{"id":31648,"date":"2017-07-29T12:00:25","date_gmt":"2017-07-29T10:00:25","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31648"},"modified":"2017-12-29T21:36:53","modified_gmt":"2017-12-29T20:36:53","slug":"365-razones-para-amar-el-jazz-un-tema-you-go-to-my-head-1938-j-fred-coots-haven-gillespie-210","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-you-go-to-my-head-1938-j-fred-coots-haven-gillespie-210\/","title":{"rendered":"365 razones para amar el jazz: un tema. You Go To My Head (Coots &#8211; Gillespie) [210]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31649 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Billie-Holiday_You-Go-To-My-Head-200x179.jpg\" alt=\"\" width=\"200\" height=\"179\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Billie-Holiday_You-Go-To-My-Head-200x179.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Billie-Holiday_You-Go-To-My-Head.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Billie-Holiday_You-Go-To-My-Head-62x55.jpg 62w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema. \u00abYou Go To My Head\u00bb (1938). M\u00fasica:<strong> J. Fred Coots<\/strong>. Letra: <strong>Haven Gillespie<\/strong><\/p>\n<p>Seleccionado por <strong>Luis Escalante Ozalla<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ayBMyOe-rdE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Cassandra Wilson<\/strong>: <em>Coming Forth By Day<\/em> (2015).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema. \u00abYou Go To My Head\u00bb (1938). M\u00fasica: J. Fred Coots. Letra: Haven Gillespie Seleccionado por Luis Escalante Ozalla Cassandra Wilson: Coming Forth By Day (2015).<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-you-go-to-my-head-1938-j-fred-coots-haven-gillespie-210\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31649,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[18715,18716,18165,5017,18719,19927,19868,13,12415,15295,18720,18717,15710,12816,18718,16099,77,16100],"class_list":["entry","author-pachi","post-31648","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cassandra-wilson","tag-cien-anos-de-grabaciones-de-jazz","tag-haven-gillespie","tag-j-fred-coots","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-luis-escalante-ozalla","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Billie-Holiday_You-Go-To-My-Head.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31466,"url":"https:\/\/tomajazz.com\/web\/warren-iii-coots-los-compositores-del-tin-pan-alley-xiv-la-odisea-de-la-musica-afroamericana-107-podcast\/","url_meta":{"origin":31648,"position":0},"title":"Warren (III) &#8211; Coots. Los compositores del Tin Pan Alley (XIV). La Odisea de la M\u00fasica Afroamericana (107) [Podcast]","author":"Tomajazz","date":"17 julio, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Contin\u00faa en La Odisea de la M\u00fasica Afroamericana de Luis Escalante\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/J.-Fred-Coots-Waite-Hoyt.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/J.-Fred-Coots-Waite-Hoyt.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/J.-Fred-Coots-Waite-Hoyt.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/J.-Fred-Coots-Waite-Hoyt.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/J.-Fred-Coots-Waite-Hoyt.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":30294,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-groovin-high-dizzy-gillespie-113\/","url_meta":{"origin":31648,"position":1},"title":"365 razones para amar el jazz: un tema. \u201cGroovin&#8217; High\u201d (Dizzy Gillespie) [113]","author":"Tomajazz","date":"23 abril, 2017","format":false,"excerpt":"Un tema. \"Groovin' High\" (Dizzy Gillespie, 1944) Seleccionado por\u00a0Luis Escalante Ozalla Arturo Sandoval: Danz\u00f3n\u00a0(GRP, 1994) Arturo Sandoval, Danilo Perez, Sal Cuevas, Orlando Hernandez, Carlos Gomez, Roger Ingram, Dana Teboe, Ed Calle, Kenny Anderson","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Arturo-Sandoval_Danz%C3%B3n_GRP_1994.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32083,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-on-the-sunny-side-of-the-street-247\/","url_meta":{"origin":31648,"position":2},"title":"365 razones para amar el jazz: un tema. On the Sunny Side of the Street [247]","author":"Tomajazz","date":"4 septiembre, 2017","format":false,"excerpt":"Un tema: \"On the Sunny Side of the Street\" (1930). M\u00fasica: Jimmy McHugh Letra: Dorothy Fields Seleccionado por Luis Escalante Ozalla Sonny Stitt: Sonny Side Up (1957) Sonny Stitt, Sonny Rollins, Dizzy Gillespie, Ray Bryant, Tommy Bryant, Charlie Persip","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":31948,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-send-in-the-clowns-236\/","url_meta":{"origin":31648,"position":3},"title":"365 razones para amar el jazz: un tema. Send in the Clowns [236]","author":"Tomajazz","date":"24 agosto, 2017","format":false,"excerpt":"Un tema. \"Send In The Clowns\" (Stephen Sondheim) Seleccionado por\u00a0Luis Escalante Ozalla Sarah Vaughan & The Count Basie Orchestra:\u00a0Send in the Clowns (1981) George Gaffney, Andy Simpkins, Harold Jones, Freddie Green, Sonny Cohn, Frank Szabo, Willie Cook, Bob Summers, Dale Carley, Michell \u201cBooty\u201d Wood, Bill Hughes, Dennis Wilson, Grover Mitchell,\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Sarah-Vaughan-and-the-Count-Basie-Orchestra_Send-In-The-Clowns-200x201.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30599,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-lawns-carla-bley-137\/","url_meta":{"origin":31648,"position":4},"title":"365 razones para amar el jazz: un tema. \u00abLawns\u00bb (Carla Bley) [137]","author":"Tomajazz","date":"17 mayo, 2017","format":false,"excerpt":"Un tema. \"Lawns\" de Carla Bley. Incluido en\u00a0Sextet\u00a0(Carla Bley. Watt \/ ECM, 1987) Seleccionado por\u00a0Luis Escalante Ozalla Carla Bley y Steve Swallow. Grabaci\u00f3n en concierto en 1998 \u00a0","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Carla-Bley-Sextet_Watt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30115,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-goodbye-pork-pie-hat-charles-mingus-1959-101\/","url_meta":{"origin":31648,"position":5},"title":"365 razones para amar el jazz: un tema. \u00abGoodbye Pork Pie Hat\u00bb (Charles Mingus, 1959) [101]","author":"Tomajazz","date":"11 abril, 2017","format":false,"excerpt":"Un tema.\u00a0\"Goodbye Pork Pie Hat\" (Charles Mingus, 1959) Seleccionado por\u00a0Luis Escalante Ozalla. Charles Mingus: Mingus Ah Um (Columbia, 1959) Charles Mingus, Horace Parlan, Dannie Richmond, John Handy, Booker Ervin","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Mingus_Ah_Um_-_Charles_Mingus-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31648"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31648\/revisions"}],"predecessor-version":[{"id":31653,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31648\/revisions\/31653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31649"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}