{"id":31451,"date":"2017-07-15T12:00:48","date_gmt":"2017-07-15T10:00:48","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31451"},"modified":"2017-12-29T21:36:59","modified_gmt":"2017-12-29T20:36:59","slug":"365-razones-para-amar-el-jazz-una-grabacion-cantilena-first-house-196","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-cantilena-first-house-196\/","title":{"rendered":"365 razones para amar el jazz: una grabacion. Cantilena (First House) [196]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31452 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/First-House_Cantilena_ECM_1998-200x196.jpg\" alt=\"\" width=\"200\" height=\"196\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/First-House_Cantilena_ECM_1998-200x196.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/First-House_Cantilena_ECM_1998.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/First-House_Cantilena_ECM_1998-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/First-House_Cantilena_ECM_1998-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una grabaci\u00f3n.\u00a0<strong>First House<\/strong>:\u00a0<em>Cantilena\u00a0<\/em>(ECM, 1989)<\/p>\n<p>Seleccionado por\u00a0<strong>Quinito L. Mourelle<\/strong><\/p>\n<p>Con <strong>Ken Stubbs,\u00a0Django Bates,\u00a0Mick Hutton,\u00a0Martin France<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una grabaci\u00f3n.\u00a0First House:\u00a0Cantilena\u00a0(ECM, 1989) Seleccionado por\u00a0Quinito L. Mourelle Con Ken Stubbs,\u00a0Django Bates,\u00a0Mick Hutton,\u00a0Martin France<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-cantilena-first-house-196\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31452,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17893,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,11313,1663,13,12415,15295,18720,18717,19851,15710,19853,19852,18718,19,16099,77,16100],"class_list":["entry","author-pachi","post-31451","post","type-post","status-publish","format-standard","has-post-thumbnail","category-quinito-lopez-mourelle","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-django-bates","tag-ecm","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-ken-stubbs","tag-la-actualidad-del-jazz-en-espana","tag-martin-france","tag-mick-hutton","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-quinito-l-mourelle","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/First-House_Cantilena_ECM_1998.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28489,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-paul-motian-chris-potter-jason-moran-lost-in-a-dream-ecm-2010-10\/","url_meta":{"origin":31451,"position":0},"title":"365 razones para amar el jazz: un disco. Paul Motian &#8211; Chris Potter &#8211; Jason Moran: Lost In A Dream (ECM, 2010) [10]","author":"Tomajazz","date":"10 enero, 2017","format":false,"excerpt":"Un disco. Paul Motian - Chris Potter - Jason Moran: Lost In A Dream (ECM, 2010) Seleccionado por\u00a0Quinito L\u00f3pez Mourelle. Con Paul Motian, Chris Potter, Jason Moran.","rel":"","context":"En \u00ab*_Quinito L\u00f3pez Mourelle\u00bb","block_context":{"text":"*_Quinito L\u00f3pez Mourelle","link":"https:\/\/tomajazz.com\/web\/category\/quinito-lopez-mourelle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Paul-Motian-Chris-Potter-Jason-Moran_Lost-In-A-Dream_ECM_2010.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Paul-Motian-Chris-Potter-Jason-Moran_Lost-In-A-Dream_ECM_2010.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Paul-Motian-Chris-Potter-Jason-Moran_Lost-In-A-Dream_ECM_2010.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32700,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-lheure-bleue-franz-koglmann-282\/","url_meta":{"origin":31451,"position":1},"title":"365 razones para amar el jazz: una grabaci\u00f3n. L&#8217;Heure Bleue (Franz Koglmann) [282]","author":"Tomajazz","date":"9 octubre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Franz Koglmann:\u00a0L'Heure Bleue\u00a0(HatOlogy, 1991) Seleccionado por Quinito L. Mourelle Con Franz Koglmann, Tony Coe, Klaus Koch, Burkhard Stangl, Misha Mengelberg \u00a0","rel":"","context":"En \u00ab*_Quinito L\u00f3pez Mourelle\u00bb","block_context":{"text":"*_Quinito L\u00f3pez Mourelle","link":"https:\/\/tomajazz.com\/web\/category\/quinito-lopez-mourelle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Franz-Koglmann_LHeure-Bleue.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29594,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-ring-gary-burton-quintet-with-eberhard-weber-1974-77\/","url_meta":{"origin":31451,"position":2},"title":"365 razones para amar el jazz: Un disco. Ring (Gary Burton Quintet with Eberhard Weber, 1974) [75]","author":"Tomajazz","date":"16 marzo, 2017","format":false,"excerpt":"Un disco. Gary Burton Quintet with Eberhard Weber: Ring (ECM 1974) Seleccionado por\u00a0Enrique Farelo. Con Gary Burton, Eberhard Weber, Steve Swallow, Mick Goodrick, Pat Metheny, Bob Moses.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Gary-Burton-Quintet-with-Eberhard-Weber_ECM_1974-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30567,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-django-reinhart-un-gitano-en-paris-136\/","url_meta":{"origin":31451,"position":3},"title":"365 razones para amar el jazz: un libro. Django Reinhardt, un gitano en Par\u00eds [136]","author":"Tomajazz","date":"16 mayo, 2017","format":false,"excerpt":"Un libro: Django Reinhardt, un gitano en Par\u00eds, de Juan P. Jim\u00e9nez y Emile Durand, Editorial Milenio, 2012, 405 pgs. Uno de los libros sobre jazz mejor informados, de los escritos en Espa\u00f1a. Seleccionado por\u00a0Juli\u00e1n Ruesga Bono","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/juan-p-jimenez-y-emilie-duranddjango-reinhardt-un-gitano-en-paris.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/juan-p-jimenez-y-emilie-duranddjango-reinhardt-un-gitano-en-paris.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/juan-p-jimenez-y-emilie-duranddjango-reinhardt-un-gitano-en-paris.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32288,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-fragments-paul-bley-260\/","url_meta":{"origin":31451,"position":4},"title":"365 razones para amar el jazz: una grabaci\u00f3n. Fragments (Paul Bley) [260]","author":"Tomajazz","date":"17 septiembre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Paul Bley:\u00a0Fragments\u00a0(ECM, 1986) Seleccionado por\u00a0Enrique Farelo Con\u00a0Paul Bley, John Surman, Bill Frisell, Paul Motian","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Fragments_ECM_1986-e1505586585947.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Fragments_ECM_1986-e1505586585947.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Fragments_ECM_1986-e1505586585947.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28874,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-rios-negroes-lester-bowie-27\/","url_meta":{"origin":31451,"position":5},"title":"365 razones para amar el jazz: un tema. \u00abRios Negroes\u00bb (Lester Bowie) [27]","author":"Tomajazz","date":"27 enero, 2017","format":false,"excerpt":"Un tema.\u00a0\"Rios Negroes\". Publicado en\u00a0The Great Pretender (Lester Bowie. ECM, 1981) Seleccionado por Jorge L\u00f3pez de Guere\u00f1u.","rel":"","context":"En \u00ab*_Jorge L\u00f3pez de Guere\u00f1u\u00bb","block_context":{"text":"*_Jorge L\u00f3pez de Guere\u00f1u","link":"https:\/\/tomajazz.com\/web\/category\/jorge-lopez-de-guerenu\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lester-Bowie_The-Great-Pretender_ECM_1981.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lester-Bowie_The-Great-Pretender_ECM_1981.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lester-Bowie_The-Great-Pretender_ECM_1981.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31451"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31451\/revisions"}],"predecessor-version":[{"id":31453,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31451\/revisions\/31453"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31452"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}