{"id":31559,"date":"2017-07-21T12:00:56","date_gmt":"2017-07-21T10:00:56","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31559"},"modified":"2017-12-29T21:36:56","modified_gmt":"2017-12-29T20:36:56","slug":"365-razones-para-amar-el-jazz-un-libro-tocando-el-horizonte-la-musica-de-ecm-202","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-tocando-el-horizonte-la-musica-de-ecm-202\/","title":{"rendered":"365 razones para amar el jazz: un libro. Tocando el Horizonte \/ La m\u00fasica de ECM [202]"},"content":{"rendered":"

\"\"<\/p>\n

Un libro. Tocando el Horizonte \/ La m\u00fasica de ECM<\/em><\/p>\n

Una edici\u00f3n a cargo de Steve Lake<\/strong> y Paul Griffiths<\/strong>, traducida por Ferran Esteve<\/strong> y editada en 2008 por Global Rhythm Press.<\/p>\n

Un libro coral, ilustrado con fotograf\u00edes y una selecci\u00f3n de portadas del sello muniqu\u00e9s.<\/p>\n

ECM, acr\u00f3nimo de \u201cEdition of Contemporary Music\u201d, fue fundado en 1969 por el productor musical\u00a0 Manfred Eicher<\/strong>.<\/p>\n

Seleccionado por\u00a0Joan Cort\u00e8s<\/strong> y\u00a0Enrique Farelo<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un libro. Tocando el Horizonte \/ La m\u00fasica de ECM Una edici\u00f3n a cargo de Steve Lake y Paul Griffiths, traducida por Ferran Esteve y editada en 2008 por Global Rhythm Press. Un libro coral, ilustrado con fotograf\u00edes y una selecci\u00f3n de portadas del sello muniqu\u00e9s. ECM, acr\u00f3nimo de \u201cEditionContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31560,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,17853,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,1663,304,8904,9002,13,12415,15295,18720,18717,1041,15710,1964,19892,18718,19891,16099,77,16100],"class_list":["entry","author-pachi","post-31559","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-joan-cortes","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-ecm","tag-enrique-farelo","tag-ferran-esteve","tag-global-rhythm-press","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-joan-cortes","tag-la-actualidad-del-jazz-en-espana","tag-manfred-eicher","tag-paul-griffiths","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-steve-lake","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Joan-Cort\u00e8s_08_365-razones_1-libro_La-m\u00fasica-de-ECM.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32288,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-fragments-paul-bley-260\/","url_meta":{"origin":31559,"position":0},"title":"365 razones para amar el jazz: una grabaci\u00f3n. Fragments (Paul Bley) [260]","author":"Tomajazz","date":"17 septiembre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Paul Bley:\u00a0Fragments\u00a0(ECM, 1986) Seleccionado por\u00a0Enrique Farelo Con\u00a0Paul Bley, John Surman, Bill Frisell, Paul Motian","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Fragments_ECM_1986-e1505586585947.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Fragments_ECM_1986-e1505586585947.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Fragments_ECM_1986-e1505586585947.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29594,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-ring-gary-burton-quintet-with-eberhard-weber-1974-77\/","url_meta":{"origin":31559,"position":1},"title":"365 razones para amar el jazz: Un disco. Ring (Gary Burton Quintet with Eberhard Weber, 1974) [75]","author":"Tomajazz","date":"16 marzo, 2017","format":false,"excerpt":"Un disco. Gary Burton Quintet with Eberhard Weber: Ring (ECM 1974) Seleccionado por\u00a0Enrique Farelo. Con Gary Burton, Eberhard Weber, Steve Swallow, Mick Goodrick, Pat Metheny, Bob Moses.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Gary-Burton-Quintet-with-Eberhard-Weber_ECM_1974-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29974,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-solstice-ralph-towner-1975-92\/","url_meta":{"origin":31559,"position":2},"title":"365 razones para amar el jazz: un disco. Solstice (Ralph Towner, 1975) [93]","author":"Tomajazz","date":"3 abril, 2017","format":false,"excerpt":"Un disco.\u00a0Solstice\u00a0(Ralph Towner. ECM, 1975) Seleccionado por\u00a0Enrique Farelo Con Ralph Towner, Jan Garbarek, Eberhard Weber, Jon Christensen","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ralph-Towner_Solstice_ECM.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28880,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-el-sello-que-coltrane-impulso-ashley-kahn-2006-29\/","url_meta":{"origin":31559,"position":3},"title":"365 razones para amar el jazz: un libro. El sello que Coltrane impuls\u00f3 (Ashley Kahn, 2006) [29]","author":"Tomajazz","date":"29 enero, 2017","format":false,"excerpt":"Un libro. El sello que Coltrane Impuls\u00f3. Impulse Records: la historia (Ashley Kahn, 2006) Seleccionado por Juan Antonio Serrano Cervantes. Edici\u00f3n espa\u00f1ola en Global Rhythm Press. Colecci\u00f3n BioRitmos. Traducci\u00f3n de Jorge Garc\u00eda.","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ashley-Kahn_El-Sello-que-Coltrane-Impuls%C3%B3.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ashley-Kahn_El-Sello-que-Coltrane-Impuls%C3%B3.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ashley-Kahn_El-Sello-que-Coltrane-Impuls%C3%B3.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30599,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-lawns-carla-bley-137\/","url_meta":{"origin":31559,"position":4},"title":"365 razones para amar el jazz: un tema. \u00abLawns\u00bb (Carla Bley) [137]","author":"Tomajazz","date":"17 mayo, 2017","format":false,"excerpt":"Un tema. \"Lawns\" de Carla Bley. Incluido en\u00a0Sextet\u00a0(Carla Bley. Watt \/ ECM, 1987) Seleccionado por\u00a0Luis Escalante Ozalla Carla Bley y Steve Swallow. Grabaci\u00f3n en concierto en 1998 \u00a0","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Carla-Bley-Sextet_Watt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30605,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-deer-wan-kenny-wheeler-138\/","url_meta":{"origin":31559,"position":5},"title":"365 razones para amar el jazz: un disco. Deer Wan (Kenny Wheeler) [138]","author":"Tomajazz","date":"18 mayo, 2017","format":false,"excerpt":"Un disco. Kenny Wheeler: Deer Wan (ECM, 1977) Seleccionado por Enrique Farelo Con Kenny Wheeler, Jan Garbarek, John Abercrombie, Dave Holland, Jack DeJohnette, Ralph Towner365 razones para amar el jazz: un disco. Deer Wan (Kenny Wheeler) [138]","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Kenny-Wheeler_Deer-Wan_ECM.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Kenny-Wheeler_Deer-Wan_ECM.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Kenny-Wheeler_Deer-Wan_ECM.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31559"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31559\/revisions"}],"predecessor-version":[{"id":31561,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31559\/revisions\/31561"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31560"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}