{"id":3144,"date":"2008-11-12T22:38:00","date_gmt":"2008-11-12T21:38:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3144"},"modified":"2016-11-13T23:37:16","modified_gmt":"2016-11-13T22:37:16","slug":"sobre-la-composicion-y-la-improvisacion","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/sobre-la-composicion-y-la-improvisacion\/","title":{"rendered":"Paul Bley: sobre la composici\u00f3n y la improvisaci\u00f3n"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/perfiles\/bley_paul-time_will_tell.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"border: 1px solid black;\" alt=\"\" src=\"http:\/\/www.tomajazz.com\/perfiles\/bley_paul-time_will_tell.png\" width=\"200\" height=\"268\" border=\"1\" title=\"\"><\/a>\u00abHay una diferencia realmente simple entre composici\u00f3n e improvisaci\u00f3n. Consiste en que no hay diferencia. La composici\u00f3n y la improvisaci\u00f3n son ambas \u201chacer m\u00fasica\u201d y si hay alguna diferencia se debe a la falta de capacidad por parte del ejecutante. Uno deber\u00eda estar componiendo cada vez que toca m\u00fasica&#8230; es que no es m\u00e1s que componer en tiempo real.\u00bb<\/p>\n<p>Paul Bley<\/p>\n<div>Paul Meehan. <em>Time Will Tell. Conversations With Paul Bley<\/em> Berkeley Hills Press (ISBN 1-893163-54-7). Publicado en noviembre de 2003.\u00a0Traducci\u00f3n de Fernando Ortiz de Urbina.Traducci\u00f3n del primer cap\u00edtulo \u00abDe Montreal a Nueva York\u00bb publicado en <a href=\"http:\/\/www.tomajazz.com\/\" target=\"_blank\">Tomajazz<\/a> en noviembre de 2008: <a href=\"http:\/\/www.tomajazz.com\/perfiles\/bley_paul-time_will_tell.htm\" target=\"_blank\">http:\/\/www.tomajazz.com\/perfiles\/bley_paul-time_will_tell.htm<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00abHay una diferencia realmente simple entre composici\u00f3n e improvisaci\u00f3n. Consiste en que no hay diferencia. La composici\u00f3n y la improvisaci\u00f3n son ambas \u201chacer m\u00fasica\u201d y si hay alguna diferencia se debe a la falta de capacidad por parte del ejecutante. Uno deber\u00eda estar componiendo cada vez que toca m\u00fasica&#8230; es<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/sobre-la-composicion-y-la-improvisacion\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11167,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17863,17847,4313,14708,9531,1038,4758],"tags":[465,31,7688,8700],"class_list":["entry","author-pachi","post-3144","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fernando-ortiz-de-urbina","category-pachi-tapiz","category-bun","category-especial-paul-bley","category-especial-contenidos","category-contenidos","category-blogs","tag-fernando-ortiz-de-urbina","tag-pachi-tapiz","tag-paul-bley","tag-paul-meehan"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2008\/11\/bley_paul-time_will_tell.png","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=3144"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3144\/revisions"}],"predecessor-version":[{"id":11169,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3144\/revisions\/11169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11167"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=3144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=3144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=3144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}