{"id":31033,"date":"2017-06-20T12:00:36","date_gmt":"2017-06-20T10:00:36","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31033"},"modified":"2017-12-29T21:37:11","modified_gmt":"2017-12-29T20:37:11","slug":"365-razones-para-amar-el-jazz-un-disco-workin-miles-davis-171","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-workin-miles-davis-171\/","title":{"rendered":"365 razones para amar el jazz: un disco. Workin\u2019 (Miles Davis) [171]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31035 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige-200x201.jpg\" alt=\"\" width=\"200\" height=\"201\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige-200x201.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige-768x773.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige-596x600.jpg 596w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg 795w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco.\u00a0<strong>Miles Davis<\/strong>: Workin&#8217; With The Miles Davis Quintet (Prestige, 1959).<\/p>\n<p>Seleccionado por\u00a0<strong>Arturo Mora Rioja<\/strong><\/p>\n<p>Con <strong>Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco.\u00a0Miles Davis: Workin&#8217; With The Miles Davis Quintet (Prestige, 1959). Seleccionado por\u00a0Arturo Mora Rioja Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-workin-miles-davis-171\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31035,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,18155,20689,15517,1038],"tags":[18715,18716,18165,260,18719,13,12415,15295,18720,18717,1870,15710,2004,8365,2083,2097,2105,18718,10096,16099,77,16100],"class_list":["entry","author-pachi","post-31033","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-arturo-mora-rioja","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-john-coltrane","tag-la-actualidad-del-jazz-en-espana","tag-miles-davis","tag-miles-davis-quintet","tag-paul-chambers","tag-philly-joe-jones","tag-prestige","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-red-garland","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31005,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cd-round-about-midnight-miles-davis-169\/","url_meta":{"origin":31033,"position":0},"title":"365 razones para amar el jazz: un CD. &#8216;Round About Midnight (Miles Davis) [169]","author":"Tomajazz","date":"18 junio, 2017","format":false,"excerpt":"Un CD. Miles Davis:\u00a0'Round About Midnight (Columbia, 1957) Seleccionado por Juan Antonio Serrano Cervantes Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31210,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-bye-bye-blackbird-henderson-dixon-183\/","url_meta":{"origin":31033,"position":1},"title":"365 razones para amar el jazz: un tema. Bye bye Blackbird (Henderson, Dixon) [183]","author":"Tomajazz","date":"2 julio, 2017","format":false,"excerpt":"Un tema. \"Bye bye Blackbird\" (M\u00fasica: Ray Henderson. Letra: Mort Dixon. A\u00f1o 1926) Seleccionado por\u00a0Luis Escalante Ozalla \"Bye bye Blackbird\". Miles Davis: \u2018Round About Midnight (1957) Miles Davis, Red Garland, Paul Chambers, Philly Joe Jones, John Coltrane. Grabaci\u00f3n: 5 de junio de 1956. Album:","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Henderson-Dixon_Bye-Bye-Blackbird-200x254.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":59887,"url":"https:\/\/tomajazz.com\/web\/jazzx5380-miles-davis-ah-leu-cha-round-about-midnight-columbia-1957-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":31033,"position":2},"title":"JazzX5#380. Miles Davis: \u201cAh-Leu-Cha\u201d [&#8216;Round About Midnight (Columbia, 1957)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"31 diciembre, 2021","format":false,"excerpt":"En la edici\u00f3n de JazzX5 que finaliza el a\u00f1o 2021, suena el tema \"Ah-Leu-Cha\", la composici\u00f3n de Charlie Parker que Miles Davis grab\u00f3 en la primera sesi\u00f3n de grabaci\u00f3n en la que cont\u00f3 con John Coltrane y que finalmente se public\u00f3 en 'Round About Midnight (Columbia). JazzX5 es un podcast\u2026","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#380. Miles Davis: \u201cAh-Leu-Cha\u201d ['Round About Midnight (Columbia, 1957)] [Minipodcast de jazz] Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_380.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_380.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_380.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_380.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29579,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-kind-of-blue-miles-davis-1959-70\/","url_meta":{"origin":31033,"position":3},"title":"365 razones para amar el jazz: un disco. Kind Of Blue (Miles Davis, 1959) [71]","author":"Tomajazz","date":"12 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Kind Of Blue\u00a0(Columbia, 1959) Seleccionado por\u00a0Pachi Tapiz. Con\u00a0Miles Davis, Julian \"Cannonball\" Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, Jimmy Cobb.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29587,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-blue-train-john-coltrane-1957-73\/","url_meta":{"origin":31033,"position":4},"title":"365 razones para amar el jazz: un disco. Blue Train (John Coltrane, 1957) [73]","author":"Tomajazz","date":"14 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0John Coltrane:\u00a0Blue Train\u00a0(Blue Note, 1957) Seleccionado por\u00a0Carlos Lara. Con John Coltrane, Lee Morgan, Curtis Fuller, Paul Chambers, Kenny Drew, Philly Joe Jones.","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28894,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-im-old-fashioned-33\/","url_meta":{"origin":31033,"position":5},"title":"365 razones para amar el jazz: un tema. \u00abI&#8217;m Old Fashioned\u00bb [33]","author":"Tomajazz","date":"2 febrero, 2017","format":false,"excerpt":"Un tema.\u00a0\"I'm Old Fashioned\". M\u00fasica: Jerome Kern. Letra: Johnny Mercer. Seleccionado por Luis Escalante Ozalla. John Coltrane:\u00a0Blue Train\u00a0(Blue Note, 1957) John Coltrane, Kenny Drew, Paul Chambers, Philly Joe Jones, Lee Morgan, Curtis Fuller.\u00a0Grabaci\u00f3n septiembre de 1957","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31033"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31033\/revisions"}],"predecessor-version":[{"id":31036,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31033\/revisions\/31036"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31035"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}