u00f3 en\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Bunk-Johnson_Bunk-And-The-New-Orleans-Revival.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":175,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-west-end-blues-louis-armstrong-1928\/","url_meta":{"origin":30982,"position":4},"title":"Tomajazz recomienda&#8230; un tema: \u00abWest End Blues\u00bb (Louis Armstrong, 1928)","author":"Adolphus van Tenzing","date":"10 agosto, 2009","format":"image","excerpt":"El pasado 28 de junio se celebr\u00f3 el 81\u00ba aniversario de la grabaci\u00f3n de \u201cWest End Blues\u201d por los Hot Five de Louis Armstrong, uno de los monumentos m\u00e1s importantes de la historia del jazz y, por qu\u00e9 no atreverse a decirlo, de la historia de la m\u00fasica del siglo\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Louis Armstrond and His Hot Five","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":29935,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-documental-jazz-on-a-summers-day-90\/","url_meta":{"origin":30982,"position":5},"title":"365 razones para amar el jazz: un documental. Jazz On A Summer&#8217;s Day [90]","author":"Tomajazz","date":"31 marzo, 2017","format":false,"excerpt":"Un documental.\u00a0Jazz On A Summer's Day\u00a0(1960). Dirigido por Bert Stern. Seleccionado por Juan Antonio Serrano Cervantes Con Jimmy Giuffre 3, Thelonious Monk Trio, Anita O'Day, George Shearing, Dinah Washington, Chuck Berry, Gerry Mulligan Quartet with Art Farmer, Ray Charles, Mahalia Jackson, Louis Armstrong And His All-Stars","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Jazz_on_a_Summers_Day_FilmPoster.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=30982"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30982\/revisions"}],"predecessor-version":[{"id":30983,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/30982\/revisions\/30983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/20140"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=30982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=30982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=30982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}