{"id":31656,"date":"2017-07-31T12:00:13","date_gmt":"2017-07-31T10:00:13","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31656"},"modified":"2017-12-29T21:36:52","modified_gmt":"2017-12-29T20:36:52","slug":"365-razones-para-amar-el-jazz-una-grabacion-the-blues-and-the-abstract-truth-oliver-nelson-212","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-blues-and-the-abstract-truth-oliver-nelson-212\/","title":{"rendered":"365 razones para amar el jazz: una grabaci\u00f3n. The Blues And The Abstract Truth (Oliver Nelson) [212]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31657 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse.jpg 440w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una grabaci\u00f3n.\u00a0<strong>Oliver Nelson<\/strong>:\u00a0<em>The Blues And The Abstract Truth\u00a0<\/em>(Impulse!, 1961)<\/p>\n<p>Seleccionado por\u00a0<strong>Pachi Tapiz<\/strong><\/p>\n<p>Con\u00a0<strong>Oliver Nelson, Eric Dolphy, George Barrow, Freddie Hubbard, Bill Evans, Paul Chambers, Roy Haynes\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una grabaci\u00f3n.\u00a0Oliver Nelson:\u00a0The Blues And The Abstract Truth\u00a0(Impulse!, 1961) Seleccionado por\u00a0Pachi Tapiz Con\u00a0Oliver Nelson, Eric Dolphy, George Barrow, Freddie Hubbard, Bill Evans, Paul Chambers, Roy Haynes\u00a0<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-blues-and-the-abstract-truth-oliver-nelson-212\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31657,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17847,18155,20689,15517,1038],"tags":[18715,18716,18165,427,18719,8523,8524,19417,1840,13,12415,15295,18720,18717,15710,10701,31,2083,18718,2166,16099,77,16100],"class_list":["entry","author-pachi","post-31656","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-bill-evans","tag-cien-anos-de-grabaciones-de-jazz","tag-eric-dolphy","tag-freddie-hubbard","tag-george-barrow","tag-impulse","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-oliver-nelson","tag-pachi-tapiz","tag-paul-chambers","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-roy-haynes","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Oliver-Nelson_The-Blues-And-The-Abstrac-Truth_Impulse.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":58045,"url":"https:\/\/tomajazz.com\/web\/jazzx5311-oliver-nelson-stolen-moments-the-blues-and-the-abstract-truth-impulse-1961-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":31656,"position":0},"title":"JazzX5#311. Oliver Nelson: \u00abStolen Moments\u00bb [The Blues And The Abstract Truth (Impulse!, 1961)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"23 octubre, 2021","format":false,"excerpt":"En JazzX5 (versi\u00f3n fin de semana), el cl\u00e1sico atemporal \"Stolen Moments\" del gran Oliver Nelson, que aparec\u00eda en el genial The Blues And The Abstract Truth (Impulse!, 1961)","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_311.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_311.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_311.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_311.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2420,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxix-stolen-moments-oliver-nelson-1961\/","url_meta":{"origin":31656,"position":1},"title":"En &quot;La casa del Mundo&quot; (XXIX): &quot;Stolen Moments&quot; (Oliver Nelson, 1961)","author":"Tomajazz","date":"2 febrero, 2012","format":false,"excerpt":"\"Stolen Moments\": un momento m\u00e1gico de la historia del jazz \u00a0protagonizado por Oliver Nelson, Eric Dolphy, George Barrow, Freddie Hubbard, Bill Evans, Paul Chambers y Roy Haynes, todos ellos en estado de gracia, bordando una composici\u00f3n de Oliver Nelson all\u00e1 por el a\u00f1o 1961. Ilustra la entrada la magn\u00edfica portada\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-sf06f5_jgaI\/Tym4UuRdpfI\/AAAAAAAAEB8\/LB5aNHTx2Io\/s200\/OliverNelson-TheBluesAndTheAbstractTruth.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":100192,"url":"https:\/\/tomajazz.com\/web\/fredis-jazz-band-vol-2-temps-record-2024-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":31656,"position":2},"title":"Fredi&#8217;s Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 octubre, 2025","format":false,"excerpt":"Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Fredi's Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band.  Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30640,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-out-to-lunch-eric-dolphy-142\/","url_meta":{"origin":31656,"position":3},"title":"365 razones para amar el jazz: un disco. Out To Lunch (Eric Dolphy) [142]","author":"Tomajazz","date":"22 mayo, 2017","format":false,"excerpt":"Un disco.\u00a0Eric Dolphy:\u00a0Out To Lunch\u00a0(Blue Note, 1964) Seleccionado por\u00a0Jack Torrance Con Eric Dolphy,\u00a0Freddie Hubbard, Bobby Hutcherson, Richard Davis, Tony Williams","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Eric-Dolphy_Out-To-Lunch.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30551,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-free-jazz-ornette-coleman-132\/","url_meta":{"origin":31656,"position":4},"title":"365 razones para amar el jazz: un disco. Free Jazz (Ornette Coleman) [133]","author":"Tomajazz","date":"13 mayo, 2017","format":false,"excerpt":"Un disco.\u00a0Free Jazz: A Collective Improvisation (Ornette Coleman. Atlantic, 1960) Seleccionado por Juan Antonio Serrano Cervantes Con\u00a0Ornette Coleman, Don Cherry, Scott LaFaro, Billy Higgins, Eric Dolphy, Freddie Hubbard, Charlie Haden, Ed Blackwell","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":31656,"position":5},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. Pachi Tapiz repasa la grabaci\u00f3n. Actuaron Charles Mingus, Jaki Byard, Dannie Richmond, Charles McPherson, John Handy III, Jack Nimitz, Buddy Collette, Lonnie Hillyer, Bobby Bryant, Melvin Moore, Lou\u2026","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31656"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31656\/revisions"}],"predecessor-version":[{"id":31658,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31656\/revisions\/31658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31657"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}