{"id":31631,"date":"2017-07-24T12:00:34","date_gmt":"2017-07-24T10:00:34","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31631"},"modified":"2017-12-29T21:36:55","modified_gmt":"2017-12-29T20:36:55","slug":"365-razones-para-amar-el-jazz-el-puente-de-williamsburg-sonny-rollins-205","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-el-puente-de-williamsburg-sonny-rollins-205\/","title":{"rendered":"365 razones para amar el jazz: el puente de Williamsburg (Sonny Rollins) [205]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31632 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Sonny-Rollins-Williamsburg-Bridge_Saxophone-Colossus-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Sonny-Rollins-Williamsburg-Bridge_Saxophone-Colossus-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Sonny-Rollins-Williamsburg-Bridge_Saxophone-Colossus-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Sonny-Rollins-Williamsburg-Bridge_Saxophone-Colossus-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Sonny-Rollins-Williamsburg-Bridge_Saxophone-Colossus-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Sonny-Rollins-Williamsburg-Bridge_Saxophone-Colossus.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><strong>Sonny Rollins<\/strong> y el puente de Williamsburg.<\/p>\n<p>Seleccionado por\u00a0<strong>Juan Antonio Serrano Cervantes<\/strong><\/p>\n<p>En la foto una rara portada del cl\u00e1sico\u00a0<em>Saxophone Colossus\u00a0<\/em>de\u00a0<strong>Sonny Rollins<\/strong>, en la que se puede ver el puente de Williamsburg.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sonny Rollins y el puente de Williamsburg. Seleccionado por\u00a0Juan Antonio Serrano Cervantes En la foto una rara portada del cl\u00e1sico\u00a0Saxophone Colossus\u00a0de\u00a0Sonny Rollins, en la que se puede ver el puente de Williamsburg.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-el-puente-de-williamsburg-sonny-rollins-205\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31632,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17844,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,13,12415,15295,18720,18717,12547,15710,18718,2225,16099,77,16100],"class_list":["entry","author-pachi","post-31631","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juan-antonio-serrano-cervantes","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-juan-antonio-serrano-cervantes","tag-la-actualidad-del-jazz-en-espana","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-sonny-rollins","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Sonny-Rollins-Williamsburg-Bridge_Saxophone-Colossus.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30897,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-volume-2-sonny-rollins-161-a-new-perspective-13\/","url_meta":{"origin":31631,"position":0},"title":"365 razones para amar el jazz: una portada. Volume 2 (Sonny Rollins) [161] [A New Perspective 13]","author":"Tomajazz","date":"10 junio, 2017","format":false,"excerpt":"Una portada. Volume 2\u00a0(Sonny Rollins. Blue Note, 1957). Fotograf\u00eda de Francis Wolff. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo tercera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Sonny Rollins, Horace Silver, Thelonious Monk, Jay Jay\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Sonny-Rollins_Vol-2_Blue-Note-200x196.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":32083,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-on-the-sunny-side-of-the-street-247\/","url_meta":{"origin":31631,"position":1},"title":"365 razones para amar el jazz: un tema. On the Sunny Side of the Street [247]","author":"Tomajazz","date":"4 septiembre, 2017","format":false,"excerpt":"Un tema: \"On the Sunny Side of the Street\" (1930). M\u00fasica: Jimmy McHugh Letra: Dorothy Fields Seleccionado por Luis Escalante Ozalla Sonny Stitt: Sonny Side Up (1957) Sonny Stitt, Sonny Rollins, Dizzy Gillespie, Ray Bryant, Tommy Bryant, Charlie Persip","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":28640,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-brilliant-corners-thelonious-monk-1956-12\/","url_meta":{"origin":31631,"position":2},"title":"365 razones para amar el jazz: un disco. Brilliant Corners (Thelonious Monk, 1956) [12]","author":"Tomajazz","date":"12 enero, 2017","format":false,"excerpt":"Un disco.\u00a0Brilliant Corners. Thelonious Monk (Riverside, 1956). Seleccionado por Juanma Castro Medina. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul Chambers","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30843,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-cifu-157\/","url_meta":{"origin":31631,"position":3},"title":"365 razones para amar el jazz: Cifu [158]","author":"Tomajazz","date":"7 junio, 2017","format":false,"excerpt":"Un periodista, divulgador, enamorado del jazz... Juan Claudio Cifuentes \"Cifu\" Seleccionado por Juan Antonio Serrano Cervantes Fotograf\u00eda por\u00a0Pachi Tapiz","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/IMG_2987.JPG-Cifu.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/IMG_2987.JPG-Cifu.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/IMG_2987.JPG-Cifu.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31170,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-fotografo-william-claxton-178\/","url_meta":{"origin":31631,"position":4},"title":"365 razones para amar el jazz: un fot\u00f3grafo. William Claxton [178]","author":"Tomajazz","date":"27 junio, 2017","format":false,"excerpt":"Un fot\u00f3grafo. William Claxton Seleccionado por Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/William_Claxton_photographer.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29041,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-3-novelas-de-charlotte-carter-41\/","url_meta":{"origin":31631,"position":5},"title":"365 razones para amar el jazz: 3 novelas de Charlotte Carter [41]","author":"Tomajazz","date":"10 febrero, 2017","format":false,"excerpt":"Las tres novelas polic\u00edacas escritas por Charlotte Carter y protagonizadas por la saxofonista y detective Nanette Hayes. Seleccionado por\u00a0Joan Cort\u00e8s. Los nombres de todos los cap\u00edtulos corresponden a diferentes t\u00edtulos jazz\u00edsticos; en Dulce veneno del jazz (Rhode Island Red,\u00a01997), a composiciones de Thelonious Monk;\u00a0en Negra melod\u00eda de blues\u00a0(Coq au Vin,\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31631"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31631\/revisions"}],"predecessor-version":[{"id":31633,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31631\/revisions\/31633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31632"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}