{"id":31100,"date":"2017-06-23T12:00:25","date_gmt":"2017-06-23T10:00:25","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31100"},"modified":"2017-12-29T21:37:09","modified_gmt":"2017-12-29T20:37:09","slug":"365-razones-para-amar-el-jazz-un-tema-seven-steps-to-heaven-miles-davis-victor-feldman-174","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-seven-steps-to-heaven-miles-davis-victor-feldman-174\/","title":{"rendered":"365 razones para amar el jazz: un tema. Seven Steps to Heaven (Miles Davis, Victor Feldman) [174]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-30129 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema. \u00abSeven Steps to Heaven\u00bb (<strong>Victor Feldman<\/strong>, <strong>Miles Davis<\/strong>)<\/p>\n<p>Seleccionado por <strong>Kuto<\/strong><\/p>\n<p><strong>Miles Davis Quintet<\/strong>: <em>Seven Steps to Heaven <\/em>(Columbia, 1957)<\/p>\n<p>Con Miles Davis, George Coleman, Herbie Hancock o Victor Feldman, Ron Carter, Frank Butler o Tony Williams<\/p>\n<p>Y s\u00ed, <a href=\"http:\/\/www.tomajazz.com\/web\/?p=30128\" target=\"_blank\" rel=\"noopener\">es una entrada repetida<\/a>, pero es lo bueno que tienen tanto el jazz, como\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/?cat=18155\" target=\"_blank\" rel=\"noopener\">un especial tan extenso como 365 razones para amar el jazz<\/a>: que nos podemos permitir el lujo de publicar el mismo tema seleccionado por dos de los colaboradores en dos momentos diferentes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema. \u00abSeven Steps to Heaven\u00bb (Victor Feldman, Miles Davis) Seleccionado por Kuto Miles Davis Quintet: Seven Steps to Heaven (Columbia, 1957) Con Miles Davis, George Coleman, Herbie Hancock o Victor Feldman, Ron Carter, Frank Butler o Tony Williams Y s\u00ed, es una entrada repetida, pero es lo bueno que<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-seven-steps-to-heaven-miles-davis-victor-feldman-174\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":30129,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17843,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,1587,14251,7830,19703,13,12415,15295,18720,18717,37,15710,2004,18718,2158,16099,77,16100,2292],"class_list":["entry","author-pachi","post-31100","post","type-post","status-publish","format-standard","has-post-thumbnail","category-don-kuto","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-columbia","tag-frank-butler","tag-george-coleman","tag-herbie-hancock-o-victor-feldman","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-kuto","tag-la-actualidad-del-jazz-en-espana","tag-miles-davis","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-ron-carter","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tony-williams"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Miles-Davis_Seven-Steps-To-Heaven_Columbia_1955.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30128,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-seven-steps-to-heaven-victor-feldman-104\/","url_meta":{"origin":31100,"position":0},"title":"365 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Nefertiti (Miles Davis) [172]","author":"Tomajazz","date":"21 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Nefertiti\u00a0(Columbia, 1968) Seleccionado por Mart\u00ed Farr\u00e9 Con Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams","rel":"","context":"En \u00ab*_Mart\u00ed Farr\u00e9\u00bb","block_context":{"text":"*_Mart\u00ed Farr\u00e9","link":"https:\/\/tomajazz.com\/web\/category\/marti-farre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31102,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-suprema-de-seven-steps-to-heaven-stan-getz-kenny-barron-175\/","url_meta":{"origin":31100,"position":2},"title":"365 razones para amar el jazz: una versi\u00f3n suprema de Seven Steps to Heaven (Stan Getz, Kenny Barron) [175]","author":"Tomajazz","date":"24 junio, 2017","format":false,"excerpt":"Una versi\u00f3n suprema de \"Seven Steps to Heaven\" por Stan Getz, Kenny Barron (The Final Concert Recording) Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz_The-Final-Concert-Recording_1990.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29720,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-live-evil-miles-davis-79\/","url_meta":{"origin":31100,"position":3},"title":"365 razones para amar el jazz: un disco. 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Miles Davis: The Complete Concert, 1964: My Funny Valentine - Four & More. Por Lorenzo Juan Llabr\u00e9s.","rel":"","context":"En \u00ab*_Lorenzo Juan Llabr\u00e9s\u00bb","block_context":{"text":"*_Lorenzo Juan Llabr\u00e9s","link":"https:\/\/tomajazz.com\/web\/category\/lorenzo-juan-llabres\/"},"img":{"alt_text":"Miles Davis: The Complete Concert, 1964: My Funny Valentine - Four & More","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/davis_complete1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31008,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-diseno-de-portada-cookin-miles-davis-170\/","url_meta":{"origin":31100,"position":5},"title":"365 razones para amar el jazz: un dise\u00f1o de portada. Cookin&#8217; (Miles Davis) [170]","author":"Tomajazz","date":"19 junio, 2017","format":false,"excerpt":"Un dise\u00f1o de portada de Phil Hays. Miles Davis:\u00a0Cookin' (Prestige, 1956). Un dibujo muy suelto en l\u00ednea negra y gruesa, muestra una mano que toca una trompeta vista de frente. El dibujo destaca sobre un fondo blanco y se expande por toda la portada del disco... Seleccionado por\u00a0Kuto.","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Cookin.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31100"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31100\/revisions"}],"predecessor-version":[{"id":31101,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31100\/revisions\/31101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/30129"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}