{"id":3173,"date":"2008-05-08T16:23:00","date_gmt":"2008-05-08T14:23:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3173"},"modified":"2008-05-08T16:23:00","modified_gmt":"2008-05-08T14:23:00","slug":"el-compromiso-total-de-barry-guy-por-fernando-ortiz-de-urbina","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/el-compromiso-total-de-barry-guy-por-fernando-ortiz-de-urbina\/","title":{"rendered":"El compromiso total de Barry Guy por Fernando Ortiz de Urbina"},"content":{"rendered":"<p><a href=\"http:\/\/www.cuadernosdejazz.com\/imagenes\/portada106.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/www.cuadernosdejazz.com\/imagenes\/portada106.jpg\" border=\"1\" title=\"\"><\/a><\/p>\n<div align=\"center\"><\/div>\n<p><\/p>\n<div>\u00ablo importante es que el compromiso con la m\u00fasica est\u00e9 presente, tienes que dar hasta el \u00faltimo gramo de tu energ\u00eda, de tu concentraci\u00f3n y, en cierto modo, de tu vida. Si sale bien, el p\u00fablico quedar\u00e1 maravillado. Creo que eso es todo a lo que podemos aspirar. T\u00e9cnicamente las cosas pueden ir mejor o peor, pero has de comprometerte totalmente con lo que hagas\u00bb\n<\/div>\n<div><a href=\"http:\/\/www.revistasculturales.com\/articulos\/52\/cuadernos-de-jazz\/887\/1\/entrevista-el-compromiso-total-de-barry-guy.html\" target=\"_blank\" rel=\"noopener\"><em>El compromido total de Barry Guy<\/em><br \/>por Fernando Ortiz de Urbina<br \/>Cuadernos de Jazz n\u00ba 106, Mayo \/ Junio 2008 <\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00ablo importante es que el compromiso con la m\u00fasica est\u00e9 presente, tienes que dar hasta el \u00faltimo gramo de tu energ\u00eda, de tu concentraci\u00f3n y, en cierto modo, de tu vida. Si sale bien, el p\u00fablico quedar\u00e1 maravillado. Creo que eso es todo a lo que podemos aspirar. T\u00e9cnicamente las<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/el-compromiso-total-de-barry-guy-por-fernando-ortiz-de-urbina\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-3173","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3170,"url":"https:\/\/tomajazz.com\/web\/un-nuevo-blog-sobre-jazz-jazzofftherecord-blogspot-com\/","url_meta":{"origin":3173,"position":0},"title":"Un nuevo blog sobre jazz: jazzofftherecord.blogspot.com [Noticias de jazz]","author":"Tomajazz","date":"29 mayo, 2008","format":false,"excerpt":"Fernando Ortiz de Urbina (uno de los colaboradores m\u00e1s interesantes de Cuadernos de jazz, as\u00ed como de Jazzwise -Londres-, La Tempestad -M\u00e9xico-, el Diario Vasco, Radio Euskadi y tambi\u00e9n de Tomajazz), acaba de inaugurar su blog \"Easy Does It\" en http:\/\/jazzofftherecord.blogspot.com\/ con sendas entradas sobre Teddy Charles y Barry Guy.\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/05\/JazzOffTheRecords.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10997,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-agusti-fernandez-sobre-aurora\/","url_meta":{"origin":3173,"position":1},"title":"Tomajazz recupera: Agust\u00ed Fern\u00e1ndez: Sobre Aurora","author":"Tomajazz","date":"13 marzo, 2014","format":false,"excerpt":"En 2006 el pianista Agust\u00ed Fern\u00e1ndez publicaba\u00a0Aurora, su obra m\u00e1s personal hasta la fecha. Un disco en tr\u00edo en el que predominaban la melod\u00eda, el silencio y los espacios, frente a la intensidad de sus grabaciones anteriores. Por Jos\u00e9 Francisco \u201cPachi\u201d Tapiz. Leer: Agust\u00ed Fern\u00e1ndez: Sobre Aurora","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"Agust\u00ed Fern\u00e1ndez y Ram\u00f3n L\u00f3pez \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/AGUSTI_FERNANDEZ_RAMON_LOPEZ_9389.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10081,"url":"https:\/\/tomajazz.com\/web\/herb-geller-birdland-stomp-fresh-sound-records\/","url_meta":{"origin":3173,"position":2},"title":"Herb Geller: Birdland Stomp (Fresh Sound Records)","author":"Tomajazz","date":"28 enero, 2014","format":false,"excerpt":"Para los que nos ha tocado vivir esta \u00e9poca y enterarnos del grueso de la historia del jazz a base de lecturas y de escuchar reediciones, Herb Geller es uno de esos m\u00fasicos con los que se corre el riesgo de encasillarlo en el pasado. Craso error. Como muchos coet\u00e1neos\u2026","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Herb-Geller-Quartet-Birdland-Stomp.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10785,"url":"https:\/\/tomajazz.com\/web\/agusti-fernandez-sobre-aurora-i-por-pachi-tapiz\/","url_meta":{"origin":3173,"position":3},"title":"Agust\u00ed Fern\u00e1ndez: Sobre Aurora (I), por Pachi Tapiz","author":"Sergio Cabanillas","date":"1 noviembre, 2007","format":false,"excerpt":"En 2006 el pianista Agust\u00ed Fern\u00e1ndez publicaba Aurora, su obra m\u00e1s personal hasta la fecha. Un disco en tr\u00edo en el que predominaban la melod\u00eda, el silencio y los espacios, frente a la intensidad de sus grabaciones anteriores. Esta es la primera parte de sus reflexiones. Por Jos\u00e9 Francisco \"Pachi\"\u2026","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"Agust\u00ed Fern\u00e1ndez \/ Barry Guy \/ Ram\u00f3n L\u00f3pez Aurora Maya Recordings. MCD0601","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/aurora.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":26878,"url":"https:\/\/tomajazz.com\/web\/hdo-178-guy-crispell-lytton-nicole-mitchell-dominique-pifarely-podcast\/","url_meta":{"origin":3173,"position":4},"title":"HDO 178. Guy \u2013 Crispell \u2013 Lytton. Nicole Mitchell. Dominique Pifar\u00e9ly [Podcast]","author":"Tomajazz","date":"14 octubre, 2016","format":false,"excerpt":"Los m\u00e1s que recomendables Deep Memory (Intakt, 2016) del tr\u00edo formado por Barry Guy, Marilyn Crispell y Paul Lytton; Moments of Fatherhood (RogueArt, 2016) del Nicole Mitchell Black Earth Ensemble Ensemble Laborintus; y\u00a0Trac\u00e9 Provisoire (ECM, 2016) de Dominique Pifar\u00e9ly Quartet son las tres grabaciones protagonistas de HDO 178. \u00a9 Pachi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"barry-guy-marilyn-crispell-paul-lytton_deep-memory_intakt_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy-Marilyn-Crispell-Paul-Lytton_Deep-Memory_Intakt_2016-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2716,"url":"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xxxvi-evan-parker-barry-guy-paul-lytton\/","url_meta":{"origin":3173,"position":5},"title":"Veteranos en la brecha (XXXVI): Evan Parker \/ Barry Guy \/ Paul Lytton","author":"Tomajazz","date":"7 enero, 2011","format":false,"excerpt":"Evan Parker - Barry Guy -Paul LyttonNightworkMarge2010 Veintisiete a\u00f1os. Ni m\u00e1s y menos se han cumplido veintisiete a\u00f1os desde que Evan Parker, Barry Guy y Paul Lytton grabasen Tracks, su primer disco, all\u00e1 por 1983. Sin embargo, sus colaboraciones no se han restringido a este tr\u00edo, sino que tanto Evan\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=3173"}],"version-history":[{"count":0,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3173\/revisions"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=3173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=3173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=3173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}