{"id":3154,"date":"2008-09-30T10:16:00","date_gmt":"2008-09-30T08:16:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3154"},"modified":"2016-04-16T19:09:27","modified_gmt":"2016-04-16T17:09:27","slug":"carlos-boyero-sobre-billie-holiday","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/carlos-boyero-sobre-billie-holiday\/","title":{"rendered":"Carlos Boyero sobre Billie Holiday"},"content":{"rendered":"<p><center><figure id=\"attachment_22580\" aria-describedby=\"caption-attachment-22580\" style=\"width: 483px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564-483x600.jpg\" alt=\"Retrato de Billie Holiday, Downbeat, New York, N.Y., ca. Feb. 1947. Fotograf\u00eda por William P. Gottlieb. \" width=\"483\" height=\"600\" class=\"size-large wp-image-22580\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564-483x600.jpg 483w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564-121x150.jpg 121w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564-200x249.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564-768x955.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564-44x55.jpg 44w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg 1024w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><figcaption id=\"caption-attachment-22580\" class=\"wp-caption-text\">Retrato de Billie Holiday, Downbeat, New York, N.Y., ca. Feb. 1947. Fotograf\u00eda por William P. Gottlieb.<\/figcaption><\/figure><\/center><br \/>\nIago Ant\u00f3n: Le he o\u00eddo pronunciarse sobre muchos cantautores, pero nunca mujeres. \u00bfQue le parecen, por ejemplo Kate Bush, Suzanne Vega o Rickie Lee Jones?<\/p>\n<p>Carlos Boyero: Me quedo con la tercera. \u00bfEra Billie Holiday una cantautora? Las letras de sus canciones siempre las hab\u00edan escrito otras personas, pero ella las hac\u00eda suyas. Es la voz femenina que m\u00e1s me estremece. Supongo que seguir\u00e9 escuch\u00e1ndola toda mi vida. Es la banda sonora de la tristeza y de la melancol\u00eda.<\/p>\n<div>Carlos Boyero es cr\u00edtico de cine y columnista del peri\u00f3dico El Pa\u00eds. Entrevista Digital en el diario El Pa\u00eds. 25 de septiembre de 2008. Pregunta realizada por el usuario identificado como Iago Ant\u00f3n.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Iago Ant\u00f3n: Le he o\u00eddo pronunciarse sobre muchos cantautores, pero nunca mujeres. \u00bfQue le parecen, por ejemplo Kate Bush, Suzanne Vega o Rickie Lee Jones? Carlos Boyero: Me quedo con la tercera. \u00bfEra Billie Holiday una cantautora? Las letras de sus canciones siempre las hab\u00edan escrito otras personas, pero ella<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/carlos-boyero-sobre-billie-holiday\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":22580,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,1038,4758],"tags":[4784,15118,15277,9050],"class_list":["entry","author-pachi","post-3154","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bun","category-contenidos","category-blogs","tag-billie-holiday","tag-carlos-boyero","tag-lady-day","tag-william-p-gottlieb"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":23607,"url":"https:\/\/tomajazz.com\/web\/especial-billie-holiday-en-la-odisea-de-la-musica-afroamericana-podcast\/","url_meta":{"origin":3154,"position":0},"title":"Especial Billie Holiday en La Odisea de la M\u00fasica Afroamericana [Podcast]","author":"Tomajazz","date":"12 junio, 2016","format":false,"excerpt":"\u00a0 Recopilamos en una \u00fanica entrada las cinco entregas que Luis Escalante Ozalla dedic\u00f3 a\u00a0Billie Holiday en el\u00a0podcast La Odisea de la Musica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22854,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-ii-la-odisea-de-la-musica-afroamericana-044-podcast\/","url_meta":{"origin":3154,"position":1},"title":"Billie Holiday, una gigante del Jazz (II). La Odisea de la M\u00fasica Afroamericana (044) [Podcast]","author":"Tomajazz","date":"4 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. La entrega n\u00famero 44 de La Odisea de la M\u00fasica Afroamericana contin\u00faa centrada en\u00a0Billie Holiday, que tiene en la propia\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_William_P._Gottlieb_04251.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_William_P._Gottlieb_04251.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_William_P._Gottlieb_04251.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_William_P._Gottlieb_04251.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22985,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-iii-la-odisea-de-la-musica-afroamericana-045-podcast\/","url_meta":{"origin":3154,"position":2},"title":"Billie Holiday, una gigante del Jazz (III). La Odisea de la M\u00fasica Afroamericana (045) [Podcast]","author":"Tomajazz","date":"11 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El cap\u00edtulo n\u00famero 45 de La Odisea de la M\u00fasica Afroamericana es a su vez la tercera entrega dedicada a\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22780,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-la-odisea-de-la-musica-afroamericana-043-podcast\/","url_meta":{"origin":3154,"position":3},"title":"Billie Holiday, una gigante del Jazz (I). La Odisea de la M\u00fasica Afroamericana (043) [Podcast]","author":"Tomajazz","date":"28 marzo, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. La entrega n\u00famero 43 de La Odisea de la M\u00fasica Afroamericana comienza con Buddy Tate, integrante de las orquestas de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23598,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-iv-la-odisea-de-la-musica-afroamericana-046-podcast\/","url_meta":{"origin":3154,"position":4},"title":"Billie Holiday, una gigante del Jazz (IV). La Odisea de la M\u00fasica Afroamericana (046) [Podcast]","author":"Tomajazz","date":"16 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 46 de La Odisea de la M\u00fasica Afroamericana, la protagonista central sigue siendo Billie Holiday. Siguiendo\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23772,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-y-v-la-odisea-de-la-musica-afroamericana-047-podcast\/","url_meta":{"origin":3154,"position":5},"title":"Billie Holiday, una gigante del Jazz (y V). La Odisea de la M\u00fasica Afroamericana (047) [Podcast]","author":"Tomajazz","date":"25 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Con la entrega n\u00famero 47 de La Odisea de la M\u00fasica Afroamericana, finaliza el recorrido que Luis Escalante ha realizado\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Portrait of Billie Holiday, Carnegie Hall, New York, N.Y., between 1946 and 1948. Photography William P. Gottlieb","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Portrait_of_Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_LOC_5020400014-582x600.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Portrait_of_Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_LOC_5020400014-582x600.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Portrait_of_Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_LOC_5020400014-582x600.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=3154"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3154\/revisions"}],"predecessor-version":[{"id":22582,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3154\/revisions\/22582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/22580"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=3154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=3154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=3154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}