{"id":3151,"date":"2008-10-15T21:56:00","date_gmt":"2008-10-15T19:56:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3151"},"modified":"2008-10-15T21:56:00","modified_gmt":"2008-10-15T19:56:00","slug":"una-cita-sobre-las-opiniones","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/una-cita-sobre-las-opiniones\/","title":{"rendered":"Una cita… sobre las opiniones"},"content":{"rendered":"

\u201cNo comparto la afirmaci\u00f3n que sostiene que la opini\u00f3n musical del profano tiene menos valor que la del m\u00fasico profesional. De hecho, tiendo a fiarme m\u00e1s de las impresiones de una persona sensible y profana en la materia que de las del profesional, pues \u00e9ste, por su implicaci\u00f3n constante con los aspectos t\u00e9cnicos de la m\u00fasica, debe luchar para no perder ese grado de ingenuidad que el profano posee de forma natural.\u201d<\/p>\n

Bill Evans en el v\u00eddeo The Universal Mind of Bill Evans<\/span>. 1966<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cNo comparto la afirmaci\u00f3n que sostiene que la opini\u00f3n musical del profano tiene menos valor que la del m\u00fasico profesional. De hecho, tiendo a fiarme m\u00e1s de las impresiones de una persona sensible y profana en la materia que de las del profesional, pues \u00e9ste, por su implicaci\u00f3n constante conContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-3151","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":48405,"url":"https:\/\/tomajazz.com\/web\/bill-evans-iii-la-odisea-de-la-musica-afroamericana-221-podcast\/","url_meta":{"origin":3151,"position":0},"title":"Bill Evans (III). La Odisea de la M\u00fasica Afroamericana (221) [Podcast]","author":"Tomajazz","date":"13 enero, 2020","format":false,"excerpt":"En la entrega 221 de La Odisea de la M\u00fasica Afroamericana, Luis Escalante contin\u00faa adentr\u00e1ndose en la figura del pianista Bill Evans.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":48239,"url":"https:\/\/tomajazz.com\/web\/bill-evans-ii-la-odisea-de-la-musica-afroamericana-220-podcast\/","url_meta":{"origin":3151,"position":1},"title":"Bill Evans (II). La Odisea de la M\u00fasica Afroamericana (220) [Podcast]","author":"Tomajazz","date":"6 enero, 2020","format":false,"excerpt":"Bill Evans es el protagonista del cap\u00edtulo 220 de la Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla. Se le puede escuchar junto a gigantes del jazz como Miles Davis, Charles Mingus o Cannonball Adderley... entre otros.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":102587,"url":"https:\/\/tomajazz.com\/web\/peter-evans-ars-ludicra-2025\/","url_meta":{"origin":3151,"position":2},"title":"Peter Evans Being & Becoming: Ars Ludicra (More is More Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"5 diciembre, 2025","format":false,"excerpt":"Ars Ludicra (More is More Records; 2025) es lo nuevo de Peter Evans Being & Becoming. 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En HDO 510 suenan tres grabaciones publicadas en 2019 de tres gigantes del piano: Bill Evans (doble CD grabado en directo en Ronnie Scott en 1969), Paul Bley (acompa\u00f1ado de Gary Peacock y Paul Motian en un concierto de 1999, publicado por ECM), y Horace Tapscott (con The\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29024,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-waltz-for-debby-1961-36\/","url_meta":{"origin":3151,"position":4},"title":"365 razones para amar el jazz: un tema. \u00abWaltz For Debby\u00bb (1961) [36]","author":"Tomajazz","date":"5 febrero, 2017","format":false,"excerpt":"Un tema. \"Waltz For Debby\" (1961).\u00a0M\u00fasica: Bill Evans Seleccionado por\u00a0Luis Escalante Ozalla. 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