{"id":31076,"date":"2017-06-21T12:00:35","date_gmt":"2017-06-21T10:00:35","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31076"},"modified":"2017-12-29T21:37:10","modified_gmt":"2017-12-29T20:37:10","slug":"365-razones-para-amar-el-jazz-un-disco-nefertiti-miles-davis-172","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-nefertiti-miles-davis-172\/","title":{"rendered":"365 razones para amar el jazz: un disco. Nefertiti (Miles Davis) [172]"},"content":{"rendered":"

\"\"Un disco.\u00a0Miles Davis<\/strong>:\u00a0Nefertiti\u00a0<\/em>(Columbia, 1968)<\/p>\n

Seleccionado por Mart\u00ed Farr\u00e9<\/strong><\/p>\n

Con Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Un disco.\u00a0Miles Davis:\u00a0Nefertiti\u00a0(Columbia, 1968) Seleccionado por Mart\u00ed Farr\u00e9 Con Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter, Tony WilliamsContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31077,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17871,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,1587,253,13,12415,15295,18720,18717,15710,1227,2004,18718,2158,16099,77,16100,2292,2337],"class_list":["entry","author-pachi","post-31076","post","type-post","status-publish","format-standard","has-post-thumbnail","category-marti-farre","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-columbia","tag-herbie-hancock","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-marti-farre","tag-miles-davis","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-ron-carter","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tony-williams","tag-wayne-shorter"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29720,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-live-evil-miles-davis-79\/","url_meta":{"origin":31076,"position":0},"title":"365 razones para amar el jazz: un disco. 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Seven Steps to Heaven (Miles Davis, Victor Feldman) [174]","author":"Tomajazz","date":"23 junio, 2017","format":false,"excerpt":"Un tema. \"Seven Steps to Heaven\" (Victor Feldman, Miles Davis) Seleccionado por Kuto Miles Davis Quintet: Seven Steps to Heaven (Columbia, 1957) Con Miles Davis, George Coleman, Herbie Hancock o Victor Feldman, Ron Carter, Frank Butler o Tony Williams Y s\u00ed, es una entrada repetida, pero es lo bueno que\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2049,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-nefertiti-miles-davis-1967\/","url_meta":{"origin":31076,"position":3},"title":"Tomajazz recomienda… un CD: Nefertiti (Miles Davis, 1967)","author":"Adolphus van Tenzing","date":"5 marzo, 2012","format":false,"excerpt":"El segundo gran quinteto de Miles Davis, el de los a\u00f1os sesenta, marc\u00f3 un punto de inflexi\u00f3n crucial en la m\u00fasica del trompetista y en la historia del jazz: los enfoques basados en el swing, be-bop, hard-bop y jazz modal dieron paso al crossover el\u00e9ctrico de In A Silent Way\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Miles_Davis_-_Nefertiti.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33214,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-nefertiti-miles-davis-313\/","url_meta":{"origin":31076,"position":4},"title":"365 razones para amar el jazz: un disco. 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Con\u00a0Miles Davis, Dave Holland, Harvey Brooks, Bennie Maupin, Don Alias, Jack DeJohnette, Lenny White, John McLaughlin, Chick Corea, Joe Zawinul , Larry Young, Jim Riley, Wayne Shorter,","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31076"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31076\/revisions"}],"predecessor-version":[{"id":31078,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31076\/revisions\/31078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31077"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}