{"id":31109,"date":"2017-06-26T12:00:09","date_gmt":"2017-06-26T10:00:09","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31109"},"modified":"2017-12-29T21:37:08","modified_gmt":"2017-12-29T20:37:08","slug":"365-razones-para-amar-el-jazz-una-grabacion-the-birth-of-the-cool-miles-davis-177","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-birth-of-the-cool-miles-davis-177\/","title":{"rendered":"365 razones para amar el jazz: una portada. The Gentle Giant\u00a0(Yusef Lateef) [177] [A New Perspective 15]"},"content":{"rendered":"

\"\"Una portada. The Gentle Giant\u00a0<\/em>(Yusef Lateef<\/strong>. Atlantic, 1972). Fotograf\u00eda de Giuseppe G. Pino<\/strong>.<\/p>\n

Seleccionado por Jos\u00e9 Luis Luna Rocafort<\/strong>. D\u00e9cimo quinta entrega de la serie\u00a0A New Perspective<\/em><\/a>: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<\/p>\n","protected":false},"excerpt":{"rendered":"

Una portada. The Gentle Giant\u00a0(Yusef Lateef. Atlantic, 1972). Fotograf\u00eda de Giuseppe G. Pino. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo quinta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31110,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17846,18155,18586,20689,15517,1038],"tags":[18715,18716,18165,9592,18719,19704,13,12415,15295,18720,18717,15710,18718,16099,77,16100,8019],"class_list":["entry","author-pachi","post-31109","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jose-luis-luna-rocafort","category-365-razones-para-amar-el-jazz","category-a-new-perspective","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-atlantic","tag-cien-anos-de-grabaciones-de-jazz","tag-giuseppe-g-pino","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-yusef-lateef"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Yusef-Lateef_The-Gentle-Giant_Atlantic_1972.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30696,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-the-inflated-tear-roland-kirk-146-a-new-perspective-11\/","url_meta":{"origin":31109,"position":0},"title":"365 razones para amar el jazz: una portada. The Inflated Tear (Roland Kirk) [146] [A New Perspective 11]","author":"Tomajazz","date":"26 mayo, 2017","format":false,"excerpt":"Una portada. The Inflated Tear (Roland Kirk. Atlantic, 1968). Fotograf\u00eda de Lee Friedlander. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Roland Kirk,Ron Burton, Steve Novosel, Jimmy Hopps, Dick\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31306,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-jazz-mood-yusef-lateef-191\/","url_meta":{"origin":31109,"position":1},"title":"365 razones para amar el jazz: una grabaci\u00f3n. Jazz Mood (Yusef Lateef) [191]","author":"Tomajazz","date":"10 julio, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Yusef Lateef:\u00a0Jazz Mood\u00a0(Savoy, 1957) Seleccionado por\u00a0Pachi Tapiz","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Yusef-Lateef_Jazz-Mood_Savoy_1957_alt.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Yusef-Lateef_Jazz-Mood_Savoy_1957_alt.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Yusef-Lateef_Jazz-Mood_Savoy_1957_alt.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28697,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-a-new-perspective-donald-byrd-1963-14-a-new-perspective-01\/","url_meta":{"origin":31109,"position":2},"title":"365 razones para amar el jazz: una portada. A New Perspective (Donald Byrd, 1963) [14] [A New Perspective 01]","author":"Tomajazz","date":"14 enero, 2017","format":false,"excerpt":"Una portada.\u00a0A New Perspective\u00a0(Donald Byrd.\u00a0Blue Note, 1963).\u00a0Fotograf\u00eda y dise\u00f1o de portada:\u00a0Reid Miles. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Primera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Donald Byrd, Lex Humphries, Herbie Hancock, Hank Mobley, Donald Best,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31429,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-new-grass-albert-ayler-195-a-new-perspective-18\/","url_meta":{"origin":31109,"position":3},"title":"365 razones para amar el jazz: una portada. 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Debut, 1953). Fotograf\u00eda de Herman Leonard. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Vig\u00e9sima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oscar-Pettiford_The-New-Oscar-Pettiford-Sextet_Debut_1953-200x201.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31744,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-blue-train-john-coltrane-224-a-new-perspective-22\/","url_meta":{"origin":31109,"position":5},"title":"365 razones para amar el jazz: una portada. 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