{"id":31502,"date":"2017-07-17T12:00:56","date_gmt":"2017-07-17T10:00:56","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31502"},"modified":"2017-12-29T21:36:58","modified_gmt":"2017-12-29T20:36:58","slug":"365-razones-para-amar-el-jazz-un-tema-elevation-of-love-e-s-t-198","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-elevation-of-love-e-s-t-198\/","title":{"rendered":"365 razones para amar el jazz: un tema. Elevation Of Love (E.S.T.) [198]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31503 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/e.s.t._seven-days-of-falling_act_2003-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/e.s.t._seven-days-of-falling_act_2003-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/e.s.t._seven-days-of-falling_act_2003-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/e.s.t._seven-days-of-falling_act_2003-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/e.s.t._seven-days-of-falling_act_2003-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/e.s.t._seven-days-of-falling_act_2003.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema. <strong>E.S.T.<\/strong>: \u00abElevation Of Love\u00bb (<em>Seven Days Of Falling<\/em>. ACT, 2003)<\/p>\n<p>Seleccionado por\u00a0<strong>Arturo Mora Rioja<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema. E.S.T.: \u00abElevation Of Love\u00bb (Seven Days Of Falling. ACT, 2003) Seleccionado por\u00a0Arturo Mora Rioja<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-elevation-of-love-e-s-t-198\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31503,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,18155,20689,15517,1038],"tags":[18715,18716,18165,1376,260,18719,1660,13,12415,15295,18720,18717,15710,18718,16099,77,16100],"class_list":["entry","author-pachi","post-31502","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-act","tag-arturo-mora-rioja","tag-cien-anos-de-grabaciones-de-jazz","tag-e-s-t","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/e.s.t._seven-days-of-falling_act_2003.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30894,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-my-funny-valentine-hampton-hawes-pedro-iturralde-160\/","url_meta":{"origin":31502,"position":0},"title":"365 razones para amar el jazz: un tema. 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Arturo Mora lo seleccion\u00f3.","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pedro-Iturralde-Quartet-Featuring-Hampton-Hawes_Blue-Note_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pedro-Iturralde-Quartet-Featuring-Hampton-Hawes_Blue-Note_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pedro-Iturralde-Quartet-Featuring-Hampton-Hawes_Blue-Note_1968.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pedro-Iturralde-Quartet-Featuring-Hampton-Hawes_Blue-Note_1968.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29867,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-autumn-in-new-york-vernon-duke-85\/","url_meta":{"origin":31502,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abAutumn In New York\u00bb (Vernon Duke) [85]","author":"Tomajazz","date":"26 marzo, 2017","format":false,"excerpt":"Un tema. \"Autumn In New York\" (Vernon Duke) Seleccionado por\u00a0Arturo Mora Rioja En\u00a0Ella and Louis Again (Ella Fitzgerald -\u00a0Louis Armonstrong, 1957)","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ella-Fitzgerald-Louis-Armstrong_Ella-And-Louis-Again.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30693,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-donna-lee-por-jaco-pastorius-javier-nombela-145\/","url_meta":{"origin":31502,"position":2},"title":"365 razones para amar el jazz: una versi\u00f3n. \u00abDonna Lee\u00bb por Jaco Pastorius [145]","author":"Tomajazz","date":"25 mayo, 2017","format":false,"excerpt":"Un tema. \"Donna Lee\" por Jaco Pastorius (Jaco Pastorius; EPIC, 1976) Seleccionado por Arturo Mora","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29566,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-crescent-john-coltrane-67\/","url_meta":{"origin":31502,"position":3},"title":"365 razones para amar el jazz: un disco. 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Amsterdam After Dark (George Coleman) [213]","author":"Tomajazz","date":"1 agosto, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0George Coleman:\u00a0Amsterdam After Dark\u00a0(Timekess, 1978) Seleccionado por\u00a0Arturo Mora Rioja Con\u00a0George Coleman, Hilton Ruiz, Sam Jones , Billy Higgins","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/George-Coleman_Amsterdam_After_Dark-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31502"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31502\/revisions"}],"predecessor-version":[{"id":31504,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31502\/revisions\/31504"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31503"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}