{"id":31656,"date":"2017-07-31T12:00:13","date_gmt":"2017-07-31T10:00:13","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31656"},"modified":"2017-12-29T21:36:52","modified_gmt":"2017-12-29T20:36:52","slug":"365-razones-para-amar-el-jazz-una-grabacion-the-blues-and-the-abstract-truth-oliver-nelson-212","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-blues-and-the-abstract-truth-oliver-nelson-212\/","title":{"rendered":"365 razones para amar el jazz: una grabaci\u00f3n. The Blues And The Abstract Truth (Oliver Nelson) [212]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31657 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse.jpg 440w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una grabaci\u00f3n.\u00a0<strong>Oliver Nelson<\/strong>:\u00a0<em>The Blues And The Abstract Truth\u00a0<\/em>(Impulse!, 1961)<\/p>\n<p>Seleccionado por\u00a0<strong>Pachi Tapiz<\/strong><\/p>\n<p>Con\u00a0<strong>Oliver Nelson, Eric Dolphy, George Barrow, Freddie Hubbard, Bill Evans, Paul Chambers, Roy Haynes\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una grabaci\u00f3n.\u00a0Oliver Nelson:\u00a0The Blues And The Abstract Truth\u00a0(Impulse!, 1961) Seleccionado por\u00a0Pachi Tapiz Con\u00a0Oliver Nelson, Eric Dolphy, George Barrow, Freddie Hubbard, Bill Evans, Paul Chambers, Roy Haynes\u00a0<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-blues-and-the-abstract-truth-oliver-nelson-212\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31657,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17847,18155,20689,15517,1038],"tags":[18715,18716,18165,427,18719,8523,8524,19417,1840,13,12415,15295,18720,18717,15710,10701,31,2083,18718,2166,16099,77,16100],"class_list":["entry","author-pachi","post-31656","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-bill-evans","tag-cien-anos-de-grabaciones-de-jazz","tag-eric-dolphy","tag-freddie-hubbard","tag-george-barrow","tag-impulse","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-oliver-nelson","tag-pachi-tapiz","tag-paul-chambers","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-roy-haynes","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":58045,"url":"https:\/\/tomajazz.com\/web\/jazzx5311-oliver-nelson-stolen-moments-the-blues-and-the-abstract-truth-impulse-1961-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":31656,"position":0},"title":"JazzX5#311. Oliver Nelson: \u00abStolen Moments\u00bb [The Blues And The Abstract Truth (Impulse!, 1961)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"23 octubre, 2021","format":false,"excerpt":"En JazzX5 (versi\u00f3n fin de semana), el cl\u00e1sico atemporal \"Stolen Moments\" del gran Oliver Nelson, que aparec\u00eda en el genial The Blues And The Abstract Truth (Impulse!, 1961)","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_311.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_311.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_311.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_311.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2420,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxix-stolen-moments-oliver-nelson-1961\/","url_meta":{"origin":31656,"position":1},"title":"En &quot;La casa del Mundo&quot; (XXIX): &quot;Stolen Moments&quot; (Oliver Nelson, 1961)","author":"Tomajazz","date":"2 febrero, 2012","format":false,"excerpt":"\"Stolen Moments\": un momento m\u00e1gico de la historia del jazz \u00a0protagonizado por Oliver Nelson, Eric Dolphy, George Barrow, Freddie Hubbard, Bill Evans, Paul Chambers y Roy Haynes, todos ellos en estado de gracia, bordando una composici\u00f3n de Oliver Nelson all\u00e1 por el a\u00f1o 1961. 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Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30640,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-out-to-lunch-eric-dolphy-142\/","url_meta":{"origin":31656,"position":3},"title":"365 razones para amar el jazz: un disco. Out To Lunch (Eric Dolphy) [142]","author":"Tomajazz","date":"22 mayo, 2017","format":false,"excerpt":"Un disco.\u00a0Eric Dolphy:\u00a0Out To Lunch\u00a0(Blue Note, 1964) Seleccionado por\u00a0Jack Torrance Con Eric Dolphy,\u00a0Freddie Hubbard, Bobby Hutcherson, Richard Davis, Tony Williams","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Eric-Dolphy_Out-To-Lunch.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101329,"url":"https:\/\/tomajazz.com\/web\/phil-haynes-liberty-now-2025\/","url_meta":{"origin":31656,"position":4},"title":"Phil Haynes &#038; Free Country: Liberty Now! (Corner Store Jazz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 noviembre, 2025","format":false,"excerpt":"Liberty Now! 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Con Phil Haynes, Hank Roberts, Jim Yanda, Drew Gress","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Phil-Haynes-Free-Country-Liberty-Now-Corner-Store-Jazz-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Phil-Haynes-Free-Country-Liberty-Now-Corner-Store-Jazz-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Phil-Haynes-Free-Country-Liberty-Now-Corner-Store-Jazz-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Phil-Haynes-Free-Country-Liberty-Now-Corner-Store-Jazz-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30551,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-free-jazz-ornette-coleman-132\/","url_meta":{"origin":31656,"position":5},"title":"365 razones para amar el jazz: un disco. 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Atlantic, 1960) Seleccionado por Juan Antonio Serrano Cervantes Con\u00a0Ornette Coleman, Don Cherry, Scott LaFaro, Billy Higgins, Eric Dolphy, Freddie Hubbard, Charlie Haden, Ed Blackwell","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31656"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31656\/revisions"}],"predecessor-version":[{"id":31658,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31656\/revisions\/31658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31657"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}