{"id":3111,"date":"2009-03-10T11:12:00","date_gmt":"2009-03-10T10:12:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3111"},"modified":"2016-04-10T23:07:00","modified_gmt":"2016-04-10T21:07:00","slug":"portishead-bach-y-astor-piazzolla-con-tango-siempre","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/portishead-bach-y-astor-piazzolla-con-tango-siempre\/","title":{"rendered":"Portishead, Bach y Astor Piazzolla con Tango Siempre"},"content":{"rendered":"<div>\n<a href=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/tango-siempre_only-human-745609.jpg\"><img decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/bun\/uploaded_images\/tango-siempre_only-human-745605.jpg\" alt=\"\" border=\"1\" title=\"\"><\/a><span>Only Human<\/span> del quinteto Tango Siempre es una peque\u00f1a sopresa. Su \u00faltimo trabajo contin\u00faa transitando por los terrenos del tango contempor\u00e1neo con aproximaciones a la danza, el chaman\u00e9 o la milonga, sin olvidar un toque jazz\u00edstico e improvisado.<\/p>\n<p>El tema m\u00e1s sorprendente de este disco son los siete minutos y medio de \u00abTriphop &#038; Fugue\u00bb. La electr\u00f3nica del bater\u00eda Milo Fell parece que nos fuera introduciendo en los mundos de Portishead. Pero en esta ocasi\u00f3n la voz de Beth Gibbons no llega a materializarse. \u00a1Ning\u00fan problema! El tango aparece y qui\u00e9n sabe c\u00f3mo, de repente el piano de Jonathan Taylor est\u00e1 realizando en su solo un gui\u00f1o a la m\u00fasica de Bach, para volver con la calma por terrenos afines a los de Portished. M\u00fasica de fusiones con naturalidad, que no m\u00fasica confusa.<\/p>\n<p>Pachi Tapiz<\/p>\n<p>Tango Siempre <span>Only Human<\/span> (<a href=\"http:\/\/www.galileo-mc.com\/\" target=\"_blank\" rel=\"noopener\">Galileo<\/a> GMC031)\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Only Human del quinteto Tango Siempre es una peque\u00f1a sopresa. Su \u00faltimo trabajo contin\u00faa transitando por los terrenos del tango contempor\u00e1neo con aproximaciones a la danza, el chaman\u00e9 o la milonga, sin olvidar un toque jazz\u00edstico e improvisado. El tema m\u00e1s sorprendente de este disco son los siete minutos y<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/portishead-bach-y-astor-piazzolla-con-tango-siempre\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-3111","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100986,"url":"https:\/\/tomajazz.com\/web\/portishead-dummy-1994\/","url_meta":{"origin":3111,"position":0},"title":"Portishead: Dummy (Go! Beat Records; 1994) Por Pachi Tapiz [Cl\u00e1sicos atemporales]","author":"Tomajazz","date":"26 octubre, 2025","format":false,"excerpt":"Dummy (Go! Beat Records; 1994) de Portishead es el disco elegido por Pachi Tapiz en los cl\u00e1sicos atemporales","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Portishead: Dummy (Go! Beat Records; 1994) Por Pachi Tapiz [Cl\u00e1sicos atemporales] - Tomajazz - Dummy (Go! Beat Records; 1994) de Portishead es el disco elegido por Pachi Tapiz eCl\u00e1sicos atemporales]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dummy-Portishead.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dummy-Portishead.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dummy-Portishead.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dummy-Portishead.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dummy-Portishead.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1747,"url":"https:\/\/tomajazz.com\/web\/the-new-tango-sound-jamboree-barcelona-20-xii-2012\/","url_meta":{"origin":3111,"position":1},"title":"The New Tango Sound (Jamboree, Barcelona, 20-XII-2012)","author":"Tomajazz","date":"20 diciembre, 2012","format":false,"excerpt":"Fecha:\u00a020 de diciembre de 2012. Lugar:\u00a0Jamboree (Barcelona). Componentes: Marcelo Mercadante: bandone\u00f3n Raynald Colom: trompeta Marco Mezquida: piano Mart\u00edn Laportilla: bajo el\u00e9ctrico Roger Blavia: bater\u00eda Comentario: \u00a0 Catalunya, como es bien sabido, actualmente vive en un notable estado de efervescencia, no s\u00f3lo en el campo social y pol\u00edtico, sino tambi\u00e9n, aunque\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"01_THE NEW TANGO SOUND_20des12_Jamboree","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/01_THE-NEW-TANGO-SOUND_20des12_Jamboree.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/01_THE-NEW-TANGO-SOUND_20des12_Jamboree.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/01_THE-NEW-TANGO-SOUND_20des12_Jamboree.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3172,"url":"https:\/\/tomajazz.com\/web\/un-clean-feed-mas-que-recomendable-ethan-winogrand-tangled-tango\/","url_meta":{"origin":3111,"position":2},"title":"Un Clean Feed m\u00e1s que recomendable: Ethan Winogrand &quot;Tangled Tango&quot;","author":"Tomajazz","date":"9 mayo, 2008","format":false,"excerpt":"Ethan Winogrand Tangled Tango Gorka Ben\u00edtez (st, ss, fl), Ross Bonadonna (g), Carlos Barretto (db), Ethan Winogrand (bat). Invitados: Steven Bernstein (tp, sld-tp), Eric Mingus (b-el)Grabado en marzo de 2005 en Oviedo.Clean Feed CF074CD (**** sobre *****) Una de las cuestiones m\u00e1s interesantes que el jazz plantea m\u00e1s all\u00e1 de\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":96252,"url":"https:\/\/tomajazz.com\/web\/richard-galliano-new-york-trio-umbria-jazz-2024\/","url_meta":{"origin":3111,"position":3},"title":"Richard Galliano New York Trio (Umbria Jazz 2024. Arena Santa Giuliana, Perugia, Italia. 2024-07-12) Por Jos\u00e9 Miguel Guti\u00e9rrez [Concierto de jazz]","author":"Tomajazz","date":"4 junio, 2025","format":false,"excerpt":"Jos\u00e9 Miguel Guti\u00e9rrez repasa el concierto del Richard Galliano New York Trio en la edici\u00f3n del pasado 2024 del Festival Umbria Jazz. Actuaron Richard Galliano, Adrien Moignard, Diego Imbert","rel":"","context":"En \u00abJazz en Italia\u00bb","block_context":{"text":"Jazz en Italia","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/jazz-en-italia\/"},"img":{"alt_text":"Richard Galliano New York Trio (Umbria Jazz 2024. Arena Santa Giuliana, Perugia, Italia. 2024-07-12) [Concierto de jazz] - Tomajazz - Jos\u00e9 Miguel Guti\u00e9rrez repasa el concierto del Richard Galliano New York Trio en la edici\u00f3n del pasado 2024 del Festival Umbria Jazz. Actuaron Richard Galliano, Adrien Moignard, Diego Imbert\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/RICHARD-GALLIANO-NEW-YORK-TRIO-01b.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/RICHARD-GALLIANO-NEW-YORK-TRIO-01b.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/RICHARD-GALLIANO-NEW-YORK-TRIO-01b.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":22927,"url":"https:\/\/tomajazz.com\/web\/sr-barbieri-para-algunos-tu-tango-no-fue-tan-hermoso-por-mariche-huertas-de-la-camara\/","url_meta":{"origin":3111,"position":4},"title":"Sr. Barbieri, para algunos, tu tango\u2026 no fue tan hermoso. Por Mariche Huertas de la C\u00e1mara","author":"Tomajazz","date":"8 abril, 2016","format":false,"excerpt":"Hab\u00edan madrugado mucho para empezar el rodaje y ya ten\u00edan hambre. Estaban en el ecuador del filme, decidieron que en el almuerzo perfilar\u00edan los detalles de las escenas que quedaban. A Bernardo siempre le hab\u00eda gustado dejar que sus actores aportaran ideas e improvisaran, aunque se salieran del script. Mientras\u2026","rel":"","context":"En \u00ab*_Mariche Huertas de la C\u00e1mara\u00bb","block_context":{"text":"*_Mariche Huertas de la C\u00e1mara","link":"https:\/\/tomajazz.com\/web\/category\/mariche-huertas-de-la-camara\/"},"img":{"alt_text":"Last Tango in Paris","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Last-Tango-in-Paris-198x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":26133,"url":"https:\/\/tomajazz.com\/web\/tango-jazz-quartet-festival-internacional-de-jazz-nisville-nis-serbia-2016-08-13-concierto\/","url_meta":{"origin":3111,"position":5},"title":"Tango Jazz Quartet (Festival Internacional de Jazz Nisville. Ni\u0161, Serbia. 2016-08-13) [Concierto]","author":"Tomajazz","date":"2 septiembre, 2016","format":false,"excerpt":"El nuevo colaborador IEH en su estreno en Tomajazz, nos lleva a la actuaci\u00f3n del Tango Jazz Quartet en Serbia, en el Festival Internacional de Jazz Nisville.","rel":"","context":"En \u00ab*_Ignacio Ezequiel Hutin\u00bb","block_context":{"text":"*_Ignacio Ezequiel Hutin","link":"https:\/\/tomajazz.com\/web\/category\/ignacio-ezequiel-hutin\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/TJQ-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/TJQ-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/TJQ-2.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=3111"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3111\/revisions"}],"predecessor-version":[{"id":23183,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3111\/revisions\/23183"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=3111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=3111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=3111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}